Portræt af Francis Cotes

De 100 mest berømte Francis Cotes-malerier, hver og en unik

Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 124 værker af Francis Cotes i vores katalog

Kort sagt

Portrait of Martha Seymer as Modesty (1755) er det maleri af Francis Cotes, der fanger flest blikke. Derefter falder blikket på Princess Louisa and Princess Caroline (1767) og Mrs. Thomas Horne (1768). Blandt de 124 værker af Francis Cotes i vores katalog er disse 100 de mest berømte, hver især et unikt originalværk præsenteret med sit årstal, sit museum og årsagen til dets tidløse betydning.

1726 – 1770, London Neoclassicism Flest værker: Scottish National Portrait Gallery

Top 10 malerier af Francis Cotes, set gennem galleriets øjne

1
Portrait of Martha Seymer as Modesty (1755) af Francis Cotes

Portrait of Martha Seymer as Modesty

1755 · Oil On Canvas

We are looking at the Portrait of Martha Seymer as Modesty, a work executed by Francis Cotes. This piece dates to 1755 and offers a quiet glimpse into the portraiture of the Georgian era. It is an oil on canvas, measuring 76 x 64 cm.

2
Princess Louisa and Princess Caroline (1767) af Francis Cotes

Princess Louisa and Princess Caroline

1767 · Oil On Canvas · Buckingham Palace, London

In this 1767 oil on canvas, two aristocratic figures, Princess Louisa and Princess Caroline, are captured within a staged, elegant interior. The composition relies on a strong diagonal movement, anchored by a heavy crimson drapery that descends from a classical marble column. This deep red fabric provides a stark contrast to the lighter tones of the subjects' attire. One woman is seated in a gown of cerulean blue, while the…

3
Mrs. Thomas Horne (1768) af Francis Cotes

Mrs. Thomas Horne

1768 · Oil On Canvas · National Gallery of Art, Washington

In this 1768 oil portrait, we encounter Mrs. Thomas Horne, presented in a delicate oval format that focuses our attention entirely upon her presence. She is captured in a bust-length profile, her gaze directed softly toward the left, away from the viewer. There is a quiet dignity in her posture, a stillness that suggests a moment of private reflection. Her skin is rendered with a luminous quality, featuring soft tones…

4
Charles Collyer as a Boy, with a Cricket Bat (1766) af Francis Cotes

Charles Collyer as a Boy, with a Cricket Bat

1766 · Oil On Canvas · Yale Center for British Art, New Haven

The work before us is titled Charles Collyer as a Boy, with a Cricket Bat, a portrait painted by Francis Cotes in 1766. This painting captures the young Charles Collyer, presented in a manner that reflects the specific social customs of the mid-eighteenth century. It is a fine example of the artist's ability to render a youthful subject with a sense of poise and quiet dignity.

5
James Rivington Sr. (c. 1724-1802) (1756) af Francis Cotes

James Rivington Sr. (c. 1724-1802)

1756 · Oil On Canvas

This portrait depicts James Rivington Sr. (c. 1724-1802), a publisher and bookseller, as rendered by the artist Francis Cotes. Created in 1756, the work presents the sitter in a formal, three-quarter length pose. Rivington was a figure involved in the London publishing trade before his later activities in Philadelphia, New York, and Boston. The painting captures him against a dark, undefined background that focuses attention on the subject's physical presence…

6
The Right Honorable Lady Mary Radcliffe (1732-98), Wife of Francis Eyre, Esq. (1755) af Francis Cotes

The Right Honorable Lady Mary Radcliffe (1732-98), Wife of Francis Eyre, Esq.

1755 · Oil On Canvas · Cleveland Museum of Art, Cleveland

Lady Mary Radcliffe sits in a moment of quiet poise, her presence filling the space with an effortless elegance. The light, drifting in from the upper left, brushes against the porcelain smoothness of her skin and catches the delicate translucency of a single feather. She is captured in a three-quarter view, her gaze meeting the viewer with an intimacy that feels almost private. Her attire speaks of a high station,…

7
Portrait of Joseph (1741–1786) and his Brother John Gulston (1750–1764) (1754) af Francis Cotes

Portrait of Joseph (1741–1786) and his Brother John Gulston (1750–1764)

