Opdateret oktober 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 30 værker af Franciabigio i vores katalog
Kort sagt
Portrait of a Man (1510) er det maleri af Franciabigio, der vækker mest opsigt; originalen findes på Louvre, Paris. Derefter falder blikket på Noli me tangere (1520) og Mary from the Annunciation (1510). Blandt de 30 værker af Franciabigio i vores katalog er disse 30 de mest berømte, hver især et unikt originalværk præsenteret med sit årstal, sit museum og årsagen til dets tidløse betydning.
In the quiet intensity of Franciabigio’s Portrait of a Man, we encounter more than just a mere likeness; we are invited into a profound meditation on human presence and the subtle complexities of the Renaissance spirit. Painted around 1510, this masterpiece serves as a captivating window into an era where the boundaries between the physical world and the psychological landscape began to dissolve. The subject, a young man of poised…
The fresco depicts Jesus Christ with arms outstretched, positioned within a landscape of green grass and distant trees. Two figures occupy the immediate space around him: one person kneels before him, while another stands behind. The scene is populated by several other individuals scattered throughout the composition, some situated in the foreground and others in the background. Above the assembly, a single bird flies through the sky. The arrangement of…
The air in the small, architectural space feels heavy with a sudden, holy stillness. To the right, Mary leans into the moment, her body caught in a subtle, twisting movement that breaks the stillness of a traditional pose. She is a figure of quiet reverence, her profile turned toward a white dove descending from the upper left. This celestial visitor, representing the Holy Spirit, glides through a cool, muted blue-green…
A single man emerges from a void of deep, shadowy tones, his presence felt through the quiet intensity of his stare. He sits slightly off-center, his body turned toward us, yet his eyes remain fixed directly upon the observer, creating an immediate, intimate connection. The light falls from the upper left, carving the contours of his face with a sharp, directional clarity. This light catches the bridge of his nose…
In this three-quarter view, we encounter a young man caught in a moment of profound introspection. He is positioned slightly off-center, his gaze directed away from us, as if lost in a private thought that we are merely permitted to observe. The lighting, descending from the upper left, carves the contours of his face with a gentle precision, casting soft shadows that define the bridge of his nose and the…
The composition is anchored by a stable pyramidal structure, a hallmark of High Renaissance balance. At the center, the Madonna sits with a serene presence, her form defined by soft contours and the gentle interplay of light and shadow. She is draped in deep blues and crimson reds, colors that provide a weight to her figure against the naturalistic greens of the background. Beside her, the Christ Child and a…
The composition centers on a moment of sudden, heavy realization within a structured architectural space. A male figure stands on the right, his body angled toward a woman on the left. He wears a muted teal tunic paired with pinkish-red hosiery, his hand gripping a sword that creates a sharp diagonal line across the center of the frame. The woman is dressed in a deep forest green gown, her posture…
We are looking at The Canonization of Saint Nicholas of Tolentino, a work executed by the Florentine painter Franciabigio. This piece dates to 1515, a period when the artist was active in the heart of the Italian Renaissance. His true name may have been Francesco di Cristofano, though he is most frequently recognized by the name Franciabigio.
We are looking at Holy Family in a Landscape, a work from 1520. This painting is attributed to the Florentine artist Franciabigio, whose full name was Francesco di Cristofano, gen. Franciabigio. It is a significant example of the High Renaissance style, captured during a period of profound transition in Italian art.
A sudden movement breaks the stillness of the stone ledge. An angel leans into the frame, caught in the middle of a divine arrival. The figure is a swirl of coral and warm pink, the heavy folds of the robes catching a light that spills from the upper right. These garments billow with a rhythmic energy, tracing the curve of a great, dark wing that sweeps through the composition. In…
St Nicholas of Tolentino performing a Miracle1517 · Ashmolean Museum
12
Portrait of a Jeweler1516
13
St. Bartholomew1515 · Museo di Capodimonte
14
The Triumph of Cicero1520 · Villa Medici
15
The Last Supper1514 · Convento della Calza
16
Angel1515 · Santo Spirito
17
Madonna with Child and the Young St John1518 · Liechtenstein Museum
18
Virgin and Child with Sts John the Baptist and Job1516 · Museo di San Salvi
19
Portrait of a Man1517 · Liechtenstein Museum
20
Portrait of a Man1522 · Staatliche Museen zu Berlin
21
Portrait of a ManDetroit Institute of Arts
22
Portrait of Jacopo CenniniRoyal Collection
23
Portrait of a Man in a Black HatBowes Museum
24
Madonna with Child1514 · Hermitage Museum
25
Head of the Madonna1509 · Metropolitan Museum of Art
26
Madonna and Christ ChildBirmingham Museum of Art
27
Portrait of a Knight of RhodesNational Gallery
28
Madonna of the Well or Madonna and Child with the young St. John the Baptist1517
29
Bathsheba bathing1523 · Staatliche Kunstsammlungen Dresden
30
Betrothal of the Virgin1513 · Santissima Annunziata
De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.
