Kort sagt
Af alle de originale værker, som Consort Jin efterlod, er det mest berømte Untitled, som er en del af samlingen på The Palace Museum i Beijing. Vores katalog indeholder 1 værker af Consort Jin; galleriet har bevaret de 1 værker, som verden beundrer mest, hver vist med sin dato, sit museum og sin historie.
Consort Jins top 10 malerier: galleriets udvalg
De museer, der udstiller Consort Jins originalværker
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Consort Jin | Malerier fra denne liste |
|---|---|---|---|
| Beijing | 1 | Untitled |
Samleres spørgsmål om Consort Jins malerier
Hvilket værk er Consort Jin mest kendt for?Vis svaret
Untitled
Hvor mange malerier efterlod Consort Jin?Vis svaret
Vores katalog indeholder 1 værker af Consort Jin.
I hvilke museer udstilles Consort Jin's mesterværker?Vis svaret
Primært i The Palace Museum (Beijing). Museumslisten ovenfor viser dem alle.
Consort Jin: liv og værk
Historical Identity of Consort Jin
Consort Jin was not a visual artist, but a historical figure of the Qing dynasty. Born into the Manchu Bordered Red Banner Tatara clan, she was a consort of the Guangxu Emperor. Her life was marked by various imperial titles, including Concubine Jin, Consort Jin, and later, Noble Consort Jin. Following the end of the dynasty, she held the high rank of Dowager Imperial Noble Consort Duankang and was eventually known as Imperial Noble Consort Wenjing.
Her family connections were significant within the imperial court; her father was Changxu, who served as the Right Vice Minister of Revenue, and her sister was Consort Zhen. During the transition from the Qing dynasty to the Republican era, she remained a prominent figure in the palace, eventually becoming the highest-ranked woman in the palace after the death of Empress Dowager Longyu.