1754 · Oil On Canvas · J. Paul Getty Museum, Los Angeles

This oil on canvas portrait, dated 1754, depicts two young brothers, Joseph and John Gulston, positioned within a serene landscape. The figure on the left, Joseph, is oriented slightly toward the viewer with a direct gaze. He wears an ochre doublet featuring a white lace collar and cuffs, partially covered by a voluminous blue cloak. To his right, John is shown in profile, looking toward his brother. He is dressed…

8
Miss Walpole, Afterwards the Hon. Mrs. Keppel (one of pair) (1753) af Francis Cotes

Miss Walpole, Afterwards the Hon. Mrs. Keppel (one of pair)

1753 · Oil

A young woman is captured in a three-quarter view, her presence defined by a luminous complexion set against a dark, atmospheric background. She wears a teal silk gown that catches a directional light from the upper left, creating a sharp contrast between the lustrous sheen of the fabric and the deep shadows of the composition. A black ribbon encircles her neck, providing a stark anchor for the soft, creamy tones…

9
Miss C. Walpole, Afterwards Countess Dysart (one of pair) (1753) af Francis Cotes

Miss C. Walpole, Afterwards Countess Dysart (one of pair)

1753 · Oil On Canvas

In this three-quarter view portrait, Francis Cotes presents Miss C. Walpole, Afterwards Countess Dysart (one of pair) with a quiet, poised grace. The subject is positioned slightly off-center, captured from the waist up in a manner that feels both intimate and formal. This arrangement allows the viewer to observe the subtle tilt of her head and her upright, noble posture. The composition relies on a careful balance of light and…

10
Portrait of the Daughter of Richard Tucker (1764) af Francis Cotes

Portrait of the Daughter of Richard Tucker

1764 · Oil On Canvas

The young woman turns her head in a soft three-quarter profile, her gaze drifting toward the left as if caught in a quiet moment of reflection. She exists within a space of deep, neutral shadows that push her luminous skin to the very front of the viewer's vision. Every detail of her presence speaks of a refined life, from the delicate lace that trims her bodice to the subtle shimmer…

