Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 19 værker af Emma Ciardi i vores katalog
Kort sagt
Lucciolina er det maleri af Emma Ciardi, der fanger flest blikke. Derefter falder blikket på Campo san barnaba og A Promenade (1911). Blandt de 19 værker af Emma Ciardi i vores katalog er disse 19 de mest berømte, hver især et unikt originalværk præsenteret med sit årstal, sit museum og årsagen til dets tidløse betydning.
This work reflects a specific fascination with scenes of leisure and refined social life. It moves away from the heavy traditions of the past to embrace a more spontaneous, observational style. The painting captures a sense of tranquility and the simple elegance of a summer day. There is a quietude here, a feeling of a world momentarily paused in a state of relaxation. It is a study of light, movement,…
The painting Campo san barnaba emerges from the brush of Emma Ciardi, an artist whose life and vision remain deeply intertwined with the canals and light of Venice, Italy. Born into a family where art was a constant presence, she was the daughter of Guglielmo Ciardi. This lineage of Venetian painters shaped her early years, embedding the spirit of the lagoon into her very identity. She spent her life within…
Campaign With Trees
12
The RendezvousThe Phillips Collection
13
Symphony In BlueThe Phillips Collection
14
Ladies Resting In The Shade
15
Villa Albani, Rome
16
The Great Fete On The Grand Canal Venice
17
Sweet Agreements
18
Pierrot Et Colombine Dans Un Parc
19
Rio Di San Giovanni E Paolo A VeneziaGallerie d'Italia – Milano
De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.
De 4 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Emma Ciardi | Malerier fra denne liste |
|---|---|---|---|
 Ca' Rezzonico – Museum for det 18. århundredes Venedig |
Venedig | 3 | Canal of St. John and Paulus and Scuola di San Marc, Canal of St. John and Paulus, The Grand Canal with the Chiesa della Salute |
 The Phillips Collection |
Washington, D.C. | 2 | The Rendezvous, Symphony In Blue |
 Brooklyn Museum |
Brooklyn | 1 | Brooklyn Museum |
 Gallerie d'Italia – Milano |
Milan | 1 | Rio Di San Giovanni E Paolo A Venezia |
En lang karriere på 23 år, fra 1911 til 1933: Emma Ciardis mest berømte originalværker, vist år for år.
Vælg et årstal for at se de originale værker.
Lucciolina. Derefter følger Campo san barnaba og A Promenade (1911).
Lucciolina, Campo san barnaba, A Promenade, Brooklyn Museum, Canal of St. John and Paulus and Scuola di San Marc, Canal of St. John and Paulus, The Grand Canal with the Chiesa della Salute, Venetian Canal, Venice From The Lagoon og Diaphanous Day. Ranglisten ovenfor viser det enkelte værks årstal og museum.
Vores katalog indeholder 19 værker af Emma Ciardi, dateret fra 1911 til 1933.
Primært i Ca' Rezzonico – Museum for det 18. århundredes Venedig (Venedig), The Phillips Collection (Washington, D.C.) og Brooklyn Museum (Brooklyn). Museumslisten ovenfor viser dem alle.
På denne side er det tidligste A Promenade (1911) og det seneste Canal of St. John and Paulus and Scuola di San Marc (1933).
Italy (4), Canal (2) og Buildings (2), fordelt på de 19 værker på denne side.
Canal of St. John and Paulus and Scuola di San Marc, Canal of St. John and Paulus og The Grand Canal with the Chiesa della Salute: Ca' Rezzonico – Museum for det 18. århundredes Venedig, Venedig har 3 af værkerne på denne side.
Born in Venice, Italy, in 1879, Emma Ciardi emerged from a family deeply rooted in the artistic tradition. Following in the footsteps of her father, Guglielmo Ciardi, and brother, Beppe Ciardi, she began painting as an adolescent. This familial influence provided a strong foundation for her artistic development.
Ciardi’s talent quickly became apparent, leading to her first exhibition in 1900 at the prestigious Exposition Universelle in Paris. She also showcased her work at the Promotrice in Turin that same year. This early exposure marked the beginning of a successful exhibiting career. In 1903, she participated in the Esposizione Internazionale d’Arte di Venezia and continued to exhibit there almost annually until 1932.
Emma Ciardi's artistic style is characterized by a blend of Impressionistic techniques and a fascination with the elegance of the 18th century. She became particularly known for her landscapes and evocative views of Venice, capturing the city’s unique atmosphere and charm. However, she also gained significant recognition for her neo-18th-century subjects, depicting scenes of leisure, romance, and refined social life.
Ciardi’s work resonated strongly with audiences beyond Italy. In 1910, she organized her first solo exhibition at the Leicester Galleries in London, followed by another in 1913. Further exhibitions were held at the Fine Art Society in London in 1928 and 1933. Her breakthrough in the American market came in 1923 when she exhibited at the Howard Young Gallery in New York, which secured exclusive rights to sell her paintings.
Emma Ciardi’s career was tragically cut short by her death in Venice in 1933. However, her artistic contributions were celebrated just two years later with a retrospective exhibition commemorating the fortieth anniversary of the Venice Biennale.
Ciardi's work offers a glimpse into a specific moment in time – a period of artistic transition and revivalism. Her ability to blend Impressionistic techniques with historical themes created a unique aesthetic that continues to captivate viewers today. She stands as a notable figure in Italian art history, representing the vibrant artistic scene of early 20th-century Venice.
