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Charles Errard malerier: De 1 mest berømte, set gennem et galleris øjne
Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 1 værker af Charles Errard i vores katalog
Kort sagt
I galleriets øjne er Charles Errards mest berømte maleri Renaud abandonnant Armide (1640), hvis original hænger på Musée du Pays de Hanau i Bouxwiller. Ud af de 1 værker af Charles Errard i vores katalog præsenterer galleriet herunder de 1 mest berømte, hver som et originalværk med årstal, museum og det, der gør det unikt.
1606 – 1689, Nantes
Flest værker: Musée du Pays de Hanau
Galleriets top 10 Charles Errard malerier
De museer, der udstiller Charles Errards originalværker
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Charles Errard | Malerier fra denne liste |
|---|---|---|---|
 Musée du Pays de Hanau |
Bouxwiller | 1 | Renaud abandonnant Armide |
Charles Errard, årets signaturmalerier
Hvert dateret originalværk af Charles Errard på denne side er skabt i 1640: her er de mest berømte først.
Værker per år
Vælg et årstal for at se de originale værker.
Charles Errard's malerier: galleriets svar
Hvilket maleri af Charles Errard er det mest berømte af alle?Vis svaret
Renaud abandonnant Armide (1640)
Hvor gammel var Charles Errard, da Renaud abandonnant Armide blev færdiggjort?Vis svaret
34 år gammel: Renaud abandonnant Armide er fra 1640, og Charles Errard blev født i 1606.
Hvor mange værker skabte Charles Errard?Vis svaret
Vores katalog indeholder 1 værker af Charles Errard.
Hvor hænger Charles Errards mest berømte originaler?Vis svaret
Primært i Musée du Pays de Hanau (Bouxwiller). Museumslisten ovenfor viser dem alle.
Charles Errard: kunstneren
A Life of Art and Academy
Charles Errard, also known as Charles Errard the Younger, was a French painter, draughtsman, engraver, and writer. Born in Nantes to Charles Errard the Elder and Jeanne Cremé, his early life involved studying in Rome, where he drew ancient works of art, figures, busts, reliefs, ornament, and Trajan's Column. His career included significant roles within the French art establishment, as he was one of the founders of the Académie Royale de Peinture et de Sculpture and served as its director. He also held the position of Director of the French Academy in Rome during two separate periods.
His professional reach extended to decorating various royal sites, including the Louvre Palace, the Palace of Fontainebleau, Saint-Germain-en-Laye, and Versailles. As an engraver, he produced illustrations for the Vite by Giovanni Pietro Bellori and an anatomical Atlas for the scholars of the French Academy in Rome.
Artistic Contributions and Legacy
Beyond his work as a painter and decorator, Errard was active as a scenery painter for the royal opera. His artistic output included:
- Illustrations after Poussin's sketches to Leonardo da Vinci's Trattato della Pittura.
- Bronze copies of Florentine sculptures, specifically from Michelangelo's sculptures in the Medici Chapel, which were left to Louis XIV and are now held in the Louvre.
Errard's career was marked by his involvement in major institutions and his travels, including an art-collecting trip to Flanders on behalf of the king. He served as the Principal of the Accademia di San Luca and eventually resigned his offices following the death of Colbert. He died in Rome and was buried in Santa Trinità dei Monti.