Portræt af Carl Haag

De 93 mest berømte Carl Haag-malerier, hver og en unik

Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 95 værker af Carl Haag i vores katalog

Kort sagt

On the alert (1876) er det maleri af Carl Haag, der fanger flest blikke. Derefter falder blikket på The coffee bearer og Peasant girl with basket of vegetables (1853). Blandt de 95 værker af Carl Haag i vores katalog er disse 93 de mest berømte, hver især et unikt originalværk præsenteret med sit årstal, sit museum og årsagen til dets tidløse betydning.

1820 – 1915, Erlangen Orientalism Flest værker: Benaki Museum

Top 10 malerier af Carl Haag, set gennem galleriets øjne

1
On the alert (1876) af Carl Haag

On the alert

1876 · Pencil

The artwork presents a monochrome scene rendered in pencil and watercolor on paper. A man is positioned slightly off-center, mounted upon a camel that is depicted in profile. The man holds a long staff raised high above his head, a gesture that suggests a state of alertness or a signal of warning. The camel occupies a significant portion of the lower half of the composition. The entire scene is executed…

2
The coffee bearer af Carl Haag

The coffee bearer

Watercolor

The artwork titled The coffee bearer is a portrait by the artist Carl Haag. The subject of the piece is a person, presumably of Middle Eastern or North African descent. This figure is depicted from the head and shoulders up, positioned with a slight turn toward the viewer. The individual wears a layered headscarf and an ornate garment featuring intricate embroidery.

3
Peasant girl with basket of vegetables (1853) af Carl Haag

Peasant girl with basket of vegetables

1853 · Watercolor

The watercolor painting titled Peasant girl with basket of vegetables was executed by the artist Carl Haag. This work dates to about 1853. The subject matter portrays a scene from rural life, focusing on a working-class woman. She is depicted in the act of gathering or transporting vegetables.

4
Young greek musician (1855) af Carl Haag

Young greek musician

1855 · Oil On Canvas

A young woman stands amidst the muted greens and earthy browns of a Mediterranean landscape. She is a figure of stillness, her gaze turned inward as if listening to a melody only she can hear. The soft, diffused light of an overcast day settles upon her, casting gentle shadows into the folds of her clothing. Behind her, a weathered stone wall provides a structured boundary against the organic, flowing shapes…

5
Italian peasant girl (1855) af Carl Haag

Italian peasant girl

1855 · Watercolor

The sun hangs softly over a rural Italian landscape, casting a diffused light that softens the edges of the world. A young girl moves through this tranquil setting, her presence grounding the scene in a sense of quiet purpose. She carries a basket of grapes atop her head, a weight balanced with practiced ease by a supporting arm. In her other hand, a simple wooden staff rests against the earth,…

6
Greek Warrior (1861) af Carl Haag

Greek Warrior

1861 · Watercolor · Benaki Museum, Athen

The figure of the Greek Warrior emerges from the shadows of history, captured by the hand of Carl Haag in 1861. This portrait presents a soldier known as an armatole, a man defined by the turbulent era of the Greek War of Independence between 1821 and 1830. He moves through a landscape that whispers of a hard-won freedom, his presence a direct link to the martial spirit of that pivotal…

7
Woman of Calabria (1857) af Carl Haag

Woman of Calabria

1857 · Watercolor

The gaze of the Woman of Calabria meets the viewer with a quiet, steady presence. Created by Carl Haag, this watercolor painting captures a moment of stillness from a life lived in the Italian region of Calabria. The subject sits in a three-quarter view, her expression carrying a weight of contemplation that pulls the observer into her immediate space. There is a sense of a specific person caught in a…

8
The Wailing Wall, Jerusalem (1859) af Carl Haag

The Wailing Wall, Jerusalem

1859 · Watercolor

In "The Wailing Wall, Jerusalem," Carl Haag captures a moment of quietude at a significant religious site for Judaism. Painted about 1859, the work focuses on the stone structure and the figures gathered at its base. The scene depicts people engaged in prayer or contemplation, their presence adding a sense of human weight to the ancient site.

9
An Italian peasant (1856) af Carl Haag

An Italian peasant

1856 · Watercolor

An Italian peasant by Carl Haag presents a full-length portrait of a man positioned within a rural setting. The composition is centered on the figure, who occupies the majority of the frame. He is captured in a standing pose, oriented slightly toward the viewer's left. The background remains simple and provides minimal context, which keeps the focus on the central subject. This arrangement emphasizes the man's physical presence against a…

10
In the mosque of Sultan Hassan, Cairo (1860) af Carl Haag

In the mosque of Sultan Hassan, Cairo

1860 · Watercolor

In the mosque of Sultan Hassan, Cairo is an architectural study by Carl Haag. Created about 1860, the work captures the interior of this historic mosque. The artist focuses on the geometric precision and the grand scale of Islamic architecture. He seeks to record the specific essence of the space through a focused, observational lens.

