Portræt af Claudius Jacquand

De 31 mest berømte Claudius Jacquand-malerier, hver og en unik

Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 31 værker af Claudius Jacquand i vores katalog

Kort sagt

The night of Bartholomew 1572 (1837) er det maleri af Claudius Jacquand, der vækker mest opsigt; originalen findes på Nationalmuseum, Stockholm. Derefter falder blikket på Laurence attendant Jocelyn (1836) og The Bubble Blowers (1844). Blandt de 31 værker af Claudius Jacquand i vores katalog er disse 31 de mest berømte, hver især et unikt originalværk præsenteret med sit årstal, sit museum og årsagen til dets tidløse betydning.

1803 – 1878, Lyon Flest værker: Petit Palais

Top 10 malerier af Claudius Jacquand, set gennem galleriets øjne

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The night of Bartholomew 1572 (1837) af Claudius Jacquand

The night of Bartholomew 1572

1837 · Oil On Canvas · Nationalmuseum, Stockholm

In The night of Bartholomew 1572, Claudius Jacquand captures a moment of profound tension. Painted about 1837, this work by the French artist Claudius Jacquand focuses on a specific, violent confrontation during the St. Bartholomew's Day massacre. The scene is set within a dark, enclosed architectural space, where the weight of history is felt through the immediate presence of conflict.

Claudius Jacquands berømte malerier, nummer 11 til 31

Motiverne, der fangede Claudius Jacquands blik

De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.

De museer, der udstiller Claudius Jacquands originalværker

De 8 museer, der rummer flest af malerierne på denne side.

Museum By Værker af Claudius Jacquand Malerier fra denne liste
Petit Palais, ParisPetit Palais Paris 3 Well-shaped model for the Chapel of the Virgin of the church Saint-Philippe-du-Roule (first sketch): "Mirror of Justice" - "The Assumption of the Virgin" - "Help of the Infirm" (upper register); "The Education of the Virgin" - "The Death of the..., Shaped model for the Chapel of the Virgin of the church Saint-Philippe-du-Roule (second sketch): "Angel" - "The Coronation of the Virgin" - "Angel" (upper register); "The Education of the Virgin" - "The Death of the Virgin" (lower register), Model in shape for the Chapel of the Virgin of the church Saint-Philippe-du-Roule (third sketch): "The Coronation of the Virgin"
Musée des Beaux-Arts de Lyon, LyonMusée des Beaux-Arts de Lyon Lyon 2 Les Adieux de Cinq-Mars à Marie d'Entraigues or le Baiser du départ, Thomas More, Lord High Chancellor of England
Nationalmuseum, StockholmNationalmuseum Stockholm 1 The night of Bartholomew 1572
Musée de la Vie Romantique, ParisMusée de la Vie Romantique Paris 1 Laurence attendant Jocelyn
Amsterdam Museum, AmsterdamAmsterdam Museum Amsterdam 1 The Bubble Blowers
Musée des Beaux-Arts de Dijon, DijonMusée des Beaux-Arts de Dijon Dijon 1 Perugino Painting for Monks in Perugia
Musée de Picardie, AmiensMusée de Picardie Amiens 1 Galilée avant son abjuration
Musée National du Château de Compiègne, CompiègneMusée National du Château de Compiègne Compiègne 1 The Bachelor Samson Carasio Defeated by Don Quixote

Claudius Jacquand gennem årtierne: ét unikt originalværk til hver

Værker per årti

Vælg et årti for at se det originale værk, der definerer det.

Claudius Jacquands malerier: spørgsmål til galleriet

Hvad er det mest berømte værk af Claudius Jacquand?Vis svaret

The night of Bartholomew 1572 (1837), Nationalmuseum, Stockholm. Derefter følger Laurence attendant Jocelyn (1836) og The Bubble Blowers (1844).

Hvilken alder havde Claudius Jacquand, da The night of Bartholomew 1572 blev skabt?Vis svaret

34 år gammel: The night of Bartholomew 1572 er fra 1837, og Claudius Jacquand blev født i 1803.

Hvilke ti malerier af Claudius Jacquand er de mest berømte?Vis svaret

The night of Bartholomew 1572, Laurence attendant Jocelyn, The Bubble Blowers, The Honorable Apology in a Convent of the Brother Knights, Hermits of Saint Maurice, Perugino Painting for Monks in Perugia, Well-shaped model for the Chapel of the Virgin of the church Saint-Philippe-du-Roule (first sketch): "Mirror of Justice" - "The Assumption of the Virgin" - "Help of the Infirm" (upper register); "The Education of the Virgin" - "The Death of the..., Shaped model for the Chapel of the Virgin of the church Saint-Philippe-du-Roule (second sketch): "Angel" - "The Coronation of the Virgin" - "Angel" (upper register); "The Education of the Virgin" - "The Death of the Virgin" (lower register), Galilée avant son abjuration, Jacques Molay Prend Jérusalem og Model in shape for the Chapel of the Virgin of the church Saint-Philippe-du-Roule (third sketch): "The Coronation of the Virgin". Ranglisten ovenfor viser det enkelte værks årstal og museum.

Hvor mange værker af Claudius Jacquand er kendt?Vis svaret

Vores katalog indeholder 31 værker af Claudius Jacquand, dateret fra 1828 til 1867.

