Portræt af Claude Deruet

Claude Deruet malerier: De 17 mest berømte, set gennem et galleris øjne

Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 17 værker af Claude Deruet i vores katalog

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I galleriets øjne er Claude Deruets mest berømte maleri Triumph of the Amazons (1620), hvis original hænger på Metropolitan Museum of Art i New York. Equestrian Portrait of Alberte Barbe d'Ernécourt, Lady of Saint-Balmont (1607-1660), fighting the Swedish and Croatian armies during the Thirty Years' War, in front of her château of Neuville-en-Verdunois (1630) og Portrait of a Woman in a Hat (1630) fuldender trioen, som ethvert øje genkender. Ud af de 17 værker af Claude Deruet i vores katalog præsenterer galleriet herunder de 17 mest berømte, hver som et originalværk med årstal, museum og det, der gør det unikt.

1588 – 1660, Nancy Baroque Flest værker: Musée des Beaux-Arts de Strasbourg

Galleriets top 10 Claude Deruet malerier

1
Triumph of the Amazons (1620) af Claude Deruet

Triumph of the Amazons

1620 · Oil On Canvas · Metropolitan Museum of Art, New York

In the heart of the seventeenth century, amidst the opulent courts of France, there emerged a painter capable of capturing the very essence of theatrical triumph. Claude Deruet, a master of the Nancy Baroque tradition, presents us with Triumph of the Amazons, a work that breathes life into the legends of antiquity. This painting is not merely a depiction of a mythological event; it is a choreographed spectacle of movement…

2
Equestrian Portrait of Alberte Barbe d'Ernécourt, Lady of Saint-Balmont (1607-1660), fighting the Swedish and Croatian armies during the Thirty Years' War, in front of her château of Neuville-en-Verdunois (1630) af Claude Deruet

Equestrian Portrait of Alberte Barbe d'Ernécourt, Lady of Saint-Balmont (1607-1660), fighting the Swedish and Croatian armies during the Thirty Years' War, in front of her château of Neuville-en-Verdunois

1630 · Oil On Canvas · Carnavalet Museum, Paris

Alberte Barbe d'Ernécourt, Lady of Saint-Balmont, is presented in a moment of high Baroque drama. She sits atop a rearing horse, her figure cutting a vertical line against a turbulent sky. Clad in military attire, she is positioned not merely as a noblewoman, but as a defender of her domain. Below her, the landscape unfolds toward the château of Neuville-en-Verdunois, while the distant horizon hints at the chaos of the…

3
Portrait of a Woman in a Hat (1630) af Claude Deruet

Portrait of a Woman in a Hat

1630 · Oil On Panel · Nationalmuseet i Kraków, Kraków

Claude Deruet’s Portrait of a Woman in a Hat presents a bust-length study of a young woman, positioned slightly off-center against a dark, nearly black, monochromatic background. While her body faces forward, her head is turned subtly toward the viewer's right. The composition relies on a high-contrast palette dominated by deep reds, creamy whites, and subtle gold accents, which pull the subject forward from the shadows. She is framed by…

4
Battle of the Amazons and the Greeks (1650) af Claude Deruet

Battle of the Amazons and the Greeks

1650 · Oil · Musée des Beaux-Arts de Strasbourg, Strasbourg

The clash of ancient legends unfolds in "Battle of the Amazons and the Greeks," a work by Claude Deruet. This painting captures a fierce attack of Amazons against Greek soldiers, freezing a moment of mythological conflict in time. The scene pulses with the energy of a battle painting, where the legendary warrior women meet their adversaries in a struggle of immense scale. It is a work of high drama, focusing…

5
Battle of the Amazons and the Greeks (1650) af Claude Deruet

Battle of the Amazons and the Greeks

1650 · Oil On Canvas · Musée des Beaux-Arts de Strasbourg, Strasbourg

The oil painting depicts a large-scale mythological skirmish set within a dense, wooded landscape. The scene is organized along a strong diagonal axis, moving from the lower left toward the upper right. On the left side of the foreground, a group of mounted warriors charges forward. One figure is draped in a red cloak that contrasts with the surrounding earthy tones. Opposite this group, on the right, a counter-charge of…

6
Battle of the Amazons and the Greeks (1650) af Claude Deruet

Battle of the Amazons and the Greeks

1650 · Oil On Canvas · Musée des Beaux-Arts de Strasbourg, Strasbourg

The painting titled Battle of the Amazons and the Greeks is a work by the artist Claude Deruet. This composition depicts a specific mythological conflict, focusing on an attack by Amazons against Greek soldiers. The scene captures the movement of these warrior women as they engage with the opposing Greek forces within a landscape setting.

