Portræt af Eduard Schleich the Elder

Eduard Schleich the Elder malerier: De 44 mest berømte, set gennem et galleris øjne

Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 51 værker af Eduard Schleich the Elder i vores katalog

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I galleriets øjne er Eduard Schleich the Elders mest berømte maleri Landscape with Dying Oak (1832), hvis original hænger på Bavarian State Painting Collections i München. Landscape with Oak (1835) og Campagna Landscape with Two Riders (1837) fuldender trioen, som ethvert øje genkender. Ud af de 51 værker af Eduard Schleich the Elder i vores katalog præsenterer galleriet herunder de 44 mest berømte, hver som et originalværk med årstal, museum og det, der gør det unikt.

1812 – 1874, Haarbach Flest værker: Bavarian State Painting Collections

Galleriets top 10 Eduard Schleich the Elder malerier

Eduard Schleich the Elders malerier, rangeret fra 11 til 44

11Landscape with Ancient Ruins (1850) af Eduard Schleich the ElderLandscape with Ancient Ruins1850 12Dutch River Landscape with Mill in Moonlight (1855) af Eduard Schleich the ElderDutch River Landscape with Mill in Moonlight1855 13A View in the Tyrol (1851) af Eduard Schleich the ElderA View in the Tyrol1851 · Royal Collection 14Moon-light at the River in Venice (1850) af Eduard Schleich the ElderMoon-light at the River in Venice1850 15Gaul in a peasant-yard (1850) af Eduard Schleich the ElderGaul in a peasant-yard1850 16Harbour at moon-light (1850) af Eduard Schleich the ElderHarbour at moon-light1850 17The border of a lake in storm (1850) af Eduard Schleich the ElderThe border of a lake in storm1850 18Landscape with river+ cows (1850) af Eduard Schleich the ElderLandscape with river+ cows1850 19Upper Bavarian River Landscape during a Thunderstorm (1860) af Eduard Schleich the ElderUpper Bavarian River Landscape during a Thunderstorm1860 · Lenbachhaus 20View from the Karlsberg near Dachau towards the Mountains (1860) af Eduard Schleich the ElderView from the Karlsberg near Dachau towards the Mountains1860 · Bavarian State Painting Collections 21Area on the Beach near Scheveningen (1857) af Eduard Schleich the ElderArea on the Beach near Scheveningen1857 · Bavarian State Painting Collections 22Venice by Moonlight (1861) af Eduard Schleich the ElderVenice by Moonlight1861 · Bavarian State Painting Collections 23View of Starnberger See (1862) af Eduard Schleich the ElderView of Starnberger See1862 · Bavarian State Painting Collections 24The Isar Bed near München with View of the Bavarian Alps (1858) af Eduard Schleich the ElderThe Isar Bed near München with View of the Bavarian Alps1858 · Bavarian State Painting Collections 25View of Schloss Pommersfelden (1870) af Eduard Schleich the ElderView of Schloss Pommersfelden1870 · Bavarian State Painting Collections 26Schloss and Church in Günzburg an der Donau (1870) af Eduard Schleich the ElderSchloss and Church in Günzburg an der Donau1870 · Bavarian State Painting Collections 27Two Farmhouses Under Trees with a Passing Herd of Cattle (1865) af Eduard Schleich the ElderTwo Farmhouses Under Trees with a Passing Herd of Cattle1865 · Bavarian State Painting Collections 28Foothill Landscape in the Evening (1865) af Eduard Schleich the ElderFoothill Landscape in the Evening1865 · Bavarian State Painting Collections 29Two Farmhouses under Trees with a Passing Herd of Cattle (1870) af Eduard Schleich the ElderTwo Farmhouses under Trees with a Passing Herd of Cattle1870 · Bavarian State Painting Collections 30A Beach Outing (1865) af Eduard Schleich the ElderA Beach Outing1865 · Bavarian State Painting Collections 31Village Scene near Pasing (1870) af Eduard Schleich the ElderVillage Scene near Pasing1870 · Bavarian State Painting Collections 32Forest Landscape with Flock of Sheep and Shepherds (1864) af Eduard Schleich the ElderForest Landscape with Flock of Sheep and Shepherds1864 · Bavarian State Painting Collections 33Storm-Swept Landscape (1870) af Eduard Schleich the ElderStorm-Swept Landscape1870 · Bavarian State Painting Collections 34The Ammersee with a View of the Mountains (1867) af Eduard Schleich the ElderThe Ammersee with a View of the Mountains1867 · Bavarian State Painting Collections 35Landscape with Cows by the Water (1865) af Eduard Schleich the ElderLandscape with Cows by the Water1865 · Bavarian State Painting Collections 36Pond Landscape (1884) af Eduard Schleich the ElderPond Landscape1884 · Bavarian State Painting Collections 37Upper Bavarian Plain with Returning Flock of Sheep af Eduard Schleich the ElderUpper Bavarian Plain with Returning Flock of SheepLenbachhaus 38Sandpit on the Schleißheimer Allee af Eduard Schleich the ElderSandpit on the Schleißheimer AlleeLenbachhaus 39Windmills in Moonlight af Eduard Schleich the ElderWindmills in MoonlightBavarian State Painting Collections 40High Mountain Landscape af Eduard Schleich the ElderHigh Mountain LandscapeBavarian State Painting Collections 41River Landscape af Eduard Schleich the ElderRiver LandscapeBavarian State Painting Collections 42A Farmhouse af Eduard Schleich the ElderA FarmhouseBavarian State Painting Collections 43Landscape with Flock of Sheep and Windmill in the Background af Eduard Schleich the ElderLandscape with Flock of Sheep and Windmill in the Background 44The Mountain Lake af Eduard Schleich the ElderThe Mountain Lake

