Portræt af Copley Fielding

Copley Fielding malerier: De 89 mest berømte, set gennem et galleris øjne

Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 105 værker af Copley Fielding i vores katalog

Kort sagt

I galleriets øjne er Copley Fieldings mest berømte maleri Richmond hill, (1830). Ambelside, (1829) og Lake Nemi with Pontine Marshes in the Background (1837) fuldender trioen, som ethvert øje genkender. Ud af de 105 værker af Copley Fielding i vores katalog præsenterer galleriet herunder de 89 mest berømte, hver som et originalværk med årstal, museum og det, der gør det unikt.

1787 – 1855, Sowerby Bridge Romanticism Flest værker: Birmingham Museum and Art Gallery

Galleriets top 10 Copley Fielding malerier

Copley Fieldings malerier, rangeret fra 11 til 89

11Rotha Quillinan af Copley FieldingRotha Quillinan 12Figures Conversing In A Highland Landscape af Copley FieldingFigures Conversing In A Highland Landscape 13Thomas Lombe Taylor af Copley FieldingThomas Lombe Taylor 14Coniston Beck, Lake District af Copley FieldingConiston Beck, Lake District 15William Cubitt, Lord Mayor Of London af Copley FieldingWilliam Cubitt, Lord Mayor Of London 16View From Pont Aberglaslyn Looking West Towards Moel Hebog And The Aberglaslyn Woods af Copley FieldingView From Pont Aberglaslyn Looking West Towards Moel Hebog And The Aberglaslyn Woods 17Loch Katrine af Copley FieldingLoch Katrine 18Dunster Castle, sunset af Copley FieldingDunster Castle, sunsetArt Gallery of New South Wales 19Loch Lomond at Dawn af Copley FieldingLoch Lomond at Dawn 20Sea Piece af Copley FieldingSea Piece 21On The Wye af Copley FieldingOn The Wye 22A shipwreck on the yorkshire coast. af Copley FieldingA shipwreck on the yorkshire coast. 23A fishing vessel heading out to sea in a squall af Copley FieldingA fishing vessel heading out to sea in a squall 24Nanette Rocks af Copley FieldingNanette Rocks 25North View Of Tintern Abbey af Copley FieldingNorth View Of Tintern Abbey 26The Vale Of Neath af Copley FieldingThe Vale Of Neath 27Shipping In Rough Seas af Copley FieldingShipping In Rough Seas 28Henry Graves af Copley FieldingHenry Graves 29A Sea Piece af Copley FieldingA Sea Piece 30John Gibson af Copley FieldingJohn Gibson 31Hauling In The Fishing Boat Onto The Shore af Copley FieldingHauling In The Fishing Boat Onto The Shore 32Evening, Cattle Grazing By A Lake af Copley FieldingEvening, Cattle Grazing By A Lake 33Shipping off Portsmouth af Copley FieldingShipping off Portsmouth 34St. john's vale af Copley FieldingSt. john's vale 35View Of Langdale Pikes And Ullswater af Copley FieldingView Of Langdale Pikes And Ullswater 36Near Cadar Idris, North Wales af Copley FieldingNear Cadar Idris, North Wales 37Figures On A Bridge, With Ruins Beyond af Copley FieldingFigures On A Bridge, With Ruins Beyond 38Skiddaw from derwentwater af Copley FieldingSkiddaw from derwentwater 39Near Ullswater af Copley FieldingNear Ullswater 40Crowded Waters At Dusk af Copley FieldingCrowded Waters At Dusk 41Off to the fishing grounds af Copley FieldingOff to the fishing grounds 42Scarborough Castle af Copley FieldingScarborough Castle 43An Extensive Landscape With Cattle And A Drover af Copley FieldingAn Extensive Landscape With Cattle And A Drover 44On the glaslyn, north wales af Copley FieldingOn the glaslyn, north wales 45Droving cattle af Copley FieldingDroving cattle 46Mountainous Landscape With Lake And Stream af Copley FieldingMountainous Landscape With Lake And Stream 47Bolton Abbey From The River Wharfe, South View af Copley FieldingBolton Abbey From The River Wharfe, South View 48Loch Achray Ruskin af Copley FieldingLoch Achray Ruskin 49Distant View Of The Cumberland Hills From Eskdale af Copley FieldingDistant View Of The Cumberland Hills From Eskdale 50Scene Near Capel Curig Looking Towards Snowdon af Copley FieldingScene Near Capel Curig Looking Towards