8
The Rape of the Sabine Women (1650) af Claude Deruet

The Rape of the Sabine Women

1650 · Oil · Bavarian State Painting Collections, München

The air thickens with the heat of a sudden, violent struggle. In this sprawling scene, the calm of classical architecture is shattered by a whirlwind of human and animal energy. Men and women collide in a frantic dance of desperation, their limbs tangling amidst the rearing muscles of horses. The composition pulls the eye through a deep, receding landscape of arched colonnades, yet the immediate foreground remains a turbulent sea…

10
Departure of the Amazons (1620) af Claude Deruet

Departure of the Amazons

1620 · Oil On Canvas · Metropolitan Museum of Art, New York

Claude Deruet’s “Departure of the Amazons,” painted circa 1620, is more than just a historical scene; it's a meticulously crafted tableau brimming with power, dynamism, and a subtle exploration of gender roles within the context of 17th-century Lorraine. This monumental canvas transports us to a pivotal moment – the departure of a formidable band of Amazons, legendary female warriors from Greek mythology, embarking on an unknown journey. Deruet’s masterful command…

Claude Deruets malerier, rangeret fra 11 til 17

Motiverne, der fangede Claude Deruets blik

De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.

De museer, der udstiller Claude Deruets originalværker

De 8 museer, der rummer flest af malerierne på denne side.

Museum By Værker af Claude Deruet Malerier fra denne liste
Musée des Beaux-Arts de Strasbourg, StrasbourgMusée des Beaux-Arts de Strasbourg Strasbourg 5 Battle of the Amazons and the Greeks, Battle of the Amazons and the Greeks, Battle of the Amazons and the Greeks
Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 2 Triumph of the Amazons, Departure of the Amazons
Carnavalet Museum, ParisCarnavalet Museum Paris 1 Equestrian Portrait of Alberte Barbe d'Ernécourt, Lady of Saint-Balmont (1607-1660), fighting the Swedish and Croatian armies during the Thirty Years' War, in front of her château of Neuville-en-Verdunois
Nationalmuseet i Kraków, KrakówNationalmuseet i Kraków Kraków 1 Portrait of a Woman in a Hat
Bavarian State Painting Collections, MünchenBavarian State Painting Collections München 1 The Rape of the Sabine Women
Walters Art Museum, BaltimoreWalters Art Museum Baltimore 1 Louis Xiv
Musée Des Beaux, OrleansMusée Des Beaux Orleans 1 Fire (detail)
Musée des Beaux-Arts de Nancy, NancyMusée des Beaux-Arts de Nancy Nancy 1 Equestrian Portrait of Madame de Saint-Baslemont

Claude Deruet, ét signaturmaleri per årti

Værker per årti

Vælg et årti for at se det originale værk, der definerer det.

Claude Deruet's malerier: galleriets svar

Hvilket maleri af Claude Deruet er det mest berømte af alle?Vis svaret

Triumph of the Amazons (1620), Metropolitan Museum of Art, New York. Derefter følger Equestrian Portrait of Alberte Barbe d'Ernécourt, Lady of Saint-Balmont (1607-1660), fighting the Swedish and Croatian armies during the Thirty Years' War, in front of her château of Neuville-en-Verdunois (1630) og Portrait of a Woman in a Hat (1630).

Hvor gammel var Claude Deruet, da Triumph of the Amazons blev færdiggjort?Vis svaret

32 år gammel: Triumph of the Amazons er fra 1620, og Claude Deruet blev født i 1588.

Hvilke er Claude Deruets top 10 malerier?Vis svaret

Triumph of the Amazons, Equestrian Portrait of Alberte Barbe d'Ernécourt, Lady of Saint-Balmont (1607-1660), fighting the Swedish and Croatian armies during the Thirty Years' War, in front of her château of Neuville-en-Verdunois, Portrait of a Woman in a Hat, Battle of the Amazons and the Greeks, Battle of the Amazons and the Greeks, Battle of the Amazons and the Greeks, The Departure of the Amazons, The Rape of the Sabine Women, Duchesse De Chevreuse og Departure of the Amazons. Ranglisten ovenfor viser det enkelte værks årstal og museum.

Hvor mange værker skabte Claude Deruet?Vis svaret

Vores katalog indeholder 17 værker af Claude Deruet, dateret fra 1610 til 1650.

