Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 8 værker af Dirck Jacobsz i vores katalog
Kort sagt
Af alle de originale værker, som Dirck Jacobsz efterlod, er det mest berømte Pompeius Occo (1531), som er en del af samlingen på Rijksmuseum i Amsterdam. Lige efter følger Jan Gerritsz. van Egmond, bailli de Nieuwburg (1516) og Group Portrait of the Amsterdam Shooting Corporation (1532). Vores katalog indeholder 8 værker af Dirck Jacobsz; galleriet har bevaret de 8 værker, som verden beundrer mest, hver vist med sin dato, sit museum og sin historie.
To gaze upon this portrait of Pompeius Occo is to step directly into the richly textured atmosphere of early sixteenth-century Dutch society. It is more than a mere likeness; it is a carefully constructed meditation on status, transience, and the weight of human existence. The gentleman depicted exudes an air of considerable wealth, suggested by the luxurious fur trimming adorning his hat and the meticulous rendering of his garments. Yet,…
The gaze of Jan Gerritsz. van Egmond, bailli de Nieuwburg, meets us from across the centuries. This portrait captures the dignity of a man whose presence remains fixed in time, rendered with the steady hand of the Dutch Renaissance painter Dirck Jacobsz. We find ourselves looking upon a figure of significance, a man whose identity is tied to the very fabric of the Netherlands. The likeness is held within the…
Dirck Jacobsz executed the Group Portrait of the Amsterdam Shooting Corporation in 1532. This work functions as a group portrait of a squad of the Caliver Guild. It represents a complete squad of 17 men, each member having contributed to the commission of the piece.
In this 1541 portrait, Egbert Gerbrantsz and his wife are positioned within a dense, somber composition that functions as a visual meditation on the fleeting nature of existence. The subjects occupy a shallow space, their forms emerging from a dark, shadowy background through a chiaroscuro-like application of light. This lighting strategy draws immediate attention to the pale skin of the couple and the specific textures of their surroundings, from the…
In this formal group portrait, titled 12 Guardsmen of Squad E, we encounter a significant work by the Dutch Renaissance painter Dirck Jacobsz. Created about 1563, the painting captures a specific assembly of men, presenting a structured record of their collective identity. The work reflects the artist's deep roots in the artistic traditions of the Netherlands, specifically within the region surrounding Amsterdam, where he was born.
In 1532, Dirck Jacobsz captured a formal assembly of the Amsterdam Shooting Corporation, a work that functions as a structured record of the Caliver Guild. The painting presents a complete squad of seventeen men, each rendered in the red and blue uniform of the guild. These figures are arranged in a semi-circle, their presence documented through meticulous detail. The composition emphasizes the collective identity of the group, providing a visual…
De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.
De 4 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Dirck Jacobsz | Malerier fra denne liste |
|---|---|---|---|
 Rijksmuseum |
Amsterdam | 2 | Pompeius Occo, Militia painting in three parts. |
 Hermitage Museum |
Sankt Petersborg | 2 | Group Portrait of the Amsterdam Shooting Corporation, Group Portrait of the Amsterdam Shooting Corporation |
 Amsterdam Museum |
Amsterdam | 2 | Portrait of Egbert Gerbrantsz and his wife, 12 Guardsmen of Squad E |
 Toledo Museum of Art |
Toledo | 1 | Jacob cornelisz |
Vælg et årti for at se det originale værk, der definerer det.
The gaze of Jan Gerritsz. van Egmond, bailli de Nieuwburg, meets us from across the centuries. This portrait captures the dignity of a man whose presence remains fixed in time, rendered with the steady hand of the Dutch Renaissance painter Dirck Jacobsz. We find ourselves looking upon a figure of significance, a man whose identity is tied to the very fabric of the Netherlands. The likeness is held within the…
To gaze upon this portrait of Pompeius Occo is to step directly into the richly textured atmosphere of early sixteenth-century Dutch society. It is more than a mere likeness; it is a carefully constructed meditation on status, transience, and the weight of human existence. The gentleman depicted exudes an air of considerable wealth, suggested by the luxurious fur trimming adorning his hat and the meticulous rendering of his garments. Yet,…
In this 1541 portrait, Egbert Gerbrantsz and his wife are positioned within a dense, somber composition that functions as a visual meditation on the fleeting nature of existence. The subjects occupy a shallow space, their forms emerging from a dark, shadowy background through a chiaroscuro-like application of light. This lighting strategy draws immediate attention to the pale skin of the couple and the specific textures of their surroundings, from the…
In this formal group portrait, titled 12 Guardsmen of Squad E, we encounter a significant work by the Dutch Renaissance painter Dirck Jacobsz. Created about 1563, the painting captures a specific assembly of men, presenting a structured record of their collective identity. The work reflects the artist's deep roots in the artistic traditions of the Netherlands, specifically within the region surrounding Amsterdam, where he was born.
Pompeius Occo (1531), Rijksmuseum, Amsterdam. Derefter følger Jan Gerritsz. van Egmond, bailli de Nieuwburg (1516) og Group Portrait of the Amsterdam Shooting Corporation (1532).
35 år gammel: Pompeius Occo er fra 1531, og Dirck Jacobsz blev født i 1496.
Vores katalog indeholder 8 værker af Dirck Jacobsz, dateret fra 1516 til 1563.
Primært i Rijksmuseum (Amsterdam), Hermitage Museum (Sankt Petersborg) og Amsterdam Museum (Amsterdam). Museumslisten ovenfor viser dem alle.
I 1530s: 2 af de 8 værker på denne side blev skabt dengang, herunder Pompeius Occo.
På denne side er det tidligste Jan Gerritsz. van Egmond, bailli de Nieuwburg (1516) og det seneste 12 Guardsmen of Squad E (1563).
Men (3), Man (2) og Dark clothing (2), fordelt på de 8 værker på denne side.
Oil On Panel, for 3 af de 8 værker på denne side.
Pompeius Occo og Militia painting in three parts.: Rijksmuseum, Amsterdam har 2 af værkerne på denne side.