Snowdon 51Off Fingle's Cave, Staffa, Argyllshire af Copley FieldingOff Fingle's Cave, Staffa, Argyllshire 52Fishing Smacks And Other Vessels Off The Coast In A Squall af Copley FieldingFishing Smacks And Other Vessels Off The Coast In A Squall 53Mrs John Forster af Copley FieldingMrs John Forster 54Cattle Watering In The Lake District af Copley FieldingCattle Watering In The Lake District 55River view af Copley FieldingRiver view 56Dolbadern castle af Copley FieldingDolbadern castle 57Windsor Castle From The Park af Copley FieldingWindsor Castle From The Park 58View Of Loch Katrine, Perthshire, With Ben Venue Beyond af Copley FieldingView Of Loch Katrine, Perthshire, With Ben Venue Beyond 59Harlech Castle af Copley FieldingHarlech Castle 60An Extensive Landscape With A Hay-cart And Figures In The Foreground af Copley FieldingAn Extensive Landscape With A Hay-cart And Figures In The Foreground 61A View On The Brathay Near Ambleside af Copley FieldingA View On The Brathay Near Ambleside 62Cayton Cliff Mill, near Scarborough af Copley FieldingCayton Cliff Mill, near Scarborough 63Traeth Mawr, Port Maddock, North Wales af Copley FieldingTraeth Mawr, Port Maddock, North Wales 64Arundel Castle af Copley FieldingArundel Castle 65An Extensive Landscape With Cattle And Figures In The Foreground af Copley FieldingAn Extensive Landscape With Cattle And Figures In The Foreground 66View of langdale pikes and bow fell, over windermere, westmoreland af Copley FieldingView of langdale pikes and bow fell, over windermere, westmoreland 67Scarborough, with a boat being vitalled in the harbour af Copley FieldingScarborough, with a boat being vitalled in the harbour 68Fishing vessels before st michael's mount af Copley FieldingFishing vessels before st michael's mount 69Figures Conversing In A Mountainous Lake Landscape af Copley FieldingFigures Conversing In A Mountainous Lake Landscape 70Off ramsgate at sunset af Copley FieldingOff ramsgate at sunset 71Fishing boats in a stiff breeze, off shore af Copley FieldingFishing boats in a stiff breeze, off shore 72A Storm Passing Off on the Coast of Merionethshire af Copley FieldingA Storm Passing Off on the Coast of Merionethshire 73Distant View Of Rievaulx Abbey, Near Helmsley, Yorkshire af Copley FieldingDistant View Of Rievaulx Abbey, Near Helmsley, Yorkshire 74A Herder With Cattle At The Edge Of A Lake In A Mountainous Landscape af Copley FieldingA Herder With Cattle At The Edge Of A Lake In A Mountainous Landscape 75A View Of Penrhyn Castle, Wales, With Figures In The Foreground af Copley FieldingA View Of Penrhyn Castle, Wales, With Figures In The Foreground 76Figures by a lake at dusk af Copley FieldingFigures by a lake at dusk 77Lazing on the downs, watching over the flock af Copley FieldingLazing on the downs, watching over the flock 78Cows In A River Landscape af Copley FieldingCows In A River Landscape 79Adam Sedgwick, Fellow, Geologist And Woodwardian Professor af Copley FieldingAdam Sedgwick, Fellow, Geologist And Woodwardian Professor 80Byland Abbey, Yorkshire af Copley FieldingByland Abbey, Yorkshire 81The ferry boat, possibly dartmouth cove af Copley FieldingThe ferry boat, possibly dartmouth cove 82A figure standing on a beach with shipping beyond af Copley FieldingA figure standing on a beach with shipping beyond 83A Scene On The Coast, Merionethshire af Copley FieldingA Scene On The Coast, MerionethshireYale Center for British Art 84Richard Lynch Cotton af Copley FieldingRichard Lynch Cotton 85A rest by the wayside, sunset af Copley FieldingA rest by the wayside, sunset 86William Gibbs af Copley FieldingWilliam GibbsTyntesfield 87Ennerdale, from high point farm af Copley FieldingEnnerdale, from high point farm 88John Frederick Lewis af Copley FieldingJohn Frederick Lewis 89Mrs Susannah Milner-gibson, Nee Cullum af Copley FieldingMrs Susannah Milner-gibson, Nee Cullum