Hvor hænger Claude Deruets mest berømte originaler?Vis svaret

Primært i Musée des Beaux-Arts de Strasbourg (Strasbourg), Metropolitan Museum of Art (New York) og Carnavalet Museum (Paris). Museumslisten ovenfor viser dem alle.

Hvornår skabte Claude Deruet sine mest berømte malerier?Vis svaret

I 1650s: 5 af de 17 værker på denne side blev skabt dengang, herunder Battle of the Amazons and the Greeks.

Hvilke er Claude Deruets tidligste og seneste berømte værker?Vis svaret

På denne side er det tidligste Battle between the Amazons and the Greeks (1610) og det seneste Battle of the Amazons and the Greeks (1650).

Hvilke motiver vendte Claude Deruet oftest tilbage til?Vis svaret

Horse (5), Forest (4) og Sky (4), fordelt på de 17 værker på denne side.

Hvilket medie arbejdede Claude Deruet mest med?Vis svaret

Oil On Canvas, for 6 af de 17 værker på denne side.

Hvilken stilart er Claude Deruet associeret med?Vis svaret

Baroque, baseret på originalerne på denne side.

Hvilke originalværker af Claude Deruet findes i Musée des Beaux-Arts de Strasbourg?Vis svaret

Battle of the Amazons and the Greeks, Battle of the Amazons and the Greeks og Battle of the Amazons and the Greeks: Musée des Beaux-Arts de Strasbourg, Strasbourg har 5 af værkerne på denne side.

Claude Deruet: kunstneren

Claude Deruet: A Nancy Baroque Master

Claude Deruet (1588 – 1660) stands as a prominent figure in the artistic landscape of 17th-century France, particularly within the vibrant baroque tradition emanating from Nancy. Born into a noble family, his formative years were steeped in artistic patronage and fostered by an apprenticeship under Jacques Bellange, the court painter to Charles III, Duke of Lorraine—a connection that profoundly shaped his career trajectory. This early influence instilled in him a meticulous attention to detail and a masterful command of technique, characteristics that would define his enduring legacy.
  • Early Life & Training: Deruet’s artistic journey commenced with formal training under Bellange, allowing him access to the highest echelon of artistic circles and equipping him with invaluable skills in portraiture and decorative painting.
  • Roman Period (c. 1612 – 1619): Seeking further refinement and inspiration, Deruet traveled to Rome around 1612, where he studied diligently alongside Antonio Tempesta—a renowned etcher and painter whose stylistic innovations resonated deeply with Deruet’s sensibilities. This period witnessed the creation of his first significant fresco in Villa Borghese, showcasing an emerging talent for dramatic composition and nuanced color palettes.
Deruet's artistic output is characterized by a captivating blend of realism and theatrical grandeur—a hallmark of baroque aesthetics. He excelled in portraying historical narratives with meticulous accuracy, capturing the essence of human emotion and conveying profound psychological depth. His depictions of samurai figures, notably Hasekura Tsunenaga’s visit to Europe in 1615, exemplify his fascination with exotic cultures and his ability to translate complex subjects into visually arresting images.
  • Notable Paintings: Among Deruet's celebrated works are “Departure of the Amazons” (1620) and “Road to Calvary” (1620)—scenes imbued with dynamism and emotional intensity—testaments to his artistic prowess.
  • Royal Patronage & Recognition: Recognizing Deruet’s exceptional talent, Charles III bestowed upon him nobility in 1621, followed by knighthood of the Order of St Michael in 1645 by Louis XIII—a testament to his contribution to Lorraine's cultural prestige.
Furthermore, Claude Lorrain, a protégé of Deruet, honed his artistic skills under Deruet’s guidance from 1623 onwards, cementing Deruet’s role as an influential mentor and shaping the future direction of French baroque painting. His residence in Nancy—La Romaine—became a focal point for royal visits during Louis XIII's reign, symbolizing Lorraine’s flourishing artistic environment. Sources: Dewitt H. Fessenden, *The Life and Works of Claude Deruet* (1952); André Félibien, *Mémoires de Félibien*

Legacy & Historical Significance

Claude Deruet’s artistic legacy extends beyond his individual masterpieces—he established a tradition of dramatic storytelling and refined technique that profoundly impacted subsequent generations of painters. His work continues to inspire admiration for its expressive power and stylistic sophistication, securing his place as one of the most important artists of the baroque era in France. The enduring fascination with his depictions of samurai underscores the broader cultural exchange between Europe and Asia during this period—a testament to Deruet’s artistic vision and intellectual curiosity.