Portræt af Domenico Corvi

De 8 mest berømte Domenico Corvi-malerier, en galleriselektion

Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 8 værker af Domenico Corvi i vores katalog

Kort sagt

Af alle de originale værker, som Domenico Corvi efterlod, er det mest berømte The Glorification of Andrea Doria (1750), som er en del af samlingen på Minneapolis Institute of Art i Minneapolis. Lige efter følger Camillus and the Schoolmaster of Falerii (1764) og Allegory of Painting (1764). Vores katalog indeholder 8 værker af Domenico Corvi; galleriet har bevaret de 8 værker, som verden beundrer mest, hver vist med sin dato, sit museum og sin historie.

1721 – 1803, Viterbo Flest værker: Capitoline Museums

Domenico Corvis top 10 malerier: galleriets udvalg

De museer, der udstiller Domenico Corvis originalværker

De 6 museer, der rummer flest af malerierne på denne side.

Museum By Værker af Domenico Corvi Malerier fra denne liste
Capitoline Museums, RomCapitoline Museums Rom 2 Camillus and the Schoolmaster of Falerii, The Vestal Tuccia
Minneapolis Institute of Art, MinneapolisMinneapolis Institute of Art Minneapolis 1 The Glorification of Andrea Doria
Walters Art Museum, BaltimoreWalters Art Museum Baltimore 1 Allegory of Painting
Scottish National Portrait Gallery, EdinburghScottish National Portrait Gallery Edinburgh 1 David Allan, 1744 - 1796. Artist
Accademia di San Luca, RomAccademia di San Luca Rom 1 Self-portrait
Museum of Fine Arts, BostonMuseum of Fine Arts Boston 1 Virgin and Child

Domenico Corvi årti for årti: det originale værk, der definerer hvert enkelt

Værker per årti

Vælg et årti for at se det originale værk, der definerer det.

Samleres spørgsmål om Domenico Corvis malerier

Hvilket værk er Domenico Corvi mest kendt for?Vis svaret

The Glorification of Andrea Doria (1750), Minneapolis Institute of Art, Minneapolis. Derefter følger Camillus and the Schoolmaster of Falerii (1764) og Allegory of Painting (1764).

Hvor gammel var Domenico Corvi, da The Glorification of Andrea Doria blev skabt?Vis svaret

29 år gammel: The Glorification of Andrea Doria er fra 1750, og Domenico Corvi blev født i 1721.

Hvor mange malerier efterlod Domenico Corvi?Vis svaret

Vores katalog indeholder 8 værker af Domenico Corvi, dateret fra 1750 til 1803.

I hvilke museer udstilles Domenico Corvi's mesterværker?Vis svaret

Primært i Capitoline Museums (Rom), Minneapolis Institute of Art (Minneapolis) og Walters Art Museum (Baltimore). Museumslisten ovenfor viser dem alle.

I hvilke år malede Domenico Corvi sine mest berømte værker?Vis svaret

I 1760s: 2 af de 8 værker på denne side blev skabt dengang, herunder Camillus and the Schoolmaster of Falerii.

Hvad er de første og de sidste berømte originaler af Domenico Corvi?Vis svaret

På denne side er det tidligste The Glorification of Andrea Doria (1750) og det seneste Self-portrait (1803).

Hvilke værker af Domenico Corvi udstilles på Capitoline Museums?Vis svaret

Camillus and the Schoolmaster of Falerii og The Vestal Tuccia: Capitoline Museums, Rom har 2 af værkerne på denne side.

Domenico Corvi: liv og værk

The Life and Career of Domenico Corvi

Domenico Corvi was an Italian painter active during the close of the 18th century. Born in Viterbo, he moved to Rome to work under Francesco Mancini. His early career involved works in Viterbo and Palestrina, as well as the decoration of churches in and around Rome. In 1750, he won first prize at the Accademia di San Luca, later becoming a full member in 1756. During this time, he returned to his native Viterbo to participate in decorating the church of the Gonfalone, contributing roundels of the apostles Saints Simon and Jude and a scene of the Beheading of Saint John the Baptist.

Corvi's professional journey included significant commissions for various patrons. His works include:

  • A series of canvases in Vedana, including an altarpiece of Saint Michael Archangel for the church of Trinità dei Monti.
  • Scenes for the Palazzo Barberini in Rome, depicting the Life of the Blessed Margherita Colonna and subjects from Venetian history.
  • A painting in Turin, San Domenico, titled Victor Amadeus I, Duke of Savoy, Expelling the Plague with the Lamp of the Madonna delle Grazie in 1630.
  • The painting The Miracle of Saint Joseph Calasanz Resuscitating a Child, located in the Wadsworth Atheneum.
  • Works for the Borghese family, such as an altarpiece of Saint Leo IV Extinguishing the Fire in the Borgo and a ceiling with the Sacrifice of Iphigenia.

Later Works and Official Roles

In his later years, Corvi engaged in church decoration throughout Italy, spanning from Ravenna to Pisa, and from Venice to Spoleto. His ecclesiastical commissions included large canvases for the Cathedral of St. Ursus in Solothurn, Switzerland, featuring The Last Supper, the Coronation of the Virgin, the Incredulity of Saint Thomas, and the Pentecost.

Corvi held several official positions within the Accademia di San Luca. From 1757, he served as the director of the Scuola del Nudo at Campodoglio. His pupils included Giuseppe Cades, Francesco Alberi, and Vincenzo Camuccini. He died in Rome.