Francis Cotess berømte malerier, nummer 11 til 100

11William Phillips (1731-1781) (1761) af Francis CotesWilliam Phillips (1731-1781)1761 · New York Historical Society 12Francis Vernon (1757) af Francis CotesFrancis Vernon1757 · The Frick Collection 13Jane Colchester (1760) af Francis CotesJane Colchester1760 14Francis Burdett of Foremarke Hall (1764) af Francis CotesFrancis Burdett of Foremarke Hall1764 15Elizabeth Rushout (1762) af Francis CotesElizabeth Rushout1762 16Miss Elizabeth Adney (1760) af Francis CotesMiss Elizabeth Adney1760 · New Walk Museum - Art Gallery 17Portrait of Anne Hamilton, Countess of Donegall (1731-1780) (1766) af Francis CotesPortrait of Anne Hamilton, Countess of Donegall (1731-1780)1766 · National Gallery of Ireland 18Lady Dering (Deborah Winchester) (1767) af Francis CotesLady Dering (Deborah Winchester)1767 · Carnegie Museum of Art 19Portrait of William, Sixth Baron Craven (1768) af Francis CotesPortrait of William, Sixth Baron Craven1768 · Worcester Art Museum 20Queen Charlotte with the Infant Princess Charlotte, Princess Royal (1767) af Francis CotesQueen Charlotte with the Infant Princess Charlotte, Princess Royal1767 · Royal Collection 21Portrait of a Baby, possibly Prince Edward (1767-1820), later Duke of Kent (1768) af Francis CotesPortrait of a Baby, possibly Prince Edward (1767-1820), later Duke of Kent1768 · Royal Collection 22Hannah Vaughan (1766) af Francis CotesHannah Vaughan1766 · Museum of Fine Arts 23Benjamin Vaughan (1768) af Francis CotesBenjamin Vaughan1768 · Museum of Fine Arts 24Mary, Lady Cunliffe (1768) af Francis CotesMary, Lady Cunliffe1768 25Henry Charles Somerset (1770) af Francis CotesHenry Charles Somerset1770 · The Library And Museum of Freemasonry 26Maria Wicker, Lady Broughton (1770) af Francis CotesMaria Wicker, Lady Broughton1770 · Attingham Park 27Miss Frances Lee (1769) af Francis CotesMiss Frances Lee1769 28Anne Sawbridge (1767) af Francis CotesAnne Sawbridge1767 · Museo del Prado 29Portrait of a gentleman considered to be Sir Peter Byrne Leicester Baronet ) (1732) af Francis CotesPortrait of a gentleman considered to be Sir Peter Byrne Leicester Baronet )1732 30Topham beauclerk ) (1739) af Francis CotesTopham beauclerk )1739 31Mary Anne Colmore (1764) af Francis CotesMary Anne Colmore1764 32The Honourable Harriet Molesworth (1764) af Francis CotesThe Honourable Harriet Molesworth1764 33Lieutenant Colonel William Phillips (1764) af Francis CotesLieutenant Colonel William Phillips1764 34The Honourable Lady Stanhope and the Countess of Effingham as Diana, and Her Companion (1765) af Francis CotesThe Honourable Lady Stanhope and the Countess of Effingham as Diana, and Her Companion1765 · York Museums Trust 35Lieutenant Colonel Francis Smith (1764) af Francis CotesLieutenant Colonel Francis Smith1764 36Portrait of a Gentleman (1763) af Francis CotesPortrait of a Gentleman1763 37Portrait of Sir Robert Pigot (1765) af Francis CotesPortrait of Sir Robert Pigot1765 38George Harry Grey (1760) af Francis CotesGeorge Harry Grey1760 · Dunham Massey 39Elizabeth Campbell (1762) af Francis CotesElizabeth Campbell1762 · Scottish National Portrait Gallery 40Portrait of Maria Walpole (1765) af Francis CotesPortrait of Maria Walpole1765 41Burdett ) (1770) af Francis CotesBurdett )1770 42Elizabeth Cust (1770) af Francis CotesElizabeth Cust1770 43Portrait of Maria Gunning, Countess of Coventry (1733-1760), Wife of the 6th Earl af Francis CotesPortrait of Maria Gunning, Countess of Coventry (1733-1760), Wife of the 6th EarlNational Gallery of Ireland 44William Denison af Francis CotesWilliam DenisonMuseum of Fine Arts, Houston 45Dr. Connell af Francis CotesDr. ConnellMuseum of Fine Arts, Houston 46Luke gardiner af Francis CotesLuke gardiner 47Miss Catherine Eld af Francis CotesMiss Catherine EldBirmingham Museum and Art Gallery 48Sir Brownlow Cust af Francis CotesSir Brownlow CustBelton House 49Portrait of Mrs Richard Miles af Francis CotesPortrait of Mrs Richard Miles 50Sarah Robinson af Francis CotesSarah Robinson 51Portrait Of A Lady - af Francis CotesPortrait Of A Lady - 52Purley hall, berks af Francis CotesPurley hall, berks 53Sarah Bacon - af Francis CotesSarah Bacon - 54Portrait of Charles Colmore af Francis CotesPortrait of Charles ColmoreMusée Cognacq-Jay 55Daniel collyer af Francis CotesDaniel collyer 56Edward Knowles, captain of the HMS Peregrine af Francis CotesEdward Knowles, captain of the HMS Peregrine 57Josiah Child af Francis CotesJosiah Child 58Henrietta Child, nee Henrietta Knight af Francis CotesHenrietta Child, nee Henrietta Knight 59Sarah Bacon af Francis CotesSarah BaconScottish National Portrait Gallery 60Portrait of Taylor White, Treasurer of the Foundling Hospital af Francis CotesPortrait of Taylor White, Treasurer of the Foundling Hospital 61Mrs Hamilton of Raploch af Francis CotesMrs Hamilton of Raploch 62Kitty Fisher af Francis CotesKitty Fisher 63The Honourable John Smith Barry af Francis CotesThe Honourable John Smith BarryTabley House Collection 64Portrait of a lady and her child af Francis CotesPortrait of a lady and her child 65Colonel Alexander Campbell af Francis CotesColonel Alexander CampbellScottish National Portrait Gallery 66Sir Edward Astley af Francis CotesSir Edward Astley 67Rhoda Delaval af Francis CotesRhoda Delaval 68Anna Maria Astley af Francis CotesAnna Maria Astley 69Selina Chambers af Francis CotesSelina Chambers 70Mary Colby - af Francis CotesMary Colby - 71Catherine Fleming af Francis CotesCatherine Fleming 72Mary Colby af Francis CotesMary Colby 73Portrait Of A Lady - af Francis CotesPortrait Of A Lady - 74Portrait Of A Lady af Francis CotesPortrait Of A Lady 75John Hobart af Francis CotesJohn Hobart 76The Children Of Sir Edward And Dame Ann Astley af Francis CotesThe Children Of Sir Edward And Dame Ann Astley 77Sir William Jones af Francis CotesSir William JonesWimpole Hall 78Paul Sandby af Francis CotesPaul Sandby 79Portrait Of A Lady With A Statuette Of Cupid af Francis CotesPortrait Of A Lady With A Statuette Of Cupid 80Portrait Of An Officer af Francis CotesPortrait Of An Officer 81Burdett af Francis CotesBurdett 82Sir William Chambers af Francis CotesSir William Chambers 83David Burton Fowler af Francis CotesDavid Burton Fowler 84Kitty Fisher af Francis CotesKitty Fisher 85Bernard Ward af Francis CotesBernard Ward 86Sir Peter Byrne Leicester af Francis CotesSir Peter Byrne Leicester 87Portrait Of A Gentleman - af Francis CotesPortrait Of A Gentleman - 88Portrait Of A Gentleman af Francis CotesPortrait Of A Gentleman 89The Honourable Arthur Barry af Francis CotesThe Honourable Arthur Barry 90Admiral Edward Hawke af Francis CotesAdmiral Edward HawkeNational Maritime Museum 91Portrait of Sir James Napier af Francis CotesPortrait of Sir James Napier 92John Harvey Thursby, Verderer Of Rockingham Forest af Francis CotesJohn Harvey Thursby, Verderer Of Rockingham Forest 93Thomas Knight af Francis CotesThomas Knight 94Anna Maria Astley, Aged Seven, And Her Brother Edward, Aged Five And A Half af Francis CotesAnna Maria Astley, Aged Seven, And Her Brother Edward, Aged Five And A Half 95Pryse Campbell af Francis CotesPryse CampbellScottish National Portrait Gallery 96Mrs James Mcewan, Née Clara Ellen Cotes af Francis CotesMrs James Mcewan, Née Clara Ellen Cotes 97William Romaine af Francis CotesWilliam RomaineNational Portrait Gallery 98Portrait Of A Noblewoman af Francis CotesPortrait Of A Noblewoman 99Portrait of the Son of the Barwell Family af Francis CotesPortrait of the Son of the Barwell Family 100John Jervis, Earl Of St Vincent af Francis CotesJohn Jervis, Earl Of St VincentNational Portrait Gallery