Hvor kan de mest berømte originaler af Claudius Jacquand ses?Vis svaret

Primært i Petit Palais (Paris), Musée des Beaux-Arts de Lyon (Lyon) og Nationalmuseum (Stockholm). Museumslisten ovenfor viser dem alle.

I hvilken periode skabte Claudius Jacquand sine mest kendte malerier?Vis svaret

I 1830s: 7 af de 31 værker på denne side blev skabt dengang, herunder The night of Bartholomew 1572.

Hvilket berømt maleri af Claudius Jacquand er det tidligste, og hvilket er det seneste?Vis svaret

På denne side er det tidligste Thomas More, Lord High Chancellor of England (1828) og det seneste Galilée avant son abjuration (1867).

Hvilke originalværker af Claudius Jacquand kan jeg se på Petit Palais?Vis svaret

Well-shaped model for the Chapel of the Virgin of the church Saint-Philippe-du-Roule (first sketch): "Mirror of Justice" - "The Assumption of the Virgin" - "Help of the Infirm" (upper register); "The Education of the Virgin" - "The Death of the..., Shaped model for the Chapel of the Virgin of the church Saint-Philippe-du-Roule (second sketch): "Angel" - "The Coronation of the Virgin" - "Angel" (upper register); "The Education of the Virgin" - "The Death of the Virgin" (lower register) og Model in shape for the Chapel of the Virgin of the church Saint-Philippe-du-Roule (third sketch): "The Coronation of the Virgin": Petit Palais, Paris har 3 af værkerne på denne side.

Claudius Jacquand: et portræt af kunstneren

The Artisan's Legacy: The Life and Art of Claude Jacquand

Born into a world of meticulous craftsmanship in Lyon, France, on December 11, 1803, Claude Jacquand—often referred to as Claudius Jacquand—carried the precision of his lineage into the grand halls of French art. The son of a comb-maker, Jacquand’s early years were steeped in an appreciation for fine detail and manual dexterity, qualities that would later define his brushwork. His journey began at the École nationale des beaux-arts de Lyon under the guidance of Fleury François Richard, where he mastered the foundational rigors of academic painting. This period of intense training instilled in him a profound respect for anatomical accuracy and tonal modulation, preparing him for the dramatic shifts that would characterize his later career.

The trajectory of Jacquand’s life took a transformative turn following the death of his mother in 1836. Drawn by the magnetic pull of the art capital, he moved to Paris, a transition that served as the catalyst for his professional ascent. It was in this vibrant, often turbulent era of French history that Jacquand began to carve out a reputation for excellence. His talent did not go unnoticed by the prestigious institutions of his time; by 1839, he had been knighted in the Legion d'Honneur, and within a year, he was receiving international acclaim, including a Gold Medal at an exposition in Brussels and the Order of Leopold following another triumph in The Hague. These accolades placed him among the respected figures of the Romantic era, even as he navigated the complexities of a changing social landscape.

A Tapestry of History and Emotion

Jacquand’s oeuvre is a captivating exploration of historical narratives, religious devotion, and the intimate nuances of genre scenes. He possessed a rare ability to breathe life into the past, transforming static historical tableaus into breathing, emotional experiences. His works often functioned as windows into bygone eras, utilizing chiaroscuro lighting and rich, textured palettes to evoke the atmosphere of the Renaissance and the Baroque periods. Whether depicting the intellectual gravity of an 18th-century gathering or the dramatic tension of a royal encounter, Jacquand’s compositions were marked by a profound sense of storytelling.

His thematic range was remarkably broad, encompassing:

  • Historical Tableaus: Grand narratives such as Louis XI of France Surprising the Queen, which utilized dramatic lighting to capture moments of intense political and personal intrigue.
  • Religious Subjects: Devotional works that showcased his ability to handle sacred themes with both reverence and technical mastery.
  • Genre Scenes: Intimate glimpses into daily life, such as the Guard Room Scene, which offered viewers a sense of camaraderie and historical authenticity.
  • Intellectual Portraits: Capturing the essence of Enlightenment figures like Voltaire, where he focused on the psychological depth and contemplative nature of his subjects.

Evolution and Enduring Influence

As the art world shifted from the strictures of Classicism toward the emotional volatility of Romanticism and eventually the light-drenched experiments of Impressionism, Jacquand demonstrated a remarkable stylistic fluidity. While his roots remained firmly planted in the academic tradition—characterized by smooth surfaces and balanced compositions—his later works began to embrace more subtle color harmonies and atmospheric effects. This evolution reflects an artist who was not merely a chronicler of the past, but a participant in the living, breathing progression of French art history.

Despite the financial hardships that shadowed his later years following the French Revolution of 1848, Jacquand’s commitment to his craft never wavered. He lived through a period of immense social upheaval, yet he continued to exhibit regularly, maintaining a standard of excellence that earned him the respect of critics like Charles Baudelaire. Though history sometimes remembers his contemporaries more vividly, the legacy of Claude Jacquand remains etched in the meticulous detail and emotional resonance of his canvases. His life stands as a testament to the power of craftsmanship, representing a bridge between the disciplined traditions of the old masters and the expressive freedom of the modern age.