De museer, der udstiller Eduard Schleich the Elders originalværker

De 3 museer, der rummer flest af malerierne på denne side.

Museum By Værker af Eduard Schleich the Elder Malerier fra denne liste
Bavarian State Painting Collections, MünchenBavarian State Painting Collections München 25 Landscape with Dying Oak, Landscape with Oak, An Alpine Meadow
Lenbachhaus, MünchenLenbachhaus München 3 Upper Bavarian River Landscape during a Thunderstorm, Upper Bavarian Plain with Returning Flock of Sheep, Sandpit on the Schleißheimer Allee
Royal Collection, LondonRoyal Collection London 1 A View in the Tyrol

Eduard Schleich the Elder, ét signaturmaleri per årti

Værker per årti

Vælg et årti for at se det originale værk, der definerer det.

Eduard Schleich the Elder's malerier: galleriets svar

Hvilket maleri af Eduard Schleich the Elder er det mest berømte af alle?Vis svaret

Landscape with Dying Oak (1832), Bavarian State Painting Collections, München. Derefter følger Landscape with Oak (1835) og Campagna Landscape with Two Riders (1837).

Hvor gammel var Eduard Schleich the Elder, da Landscape with Dying Oak blev færdiggjort?Vis svaret

20 år gammel: Landscape with Dying Oak er fra 1832, og Eduard Schleich the Elder blev født i 1812.

Hvilke er Eduard Schleich the Elders top 10 malerier?Vis svaret

Landscape with Dying Oak, Landscape with Oak, Campagna Landscape with Two Riders, view of munich from south with rain clouds, Landscape with rainbow, Landscape with a Watermill in Morgenbachtal, An Alpine Meadow, At Brannenburg, Forest Landscape with Herd of Cattle og Mountain Landscape with Cows. Ranglisten ovenfor viser det enkelte værks årstal og museum.

Hvor mange værker skabte Eduard Schleich the Elder?Vis svaret

Vores katalog indeholder 51 værker af Eduard Schleich the Elder, dateret fra 1832 til 1870.

Hvor hænger Eduard Schleich the Elders mest berømte originaler?Vis svaret

Primært i Bavarian State Painting Collections (München), Lenbachhaus (München) og Royal Collection (London). Museumslisten ovenfor viser dem alle.

Hvornår skabte Eduard Schleich the Elder sine mest berømte malerier?Vis svaret

I 1850s: 12 af de 44 værker på denne side blev skabt dengang, herunder Forest Landscape with Herd of Cattle.