Motiverne, der fangede Francis Cotess blik

De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.

De museer, der udstiller Francis Cotess originalværker

De 8 museer, der rummer flest af malerierne på denne side.

Museum By Værker af Francis Cotes Malerier fra denne liste
Scottish National Portrait Gallery, EdinburghScottish National Portrait Gallery Edinburgh 5 Elizabeth Campbell, Sarah Bacon, Colonel Alexander Campbell
Museum of Fine Arts, Houston, HoustonMuseum of Fine Arts, Houston Houston 3 William Denison, Dr. Connell
National Gallery of Ireland, DublinNational Gallery of Ireland Dublin 2 Portrait of Anne Hamilton, Countess of Donegall (1731-1780), Portrait of Maria Gunning, Countess of Coventry (1733-1760), Wife of the 6th Earl
Royal Collection, LondonRoyal Collection London 2 Queen Charlotte with the Infant Princess Charlotte, Princess Royal, Portrait of a Baby, possibly Prince Edward (1767-1820), later Duke of Kent
Museum of Fine Arts, BostonMuseum of Fine Arts Boston 2 Hannah Vaughan, Benjamin Vaughan
National Portrait Gallery, LondonNational Portrait Gallery London 2 William Romaine, John Jervis, Earl Of St Vincent
Buckingham Palace, LondonBuckingham Palace London 1 Princess Louisa and Princess Caroline
National Gallery of Art, WashingtonNational Gallery of Art Washington 1 Mrs. Thomas Horne

Francis Cotes gennem årtierne: ét unikt originalværk til hver

Værker per årti

Vælg et årti for at se det originale værk, der definerer det.