Carl Haags berømte malerier, nummer 11 til 93

11An Italian woman holding a tambourine (1857) af Carl HaagAn Italian woman holding a tambourine1857 12Morning in the Highlands: the royal family ascending Lochnagar (1853) af Carl HaagMorning in the Highlands: the royal family ascending Lochnagar1853 · Royal Collection 13The Wife Of Jacob Effendi At Naplus af Carl HaagThe Wife Of Jacob Effendi At Naplus 14Portrait of a mother with her daughter (1847) af Carl HaagPortrait of a mother with her daughter1847 15Wool spinner (1852) af Carl HaagWool spinner1852 16Italian peasant girl in a landscape (1859) af Carl HaagItalian peasant girl in a landscape1859 17Mohammed, A bedouin boy of the Sinai (1858) af Carl HaagMohammed, A bedouin boy of the Sinai1858 18A Roman water carrier (1857) af Carl HaagA Roman water carrier1857 · Birmingham Museum of Art 19Camels at Damascus (1859) af Carl HaagCamels at Damascus1859 20The ruin of a mausoleum in the Campagna Romana (1856) af Carl HaagThe ruin of a mausoleum in the Campagna Romana1856 21Acropolis of Athens as Seen from the Prison of Socrates (1858) af Carl HaagAcropolis of Athens as Seen from the Prison of Socrates1858 22The happy smoker (1893) af Carl HaagThe happy smoker1893 23Bedouins In The Desert af Carl HaagBedouins In The Desert 24Study Of Two Figures af Carl HaagStudy Of Two Figures 25An Arab Peasant af Carl HaagAn Arab Peasant 26Pifferari In Tivoli af Carl HaagPifferari In Tivoli 27Danger In The Desert - af Carl HaagDanger In The Desert - 28A Group Study In Botzen af Carl HaagA Group Study In Botzen 29Joseph Zwenger In A Rowing Boat af Carl HaagJoseph Zwenger In A Rowing Boat 30Hassin, The Wife Of A Syrian Bedawee af Carl HaagHassin, The Wife Of A Syrian Bedawee 31An Ethiopian Fellaheen Woman af Carl HaagAn Ethiopian Fellaheen Woman 32The Sphynx Of Giza af Carl HaagThe Sphynx Of Giza 33Study of an italian man on a horse with an Italian lady af Carl HaagStudy of an italian man on a horse with an Italian lady 34The new arrival af Carl HaagThe new arrival 35Music in the Harem af Carl HaagMusic in the Harem 36A faggot gatherer af Carl HaagA faggot gatherer 37An Italian peasant girl in native costume af Carl HaagAn Italian peasant girl in native costume 38In thoughtful pose af Carl HaagIn thoughtful pose 39Solitude af Carl HaagSolitude 40An Italian lady in costume af Carl HaagAn Italian lady in costume 41An Italian lady in costume af Carl HaagAn Italian lady in costume 42An Italian lady in costume af Carl HaagAn Italian lady in costume 43Hassan Ben Moosa, a bedowee of the Howareen Tribe af Carl HaagHassan Ben Moosa, a bedowee of the Howareen Tribe 44The coffee service af Carl HaagThe coffee service 45A Sketch Of The Artist's Oberwesel Studio af Carl HaagA Sketch Of The Artist's Oberwesel Studio 46Montenegrin People At Cattaro af Carl HaagMontenegrin People At Cattaro 47Porta Saracinesa A Signe af Carl HaagPorta Saracinesa A Signe 48A Samaritan Lady af Carl HaagA Samaritan Lady 49Font Venice af Carl HaagFont Venice 50The Mosk Of The Howling Derweeshes af Carl HaagThe Mosk Of The Howling Derweeshes 51Madonnaletta Near Castel San Pietro af Carl HaagMadonnaletta Near Castel San Pietro 52A Young Bedawee From Sinai af Carl HaagA Young Bedawee From Sinai 53At The Foot Of Watzmann af Carl HaagAt The Foot Of Watzmann 54The Wife Of A Syrian Bedawee af Carl HaagThe Wife Of A Syrian Bedawee 55The Well On The Way To Jericho af Carl HaagThe Well On The Way To Jericho 56Signorina Petrana Di Monte Negro af Carl HaagSignorina Petrana Di Monte Negro 57On The Way To Tivoli af Carl HaagOn The Way To Tivoli 58The toy windmill af Carl HaagThe toy windmill 59Termi Hadriani af Carl HaagTermi Hadriani 60'una Signorina Di Monte Negro And Signora Petrana af Carl Haag'una Signorina Di Monte Negro And Signora Petrana 61The Remains Of The Temple af Carl HaagThe Remains Of The Temple 62Auwatt, A Servant At The Convent Of Sinai af Carl HaagAuwatt, A Servant At The Convent Of Sinai 63Three Figures Seated Outside A House af Carl HaagThree Figures Seated Outside A House 64The Bazaar Near The Damascus af Carl HaagThe Bazaar Near The Damascus 65Fontana Della Virgine af Carl HaagFontana Della Virgine 66A Bedoueen Family In Wady Mousa af Carl HaagA Bedoueen Family In Wady Mousa 67The Shaik And His Guide af Carl HaagThe Shaik And His Guide 68The Office Entrance af Carl HaagThe Office Entrance 69A Nun In Bavaria af Carl HaagA Nun In Bavaria 70The Northern Wall Of Jerusalem af Carl HaagThe Northern Wall Of Jerusalem 71The Nargileh Smoker And His Slave Boy af Carl HaagThe Nargileh Smoker And His Slave Boy 72A Study For The Picture, 'allahakbar' af Carl HaagA Study For The Picture, 'allahakbar' 73Entrance To The Tombs Of The Kings af Carl HaagEntrance To The Tombs Of The Kings 74Crossing The Desert af Carl HaagCrossing The Desert 75A Night Encampment Before The Sphinx - af Carl HaagA Night Encampment Before The Sphinx - 76Summit Of Mount Moriah af Carl HaagSummit Of Mount Moriah 77In The Mosque Of Sultan Allahoon af Carl HaagIn The Mosque Of Sultan Allahoon 78An Arab With A Musket af Carl HaagAn Arab With A Musket 79A Nun Of The Order Of St Theresa af Carl HaagA Nun Of The Order Of St Theresa 80The 'chan Chaleel' Carpet Bazaar In Cairo af Carl HaagThe 'chan Chaleel' Carpet Bazaar In Cairo 81Kaheen Amran af Carl HaagKaheen Amran 82Two Dervishes af Carl HaagTwo Dervishes 83The Evening Meal af Carl HaagThe Evening Meal 84A Bedaween On A Camel's Back af Carl HaagA Bedaween On A Camel's Back 85A Church Interior af Carl HaagA Church Interior 86Un Campagnole af Carl HaagUn Campagnole 87A Nomad And His Camel Resting In The Desert af Carl HaagA Nomad And His Camel Resting In The Desert 88The Street Musicians Of Cairo af Carl HaagThe Street Musicians Of Cairo 89Study Of A Lady af Carl HaagStudy Of A Lady 90Donna D'albano', Portrait Of An Italian Country af Carl HaagDonna D'albano', Portrait Of An Italian Country 91A Night Encampment Before The Sphinx af Carl HaagA Night Encampment Before The Sphinx 92A Jerusalemite Shepherd Winding The Phylacteries af Carl HaagA Jerusalemite Shepherd Winding The Phylacteries 93The Entrance To The Pyramid Of Cheops af Carl HaagThe Entrance To The Pyramid Of Cheops

