Portræt af Francis Devlan

De 15 mest berømte Francis Devlan-malerier, hver og en unik

Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 15 værker af Francis Devlan i vores katalog

Kort sagt

End of the Day (1857) er det maleri af Francis Devlan, der vækker mest opsigt; originalen findes på Reading Public Museum, Reading. Derefter falder blikket på Study in Rocks (1861) og Gibraltar Furnace - Seyfert's Mill (1868). Blandt de 15 værker af Francis Devlan i vores katalog er disse 15 de mest berømte, hver især et unikt originalværk præsenteret med sit årstal, sit museum og årsagen til dets tidløse betydning.

1835 – 1870, Paterson Flest værker: Reading Public Museum

Top 10 malerier af Francis Devlan, set gennem galleriets øjne

Francis Devlans berømte malerier, nummer 11 til 15

De museer, der udstiller Francis Devlans originalværker

Det museum, der rummer flest af malerierne på denne side.

Museum By Værker af Francis Devlan Malerier fra denne liste
Reading Public Museum, ReadingReading Public Museum Reading 15 End of the Day, Study in Rocks, Gibraltar Furnace - Seyfert's Mill

Francis Devlan gennem årene: de unikke originaler fra hver enkelt

12 år adskiller Francis Devlans første og sidste daterede originaler vist her, 1857 og 1868: hvert år har sin plads nedenfor.

Værker per år

Vælg et årstal for at se de originale værker.

Francis Devlans malerier: spørgsmål til galleriet

Hvad er det mest berømte værk af Francis Devlan?Vis svaret

End of the Day (1857), Reading Public Museum, Reading. Derefter følger Study in Rocks (1861) og Gibraltar Furnace - Seyfert's Mill (1868).

Hvilken alder havde Francis Devlan, da End of the Day blev skabt?Vis svaret

22 år gammel: End of the Day er fra 1857, og Francis Devlan blev født i 1835.

Hvilke ti malerier af Francis Devlan er de mest berømte?Vis svaret

End of the Day, Study in Rocks, Gibraltar Furnace - Seyfert's Mill, Seyfert's Forge, Gibraltar, Summer, Landscape Study - Autumnal, Landscape Study, Landscape, Cattle (White Bull) og Cows in Pasture. Ranglisten ovenfor viser det enkelte værks årstal og museum.

Hvor mange værker af Francis Devlan er kendt?Vis svaret

Vores katalog indeholder 15 værker af Francis Devlan, dateret fra 1857 til 1868.

Hvor kan de mest berømte originaler af Francis Devlan ses?Vis svaret

Primært i Reading Public Museum (Reading). Museumslisten ovenfor viser dem alle.

I hvilken periode skabte Francis Devlan sine mest kendte malerier?Vis svaret

I 1864: 3 af de 15 værker på denne side blev skabt dengang, herunder Landscape Study - Autumnal.

Hvilket berømt maleri af Francis Devlan er det tidligste, og hvilket er det seneste?Vis svaret

På denne side er det tidligste End of the Day (1857) og det seneste Gibraltar Furnace - Seyfert's Mill (1868).

Hvilke originalværker af Francis Devlan kan jeg se på Reading Public Museum?Vis svaret

End of the Day, Study in Rocks og Gibraltar Furnace - Seyfert's Mill: Reading Public Museum, Reading har 15 af værkerne på denne side.

Francis Devlan: et portræt af kunstneren

A Life in Landscape

Francis Devlan was an American painter who lived a relatively brief life, passing away in 1870. His work focused heavily on the natural world, capturing the quiet details of the land and the animals that inhabited it. Though his time was short, his presence in the mid-19th century art scene is felt through the surviving pieces that remain in public collections.

His hands were often busy with oil on canvas, a medium that allowed him to build texture and depth in his depictions of the earth. He had a particular interest in the ruggedness of the terrain, as seen in his 1855 work, a rocky landscape. This piece shows an early interest in the structural elements of nature, focusing on the physical presence of stone and earth.

The Quiet Subjects

Devlan’s brushwork often turned toward the living creatures that moved through these landscapes. He had a way of grounding his scenes with a sense of stillness. One of his notable subjects was a white bull, a piece titled Cattle (White Bull), which is held in the collection of the Reading Public Museum. This work, alongside his other landscape paintings, remains a part of the legacy associated with his style of painting.

His compositions often included:

  • The heavy, solid forms of livestock.
  • The textured surfaces of rocky terrain.
  • The expansive, open qualities of the American landscape.

His paintings are held in places like the Reading Public Museum, where they offer a glimpse into the visual language of the 1860s. These works provide a window into how the American landscape was perceived during his lifetime, focusing on the tangible reality of the environment rather than the abstract.