Portræt af E. Phillips Fox

De 40 mest berømte E. Phillips Fox-malerier, hver og en unik

Opdateret oktober 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 44 værker af E. Phillips Fox i vores katalog

Kort sagt

Autumn showers (1900) er det maleri af E. Phillips Fox, der vækker mest opsigt; originalen findes på Art Gallery of New South Wales, Sydney. Derefter falder blikket på Portrait of My Cousin (1893) og Untitled (AQZBK4) (1910). Blandt de 44 værker af E. Phillips Fox i vores katalog er disse 40 de mest berømte, hver især et unikt originalværk præsenteret med sit årstal, sit museum og årsagen til dets tidløse betydning.

1865 – 1915, Fitzroy Impressionism Flest værker: Art Gallery of New South Wales

Top 10 malerier af E. Phillips Fox, set gennem galleriets øjne

1
Autumn showers (1900) af E. Phillips Fox

Autumn showers

1900 · Oil On Canvas · Art Gallery of New South Wales, Sydney

The painting Autumn showers is a work by E. Phillips Fox, completed in 1900. It emerged from a specific period in the artist's life, specifically during his 1899 residency at Charterisville, a homestead situated near Eaglemont in Victoria. This setting provided the backdrop for the creation of this oil on canvas piece.

6
English Landing of Captain Cook at Botany Bay, 1770 (1902) af E. Phillips Fox

English Landing of Captain Cook at Botany Bay, 1770

1902 · Acrylic On Canvas · The Ian Potter Centre - Ngv Australia, Melbourne

A Window into Colonial Australia: Emanuel Phillips Fox’s “English Landing of Captain Cook at Botany Bay” Emanuel Phillips Fox's "English Landing of Captain Cook at Botany Bay," completed in 1902, transcends mere depiction; it embodies a pivotal moment in Australian history and artistic innovation. More than just a picturesque landscape, this painting serves as a tangible reminder of the dawn of European settlement and the burgeoning Impressionist movement’s fascination with…

E. Phillips Foxs berømte malerier, nummer 11 til 40

Motiverne, der fangede E. Phillips Foxs blik

De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.

De museer, der udstiller E. Phillips Foxs originalværker

De 7 museer, der rummer flest af malerierne på denne side.

Museum By Værker af E. Phillips Fox Malerier fra denne liste
Art Gallery of New South Wales, SydneyArt Gallery of New South Wales Sydney 6 Autumn showers, Heidelberg, Art Students
The Ian Potter Centre - Ngv Australia, MelbourneThe Ian Potter Centre - Ngv Australia Melbourne 3 Untitled (AQZBKC), English Landing of Captain Cook at Botany Bay, 1770, English The Arbour
National Gallery of Australia, CanberraNational Gallery of Australia Canberra 2 Untitled (AQZBJJ), Untitled (AQZBJQ)
Art Gallery of South Australia, AdelaideArt Gallery of South Australia Adelaide 2 English After the bath Français Après le bain, Al Fresco
National Gallery of Victoria, MelbourneNational Gallery of Victoria Melbourne 1 Portrait of My Cousin
Kerry Stokes Collection, PerthKerry Stokes Collection Perth 1 Français Etude de nu
National Portrait Gallery, CanberraNational Portrait Gallery Canberra 1 Ina Gregory

E. Phillips Fox gennem årtierne: ét unikt originalværk til hver

Værker per årti

Vælg et årti for at se det originale værk, der definerer det.

E. Phillips Foxs malerier: spørgsmål til galleriet

Hvad er det mest berømte værk af E. Phillips Fox?Vis svaret

Autumn showers (1900), Art Gallery of New South Wales, Sydney. Derefter følger Portrait of My Cousin (1893) og Untitled (AQZBK4) (1910).

Hvilken alder havde E. Phillips Fox, da Autumn showers blev skabt?Vis svaret

35 år gammel: Autumn showers er fra 1900, og E. Phillips Fox blev født i 1865.

Hvilke ti malerier af E. Phillips Fox er de mest berømte?Vis svaret

Autumn showers, Portrait of My Cousin, Untitled (AQZBK4), Untitled (AQZBK8), Untitled (AQZBKC), English Landing of Captain Cook at Botany Bay, 1770, The Cabbage Patch, English The Setting Sun, Untitled (AQZBJU) og Untitled (AQZBJJ). Ranglisten ovenfor viser det enkelte værks årstal og museum.

