Kort sagt
I galleriets øjne er Dominik Webers mest berømte maleri Portrait of Two Children (1840), hvis original hænger på Augustiner Museum i Freiburg. Bildnis des Freiburger Kaufmanns Heinrich Heydt (1854) og Portrait of a Young Woman with Two Children (1854) fuldender trioen, som ethvert øje genkender. Ud af de 9 værker af Dominik Weber i vores katalog præsenterer galleriet herunder de 9 mest berømte, hver som et originalværk med årstal, museum og det, der gør det unikt.
Galleriets top 10 Dominik Weber malerier
De museer, der udstiller Dominik Webers originalværker
De 2 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Dominik Weber | Malerier fra denne liste |
|---|---|---|---|
| Freiburg | 8 | Portrait of Two Children, Bildnis des Freiburger Kaufmanns Heinrich Heydt, Portrait of a Young Woman with Two Children | |
| Karlsruhe | 1 | Two Girls with Dove |
Dominik Weber, ét signaturmaleri per årti
Værker per årti
Vælg et årti for at se det originale værk, der definerer det.
Dominik Weber's malerier: galleriets svar
Hvilket maleri af Dominik Weber er det mest berømte af alle?Vis svaret
Portrait of Two Children (1840), Augustiner Museum, Freiburg. Derefter følger Bildnis des Freiburger Kaufmanns Heinrich Heydt (1854) og Portrait of a Young Woman with Two Children (1854).
Hvor gammel var Dominik Weber, da Portrait of Two Children blev færdiggjort?Vis svaret
21 år gammel: Portrait of Two Children er fra 1840, og Dominik Weber blev født i 1819.
Hvor mange værker skabte Dominik Weber?Vis svaret
Vores katalog indeholder 9 værker af Dominik Weber, dateret fra 1840 til 1869.
Hvor hænger Dominik Webers mest berømte originaler?Vis svaret
Primært i Augustiner Museum (Freiburg) og Staatliche Kunsthalle Karlsruhe (Karlsruhe). Museumslisten ovenfor viser dem alle.
Hvornår skabte Dominik Weber sine mest berømte malerier?Vis svaret
I 1860s: 5 af de 9 værker på denne side blev skabt dengang, herunder Artist’s Daughter Wearing a Grey Dress.
Hvilke er Dominik Webers tidligste og seneste berømte værker?Vis svaret
På denne side er det tidligste Portrait of Two Children (1840) og det seneste Two Girls with Dove (1869).
Hvilke originalværker af Dominik Weber findes i Augustiner Museum?Vis svaret
Portrait of Two Children, Bildnis des Freiburger Kaufmanns Heinrich Heydt og Portrait of a Young Woman with Two Children: Augustiner Museum, Freiburg har 8 af værkerne på denne side.
Dominik Weber: kunstneren
A Life in the Black Forest
Dominik Weber lived much of his life within the quiet landscapes of Germany. Born on 27 July 1819 in Sankt Peter, his roots were deeply tied to the region. He spent his later years in Freiburg im Breisgau, where he passed away on 7 September 1887. His presence in these towns suggests a life shaped by the steady rhythms of the Black Forest and the local communities that surrounded him.
His work often turned its gaze toward the people who inhabited these spaces. He captured the quiet dignity of daily existence, from the faces of merchants to the simple tasks of rural laborers. There is a sense of familiarity in his subjects, as if he were painting neighbors and family members he saw every day.
The Faces of His World
Weber focused heavily on figurative painting, finding meaning in the individual characters of his era. He had a particular interest in capturing portraits that felt grounded and real. Some of his notable subjects included:
- Artist’s Daughter Wearing a Grey Dress (1860): A tender look at a child within his own family.
- Peasant Girl with Two Goats, Carrying a Bundle of Hay: A depiction of the physical labor common to the countryside.
- Portrait of an Elderly Peasant Woman (1869): A study of age and character.
- Bildnis des Freiburger Kaufmanns Heinrich Heydt (1854): A portrait of a local businessman from Freiburg.
In his self-portraits, such as the one painted around 1860, we see the artist looking back at himself. These works, alongside portraits of his wife and children, suggest that his personal life and his professional output were closely intertwined. He did not seek out grand historical scenes, but rather found his purpose in the people closest to him.
A Legacy of Observation
While much of his work remains part of private collections or specific regional archives, the pieces that survive show a commitment to the figurative tradition. His ability to document the clothing, tools, and expressions of 19th-century German life provides a window into a period of transition. He recorded the way a lady sat in 1840 and how a young woman held her children in 1854, preserving these small, human moments for those who would come after him.





