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De 1 mest berømte Else Wex Cleemann-malerier, en galleriselektion
Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 2 værker af Else Wex Cleemann i vores katalog
Kort sagt
Af alle de originale værker, som Else Wex Cleemann efterlod, er det mest berømte Knabenbildnis (1934), som er en del af samlingen på Bavarian State Painting Collections i München. Vores katalog indeholder 2 værker af Else Wex Cleemann; galleriet har bevaret de 1 værker, som verden beundrer mest, hver vist med sin dato, sit museum og sin historie.
1890 – 1978, Ciudad Bolívar
Flest værker: Bavarian State Painting Collections
Else Wex Cleemanns top 10 malerier: galleriets udvalg
De museer, der udstiller Else Wex Cleemanns originalværker
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Else Wex Cleemann | Malerier fra denne liste |
|---|---|---|---|
 Bavarian State Painting Collections |
München | 1 | Knabenbildnis |
Else Wex Cleemann år for år: de originale værker, der definerer hvert år
1934 er året for hvert dateret Else Wex Cleemann værk i dette udvalg: her er de, rangeret efter berømmelse.
Værker per år
Vælg et årstal for at se de originale værker.
Samleres spørgsmål om Else Wex Cleemanns malerier
Hvilket værk er Else Wex Cleemann mest kendt for?Vis svaret
Knabenbildnis (1934)
Hvor gammel var Else Wex Cleemann, da Knabenbildnis blev skabt?Vis svaret
44 år gammel: Knabenbildnis er fra 1934, og Else Wex Cleemann blev født i 1890.
Hvor mange malerier efterlod Else Wex Cleemann?Vis svaret
Vores katalog indeholder 2 værker af Else Wex Cleemann.
I hvilke museer udstilles Else Wex Cleemann's mesterværker?Vis svaret
Primært i Bavarian State Painting Collections (München). Museumslisten ovenfor viser dem alle.
Else Wex Cleemann: liv og værk
Life and Artistic Journey
Born in Ciudad Bolívar, Venezuela, Else Wex Cleemann was a German painter and etcher. After her family moved to Hamburg, she studied at the Kunstgewerbeschule, eventually qualifying as a drawing teacher. Her formal training continued in Berlin at the art school of Arthur Lewin-Funcke, where she studied under Lovis Corinth, and later in Hamburg, where she studied graphics with Fritz Behnke. Following a period in Paris, she became active in the artistic circles of Hamburg and Lübeck.
Her work during the 1920s was characterized by a style influenced by New Objectivity, noted for its luminous color and the sharpness and clarity of external forms. Her subjects included portraits and landscapes, often inspired by travels to Italy, Munich, Norway, Denmark, Holland, and France. In 1933, she married Jan Cleemann.
Exhibitions and Legacy
The career of Else Wex Cleemann was marked by significant historical complexities. In 1937, her oil painting Old Factory (Factory Courtyard) was confiscated by the Kunsthalle zu Kiel as degenerate art. During the same period, her portrait of Hermann Behme was exhibited in the Great German Art Exhibition. Her 1937 self-portrait, Self-Portrait as Eva, reflects the ambivalence of both rejection and success during the National Socialist era.
In the years following the Second World War, she participated in numerous exhibitions, though she lived a more withdrawn life in her later years due to a lack of acceptance for her work. Recently, her work has undergone a positive re-evaluation, with pieces featured in exhibitions such as Spannungsfeld Weimar. Kunst und Gesellschaft 1919-1933 and Kunst in „Dritten Reich“.