Hvilke er Eduard Schleich the Elders tidligste og seneste berømte værker?Vis svaret

På denne side er det tidligste Landscape with Dying Oak (1832) og det seneste View of Schloss Pommersfelden (1870).

Hvilke originalværker af Eduard Schleich the Elder findes i Bavarian State Painting Collections?Vis svaret

Landscape with Dying Oak, Landscape with Oak og An Alpine Meadow: Bavarian State Painting Collections, München har 25 af værkerne på denne side.

Eduard Schleich the Elder: kunstneren

The Romantic Vision of Eduard Wilhelm Pose

In the heart of the nineteenth century, a period defined by the turbulent beauty of the Romantic movement, Eduard Wilhelm Pose emerged as a vital voice within the prestigious Düsseldorf School of Painting. Born in 1812 in the vibrant city of Düsseldorf, Pose was destined for a life entwined with the brush and canvas. He was the son of Ludwig Pose, a renowned decorative painter whose influence provided the young artist with an early, intimate education in the nuances of light, texture, and the meticulous craftsmanship required to transform a surface into a window onto another world. As a child, wandering through the Rhineland alongside his father on various commissions, Pose absorbed the atmospheric essence of the German landscape, a formative experience that would later become the soul of his mature work.

The spark of his true vocation was ignited during a visit to the historic Rheinstein Castle. Witnessing his father’s work for Prince Frederick, the young Eduard felt a profound calling toward the fine arts. This passion led him to the Kunstakademie Düsseldorf in 1829, where he began a rigorous formal education. It was here that he encountered the influential Johann Wilhelm Schirmer, a master of landscape who would guide Pose toward a style defined by tonal harmony and an expressive approach to nature. Under Schirmer’s tutelage, Pose learned to move beyond mere topographical accuracy, seeking instead to capture the emotional resonance of the terrain. His early triumphs were found in his depictions of the Hunsrück and Eifel regions, where his ability to render the rugged textures of rock and the delicate play of shadow earned him significant critical acclaim.

A Journey Through Light and Rebellion

The trajectory of Pose’s career was not merely a steady ascent but a series of dramatic shifts shaped by both personal conviction and historical upheaval. In 1836, a defining moment of artistic rebellion occurred when Pose, alongside several fellow students, broke away from the academy. This schism was fueled by a growing discontent with the conservative director, Friedrich Wilhelm Schadow, whose rigid adherence to classical academicism stood in stark opposition to the burgeoning Romantic desire for emotion and imagination. This period of transition saw Pose moving toward Munich, where he sought inspiration in the studios of Carl Rottmann, further refining his ability to infuse landscapes with a sense of poetic grandeur.

His travels would eventually lead him to the sun-drenched landscapes of Italy, particularly Rome, between 1842 and 1845. This Mediterranean sojourn proved transformative; the muted, earthy tones of his German origins began to yield to a much brighter, more luminous palette. The clarity of Italian light breathed new life into his compositions, allowing for a more vibrant interplay of color that would characterize his later works. Upon returning to Germany, Pose became an integral part of the artistic circles in Frankfurt am Main and the Kronberg artists' colony, maintaining a connection to the evolving landscape traditions of his homeland while carrying the brilliance of his southern travels within his technique.

Legacy and the Art of the Landscape

The historical significance of Eduard Wilhelm Pose lies in his ability to bridge the gap between the disciplined tradition of the Düsseldorf School and the emotive freedom of Romanticism. His work serves as a testament to a time when landscape painting was used to explore the very essence of the human spirit through the medium of nature. Whether capturing the quiet solitude of a mountain lake or the industrious charm of a watermill in the Morgenbachtal, Pose’s canvases remain deeply evocative.

Beyond his individual technical achievements, his life intersected with some of the most compelling narratives of nineteenth-century art history. His personal connections, including his relationship with his wife Pauline—who famously served as a model for Gustave Courbet—place him at the center of a rich tapestry of European artistic exchange. Today, Pose is remembered not just as a painter of scenery, but as a master of atmosphere, whose legacy continues to resonate through the enduring beauty of his romanticized visions of the natural world.