Motiverne, der fangede Copley Fieldings blik

De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.

De museer, der udstiller Copley Fieldings originalværker

De 4 museer, der rummer flest af malerierne på denne side.

Museum By Værker af Copley Fielding Malerier fra denne liste
Birmingham Museum and Art Gallery, BirminghamBirmingham Museum and Art Gallery Birmingham 2 Lake Nemi with Pontine Marshes in the Background, Scottish Loch With Mountains
Art Gallery of New South Wales, SydneyArt Gallery of New South Wales Sydney 1 Dunster Castle, sunset
Yale Center for British Art, New HavenYale Center for British Art New Haven 1 A Scene On The Coast, Merionethshire
TyntesfieldTyntesfield 1 William Gibbs

Copley Fielding, ét signaturmaleri per årti

Værker per årti

Vælg et årti for at se det originale værk, der definerer det.

Copley Fielding's malerier: galleriets svar

Hvilket maleri af Copley Fielding er det mest berømte af alle?Vis svaret

Richmond hill, (1830). Derefter følger Ambelside, (1829) og Lake Nemi with Pontine Marshes in the Background (1837).

Hvor gammel var Copley Fielding, da Richmond hill, blev færdiggjort?Vis svaret

43 år gammel: Richmond hill, er fra 1830, og Copley Fielding blev født i 1787.

Hvilke er Copley Fieldings top 10 malerier?Vis svaret

Richmond hill,, Ambelside,, Lake Nemi with Pontine Marshes in the Background, Scottish Loch With Mountains, Ubaldo and Carlo in the Enchanted Boat,, Byland Abbey,, A Herdsman With Cattle Above Rydal Water In The Lake District, Sunset, Sussex, Beached Fishing Vessels At Low Tide og Unloading the catch, whitby. Ranglisten ovenfor viser det enkelte værks årstal og museum.

Hvor mange værker skabte Copley Fielding?Vis svaret

Vores katalog indeholder 105 værker af Copley Fielding, dateret fra 1829 til 1851.

Hvor hænger Copley Fieldings mest berømte originaler?Vis svaret

Primært i Birmingham Museum and Art Gallery (Birmingham), Art Gallery of New South Wales (Sydney) og Yale Center for British Art (New Haven). Museumslisten ovenfor viser dem alle.

Hvornår skabte Copley Fielding sine mest berømte malerier?Vis svaret

I 1830s: 4 af de 89 værker på denne side blev skabt dengang, herunder Richmond hill,.

Hvilke er Copley Fieldings tidligste og seneste berømte værker?Vis svaret

På denne side er det tidligste Ambelside, (1829) og det seneste Byland Abbey, (1851).

Hvilke motiver vendte Copley Fielding oftest tilbage til?Vis svaret

Beach (11), Landscape (9) og Animals (8), fordelt på de 89 værker på denne side.