Francis Cotess malerier: spørgsmål til galleriet

Hvad er det mest berømte værk af Francis Cotes?Vis svaret

Portrait of Martha Seymer as Modesty (1755). Derefter følger Princess Louisa and Princess Caroline (1767) og Mrs. Thomas Horne (1768).

Hvilken alder havde Francis Cotes, da Portrait of Martha Seymer as Modesty blev skabt?Vis svaret

29 år gammel: Portrait of Martha Seymer as Modesty er fra 1755, og Francis Cotes blev født i 1726.

Hvilke ti malerier af Francis Cotes er de mest berømte?Vis svaret

Portrait of Martha Seymer as Modesty, Princess Louisa and Princess Caroline, Mrs. Thomas Horne, Charles Collyer as a Boy, with a Cricket Bat, James Rivington Sr. (c. 1724-1802), The Right Honorable Lady Mary Radcliffe (1732-98), Wife of Francis Eyre, Esq., Portrait of Joseph (1741–1786) and his Brother John Gulston (1750–1764), Miss Walpole, Afterwards the Hon. Mrs. Keppel (one of pair), Miss C. Walpole, Afterwards Countess Dysart (one of pair) og Portrait of the Daughter of Richard Tucker. Ranglisten ovenfor viser det enkelte værks årstal og museum.

Hvor mange værker af Francis Cotes er kendt?Vis svaret

Vores katalog indeholder 124 værker af Francis Cotes, dateret fra 1739 til 1770.

Hvor kan de mest berømte originaler af Francis Cotes ses?Vis svaret

Primært i Scottish National Portrait Gallery (Edinburgh), Museum of Fine Arts, Houston (Houston) og National Gallery of Ireland (Dublin). Museumslisten ovenfor viser dem alle.

I hvilken periode skabte Francis Cotes sine mest kendte malerier?Vis svaret

I 1760s: 29 af de 100 værker på denne side blev skabt dengang, herunder Princess Louisa and Princess Caroline.

Hvilket berømt maleri af Francis Cotes er det tidligste, og hvilket er det seneste?Vis svaret

På denne side er det tidligste Topham beauclerk ) (1739) og det seneste Henry Charles Somerset (1770).

Hvilke motiver foretrak Francis Cotes?Vis svaret

Woman (17), 18th century (11) og Portraits (11), fordelt på de 100 værker på denne side.

Hvilke materialer brugte Francis Cotes mest til sine malerier?Vis svaret

Oil On Canvas, for 27 af de 100 værker på denne side.

Hvilken stilart tilhører værkerne fra Francis Cotes?Vis svaret

Neoclassicism, baseret på originalerne på denne side.

Hvilke originalværker af Francis Cotes kan jeg se på Scottish National Portrait Gallery?Vis svaret

Elizabeth Campbell, Sarah Bacon og Colonel Alexander Campbell: Scottish National Portrait Gallery, Edinburgh har 4 af værkerne på denne side.

Francis Cotes: et portræt af kunstneren

Francis Cotes: En Mester i Pastel og Subtil Charme

Født i London i 1726 står Francis Cotes (1726–1770) som en afgørende figur i udviklingen af engelsk kunst under georgiansk tid. Mere end blot et portrætmaler var han en sand innovator, især kendt for sit banebrydende arbejde med pastel og kridt – medier, han pressede til deres yderste grænser. Hans arv ligger ikke kun i skønheden af hans færdige værker, men også i hans omhyggelige tilgang til teknikken og hans dybe indflydelse på efterfølgende generationer af kunstnere.

Cotes’ tidlige kunstneriske uddannelse begyndte under vejledning af George Knapton, en respekteret portrætmaler i sin tid. Dette fundament gav ham essentielle færdigheder, men Cotes søgte hurtigt at smede sin egen særprægede stil. Som en opmærksom observatør og elev af Rosalba Carriera, den berømte venetianske pastelkunstner, var han dybt påvirket af hendes delikate farvehåndtering og hendes evne til at fange flygtige udtryk. Han omfavnede pastel som sit primære medium, eksperimenterede med dets unikke kvaliteter – dens luminøsitet, dens kapacitet for subtile gradueringer og dens egnethed til at gengive bløde teksturer. Interessant nok involverede hans lærlingeuddannelse også en praktisk forståelse af kemi, viden der viste sig uvurderlig i formuleringen af sine egne pasteller, hvilket sikrede ensartet farve og tone.