Hvor mange værker af E. Phillips Fox er kendt?Vis svaret

Vores katalog indeholder 44 værker af E. Phillips Fox, dateret fra 1889 til 1913.

Hvor kan de mest berømte originaler af E. Phillips Fox ses?Vis svaret

Primært i Art Gallery of New South Wales (Sydney), The Ian Potter Centre - Ngv Australia (Melbourne) og National Gallery of Australia (Canberra). Museumslisten ovenfor viser dem alle.

I hvilken periode skabte E. Phillips Fox sine mest kendte malerier?Vis svaret

I 1910s: 12 af de 40 værker på denne side blev skabt dengang, herunder Untitled (AQZBK4).

Hvilket berømt maleri af E. Phillips Fox er det tidligste, og hvilket er det seneste?Vis svaret

På denne side er det tidligste The Cabbage Patch (1889) og det seneste Untitled (AQZBKU) (1913).

Hvilke motiver foretrak E. Phillips Fox?Vis svaret

Landscape (3), Leisure (3) og Reading (3), fordelt på de 40 værker på denne side.

Hvilken stilart tilhører værkerne fra E. Phillips Fox?Vis svaret

Impressionism, baseret på originalerne på denne side.

Hvilke originalværker af E. Phillips Fox kan jeg se på Art Gallery of New South Wales?Vis svaret

Autumn showers, Heidelberg og Art Students: Art Gallery of New South Wales, Sydney har 6 af værkerne på denne side.

E. Phillips Fox: et portræt af kunstneren

A Vision of Light and Leisure

Emanuel Phillips Fox stands as a luminous figure in the history of Australian art, a painter whose brush captured the ephemeral beauty of light and the quiet elegance of modern life. Born in Melbourne, Victoria, his artistic journey was one of profound movement, bridging the landscapes of Australia and the vibrant studios of Europe. As an Impressionist, Fox possessed a rare ability to translate the atmosphere of a moment onto canvas, creating scenes that feel less like static images and even more like breathing memories. His work often centers on the serene, capturing figures immersed in nature or the gentle rhythms of daily leisure, rendered with a mastery of color and light that evokes a sense of profound tranquility.

The development of his style was deeply influenced by his time spent abroad. After studying at the National Gallery of Victoria Art School, Fox traveled to Paris in 1886, where he remained in Europe for several years. This period of immersion in the heart of the Impressionist movement allowed him to absorb the techniques of light and shadow that would become hallmarks of his oeuvre. Upon returning to Melbourne, he became a pivotal figure in the second phase of the Heidelberg School, bringing a sophisticated, European sensibility to the Australian Impressionist tradition. His ability to blend the structural elements of composition with the fluid, atmospheric qualities of light allowed him to lead a new era of artistic expression in his homeland.

Mastery of the Impressionist Spirit

The essence of Fox’s artistry lies in his capacity to find the extraordinary within the ordinary. His paintings frequently feature women in contemplative or relaxed poses, often set against lush, sun-drenched backgrounds. Whether it is a figure reading a book beneath the shade of a tree or people gathered near the water's edge, there is an unmistakable sense of harmony and balance in his work. He utilized oil on canvas to build textures that mimic the natural world, from the delicate petals of flowers to the shimmering surface of a river.

His technical achievements are characterized by several key elements:

  • Luminous Landscapes: A profound ability to capture the specific quality of light, creating depth and dimensionality through subtle shifts in tone.
  • Atmospheric Composition: The use of nature—such as climbing vines, trees, and water—to frame subjects and create a sense of immersive environment.
  • Capturing the Moment: A focus on scenes of relaxation and leisure that convey a peaceful, almost dreamlike atmosphere.

Through his dedication to the Impressionist style, Emanuel Phillips Fox left an indelible mark on the Australian art canon. His legacy is not merely found in the beauty of his individual works, but in his role as a bridge between continents, bringing the light of Paris to the landscapes of Victoria and forever altering the trajectory of Australian painting.