Hvilken stilart er Copley Fielding associeret med?Vis svaret

Romanticism, baseret på originalerne på denne side.

Hvilke originalværker af Copley Fielding findes i Birmingham Museum and Art Gallery?Vis svaret

Lake Nemi with Pontine Marshes in the Background og Scottish Loch With Mountains: Birmingham Museum and Art Gallery, Birmingham har 2 af værkerne på denne side.

Copley Fielding: kunstneren

The Visionary Brush of Anthony Vandyke Copley Fielding

In the golden age of British watercolor, few names resonate with as much elegance and technical prowess as Anthony Vandyke Copley Fielding. Born in 1787 in the industrious landscape of Sowerby, near Halifax, Fielding emerged from the rugged textures of Yorkshire to become a defining voice of the Victorian era. His life was a masterful composition of scientific precision and romantic sensibility, a duality that allowed him to capture not just the surface of the natural world, but its very soul. As a pupil of the esteemed John Varley, Fielding inherited a profound respect for the nuances of light and atmosphere, a foundation upon which he built a career that would eventually lead him to the presidency of the Royal Society of Watercolours.

Fielding’s artistic development was deeply intertwined with his intellectual pursuits. His time as a Fellow of Trinity College, Cambridge, provided him with a unique vantage point; here, the rigors of scientific inquiry met the fluidity of artistic expression. This intersection is perhaps most visible in his meticulous approach to anatomy and nature. Having engaged in the study of dissections, he brought an unparalleled understanding of structure to his work, whether rendering the powerful musculature of a subject in portraiture or the intricate skeletal details of flora and fauna. This scientific eye did not stifle his creativity but rather anchored it, allowing him to depict the elements—the crashing waves of a coastal storm or the gentle light of a sunset—with a realism that felt both grounded and transcendent.

A Mastery of Landscape and Marine Subjects

The breadth of Fielding’s oeuvre is nothing short of extraordinary, spanning from the tranquil valleys of the English Lake District to the dramatic, wind-swept coasts of Wales. He was a painter who understood the language of the weather. His landscapes often eschewed mere rustic charm in favor of an idealized, classical beauty inspired by the great Richard Wilson. In his hands, the British countryside became a stage for the sublime. One might find himself lost in the turbulent energy of A Scene on the Coast, Merionethshire - Storm Passing Off, where the tension between sea and sky is palpable, or find peace in the soft, luminous washes of his more pastoral views.

His fascination with marine subjects further solidified his reputation as a premier watercolorist. Fielding possessed a rare ability to capture the weight and movement of water, utilizing a sophisticated palette of inks, graphite, and watercolors to create depth and motion. His works often evoke a sense of profound openness, inviting the viewer to breathe in the salt spray or feel the sudden chill of an approaching gale. This mastery was not limited to the canvas; his influence extended into the realm of printmaking and teaching, where he shared his sophisticated techniques with a new generation of artists, ensuring that his legacy of atmospheric precision would endure.

Legacy and Historical Significance

The accolades bestowed upon Fielding during his lifetime serve as a testament to his standing among the giants of 19th-century art. His triumph at the Paris Salon of 1824, where he stood alongside luminaries such as John Constable and Richard Parkes Bonington, marked his arrival on the international stage. Furthermore, the high regard in which he was held by the influential critic John Ruskin underscores the lasting impact of his aesthetic vision. Fielding was more than a mere chronicler of scenery; he was an architect of atmosphere.

Today, the works of Anthony Vandyke Copley Fielding reside in some of the world's most prestigious institutions, including the Victoria & Albert Museum and the Yale Center for British Art. His contribution to the canon of British art remains significant because he bridged the gap between the meticulous observation of the Enlightenment and the emotive power of Romanticism. To look upon a Fielding painting is to witness a moment caught in the delicate balance between the tangible world and the infinite imagination, a legacy that continues to inspire collectors and art historians alike.