De 8 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Franciabigio | Malerier fra denne liste |
|---|---|---|---|
 Nationalmuseet i Warszawa |
Warszawa | 2 | Mary from the Annunciation, Angel from the Annunciation |
 Detroit Institute of Arts |
Detroit | 2 | Portrait of a Man, Portrait of a Man |
 Kunsthistorisches Museum |
Wien | 2 | Madonna and Child with John the Baptist, Holy Family in a Landscape |
 Liechtenstein Museum |
Wien | 2 | Madonna with Child and the Young St John, Portrait of a Man |
 Louvre |
Paris | 1 | Portrait of a Man |
 Museo del Cenacolo di San Salvi |
Florence | 1 | Noli me tangere |
 Nationalmuseet for Antik Kunst |
Lissabon | 1 | Retrato de Homem |
 Philadelphia Museum of Art |
Philadelphia | 1 | Saint Julian the Hospitaler Meeting His Wife after Killing His Parents |
Vælg et årti for at se det originale værk, der definerer det.
A single man emerges from a void of deep, shadowy tones, his presence felt through the quiet intensity of his stare. He sits slightly off-center, his body turned toward us, yet his eyes remain fixed directly upon the observer, creating an immediate, intimate connection. The light falls from the upper left, carving the contours of his face with a sharp, directional clarity. This light catches the bridge of his nose…
In the quiet intensity of Franciabigio’s Portrait of a Man, we encounter more than just a mere likeness; we are invited into a profound meditation on human presence and the subtle complexities of the Renaissance spirit. Painted around 1510, this masterpiece serves as a captivating window into an era where the boundaries between the physical world and the psychological landscape began to dissolve. The subject, a young man of poised…
The fresco depicts Jesus Christ with arms outstretched, positioned within a landscape of green grass and distant trees. Two figures occupy the immediate space around him: one person kneels before him, while another stands behind. The scene is populated by several other individuals scattered throughout the composition, some situated in the foreground and others in the background. Above the assembly, a single bird flies through the sky. The arrangement of…
Portrait of a Man (1510), Louvre, Paris. Derefter følger Noli me tangere (1520) og Mary from the Annunciation (1510).
26 år gammel: Portrait of a Man er fra 1510, og Franciabigio blev født i 1484.
Portrait of a Man, Noli me tangere, Mary from the Annunciation, Retrato de Homem, Portrait of a Man, Madonna and Child with John the Baptist, Saint Julian the Hospitaler Meeting His Wife after Killing His Parents, The Canonization of Saint Nicholas of Tolentino, Holy Family in a Landscape og Angel from the Annunciation. Ranglisten ovenfor viser det enkelte værks årstal og museum.
Vores katalog indeholder 30 værker af Franciabigio, dateret fra 1501 til 1523.
Primært i Nationalmuseet i Warszawa (Warszawa), Detroit Institute of Arts (Detroit) og Kunsthistorisches Museum (Wien). Museumslisten ovenfor viser dem alle.
I 1510s: 17 af de 30 værker på denne side blev skabt dengang, herunder Portrait of a Man.
På denne side er det tidligste Retrato de Homem (1501) og det seneste Bathsheba bathing (1523).
Man (7), Portrait (5) og Landscape (4), fordelt på de 30 værker på denne side.
Oil On Panel, for 12 af de 30 værker på denne side.
High renaissance og Renaissance, baseret på originalerne på denne side.
Mary from the Annunciation og Angel from the Annunciation: Nationalmuseet i Warszawa, Warszawa har 2 af værkerne på denne side.