En Blomstrende Karriere og Teknikkens Nyskabelser

Cotes’ karriere blomstrede i 1760'erne, en periode præget af betydelige stilistiske ændringer inden for engelsk portrætmaleri. Han udviklede en særpræget teknik karakteriseret ved tyndt påførte maling – ofte efterligner udseendet af pastel – hvilket skabte en æterisk kvalitet, der modsagde hans brug af olie. Denne tilgang indbragte ham sammenligninger med Allan Ramsay og Sir Joshua Reynolds, begge mestre i deres tid, men Cotes’ stil besad en unik charme og intimitet. Hans portrætter var berømte for deres klarhed, varme og bemærkelsesværdige opmærksomhed på detaljer, især gengivelsen af kostumer – en færdighed ofte outsourcet til den specialiserede draperimager Peter Toms efter 1746, hvilket sikrede en nøjagtig repræsentation af modetrends.

Det Kongelige Akademi og Kunstneriske Cirkler

Ud over sine individuelle kunstneriske præstationer spillede Cotes en afgørende rolle i udformningen af det kulturelle landskab i London. Han var et grundlæggende medlem af Society of Artists of Great Britain (senere Royal Academy) i 1768, hvilket demonstrerede hans engagement i at etablere en formel institution for kunstnere. Hans valg som et af de første medlemmer af Royal Academy i 1769, om end tragisk nok to år før hans død, understregede hans status inden for kunstnersamfundet. Han var kendt for sin selskabelige natur og aktive deltagelse i sociale sammenkomster, hvilket fremmede forbindelser med fremtrædende figurer fra æraen.

Cotes’ indflydelse strakte sig ud over hans eget atelier. Han vejledte John Russell, som omhyggeligt dokumenterede Cotes' teknikker i “The Elements of Painting with Crayon”, hvilket gav et værdifuldt indblik i kunstnerens metoder og filosofier. Denne arv sikrede, at Cotes’ tilgang til pastel forblev relevant længe efter hans død.

Bemærkelsesværdige Værker og Kunstnerisk Stil

Flere af Cotes’ portrætter står som vidnesbyrd om hans dygtighed og kunstnerskab. “Lieutenant Colonel Francis Smith” (1763), der nu findes på National Gallery, eksemplificerer hans neoklassiske stil – en formel fremstilling af rang og militær status gengivet med omhyggelig detalje og dramatisk lyssætning. “Francis Burdett of Foremarke Hall” (1764) viser hans mesterskab i pastelteknikken, der fanger elegancen og raffinementet i det georgianske samfund. Disse værker, sammen med adskillige andre portrætter, afslører Cotes’ evne til at indgyde sine motiver personlighed og karakter gennem subtile gestus og udtryk.

Gennem hele sin karriere fortsatte Cotes med at eksperimentere med kridt, hvilket pressede dets grænser som et medium. Selvom han i sidste ende omfavnede oliemaleri til større værker, opgav han aldrig helt kridt og erkendte dets unikke kvaliteter til at fange delikate detaljer og nuancerede effekter.

En Tragisk Afslutning og Varig Arv

Francis Cotes’ liv blev tragisk afkortet i 1770 i en alder af 44, da han bukkede under for sygdom i Richmond. På trods af sin tidlige død forbliver hans indvirkning på engelsk kunst dybdegående. Han hjalp med at etablere pastel som et respekteret medium, påvirkede utallige kunstnere og efterlod sig et værk, der fortsætter med at fange seerne med sin charme, elegance og tekniske brillante. Hans bidrag til Royal Academy og hans dedikation til kunstnerisk ekspertise cementerede hans plads som en af de vigtigste figurer i georgiansk portrætmaleri.

Yderligere udforskning af Cotes’ liv og arbejde kan findes på Art UK, hvor en omfattende biografi og billedgalleri er tilgængeligt. Hans portrætter, herunder “Lieutenant Colonel Francis Smith” og “Francis Burdett of Foremarke Hall”, kan også ses på National Gallery.