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De 3 mest berømte David Arnesen-malerier, en galleriselektion
Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 3 værker af David Arnesen i vores katalog
Kort sagt
Af alle de originale værker, som David Arnesen efterlod, er det mest berømte Painting (1900), som er en del af samlingen på Eidsvoll 1814 i Eidsvoll. Lige efter følger Painting og Painting. Vores katalog indeholder 3 værker af David Arnesen; galleriet har bevaret de 3 værker, som verden beundrer mest, hver vist med sin dato, sit museum og sin historie.
1818 – 1895, Oslo
Flest værker: Eidsvoll 1814
David Arnesens top 10 malerier: galleriets udvalg
De museer, der udstiller David Arnesens originalværker
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af David Arnesen | Malerier fra denne liste |
|---|---|---|---|
 Eidsvoll 1814 |
Eidsvoll | 3 | Painting, Painting, Painting |
Samleres spørgsmål om David Arnesens malerier
Hvilket værk er David Arnesen mest kendt for?Vis svaret
Painting (1900), Eidsvoll 1814, Eidsvoll. Derefter følger Painting og Painting.
Hvor mange malerier efterlod David Arnesen?Vis svaret
Vores katalog indeholder 3 værker af David Arnesen.
I hvilke museer udstilles David Arnesen's mesterværker?Vis svaret
Primært i Eidsvoll 1814 (Eidsvoll). Museumslisten ovenfor viser dem alle.
Hvilke værker af David Arnesen udstilles på Eidsvoll 1814?Vis svaret
Painting, Painting og Painting: Eidsvoll 1814, Eidsvoll har 3 af værkerne på denne side.
David Arnesen: liv og værk
A Life in Christiania
David Arnesen lived his life within the streets of Christiania, moving through the city during the middle decades of the nineteenth century. Born in 1818, he spent his years focused on the quiet work of the draughtsman and the portraitist. His hands were accustomed to the precise movements required for sketching and capturing the likenesses of those around him.
His presence in the local art community was felt through his role as a teacher. He held a studio where he guided younger hands, most notably instructing Carl Dørnberger when the latter arrived in Christiania at seventeen. This connection linked Arnesen to a lineage of Norwegian art, passing down the technical habits of drawing and observation to a new generation.
The Marks of the Draughtsman
The work left behind by Arnesen shows a focus on the careful rendering of subjects. In 1843, he produced a drawing that remains part of the collections at Bogstad Gård, a piece that speaks to his skill with line and form. His ability to translate a subject onto paper was not about grand gestures but about the steady application of ink or graphite.
Other pieces from his hand reveal a different kind of patience. In 1849, he created a work titled Lodvica de Bretteville, which utilized the delicate medium of paper art. This specific piece, now held by the Oslo Museum, shows a side of his practice that moved beyond simple sketching into more textured, layered compositions. His output was characterized by these specific, tactile explorations of his materials.
A Quiet Legacy
Arnesen passed away in 1895, leaving behind a body of work that remains anchored to the history of Norway. While he did not seek the spotlight of international fame, his influence remained in the classrooms of Christiania and in the archives of local institutions. His life was defined by the following:
- His practice as a portrait artist and draughtsman.
- The instruction of students like Carl Dørnberger.
- The preservation of his drawings in collections such as Bogstad Gård and Oslo Museum.