Carl Haags berømte malerier, periode for periode

Motiverne, der fangede Carl Haags blik

De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.

De museer, der udstiller Carl Haags originalværker

De 3 museer, der rummer flest af malerierne på denne side.

Museum By Værker af Carl Haag Malerier fra denne liste
Benaki Museum, AthenBenaki Museum Athen 1 Greek Warrior
Royal Collection, LondonRoyal Collection London 1 Morning in the Highlands: the royal family ascending Lochnagar
Birmingham Museum of Art, BirminghamBirmingham Museum of Art Birmingham 1 A Roman water carrier

Carl Haag gennem årtierne: ét unikt originalværk til hver

Værker per årti

Vælg et årti for at se det originale værk, der definerer det.

Carl Haags malerier: spørgsmål til galleriet

Hvad er det mest berømte værk af Carl Haag?Vis svaret

On the alert (1876). Derefter følger The coffee bearer og Peasant girl with basket of vegetables (1853).

Hvilken alder havde Carl Haag, da On the alert blev skabt?Vis svaret

56 år gammel: On the alert er fra 1876, og Carl Haag blev født i 1820.

Hvilke ti malerier af Carl Haag er de mest berømte?Vis svaret

On the alert, The coffee bearer, Peasant girl with basket of vegetables, Young greek musician, Italian peasant girl, Greek Warrior, Woman of Calabria, The Wailing Wall, Jerusalem, An Italian peasant og In the mosque of Sultan Hassan, Cairo. Ranglisten ovenfor viser det enkelte værks årstal og museum.

Hvor mange værker af Carl Haag er kendt?Vis svaret

Vores katalog indeholder 95 værker af Carl Haag, dateret fra 1847 til 1893.

Hvor kan de mest berømte originaler af Carl Haag ses?Vis svaret

Primært i Benaki Museum (Athen), Royal Collection (London) og Birmingham Museum of Art (Birmingham). Museumslisten ovenfor viser dem alle.

I hvilken periode skabte Carl Haag sine mest kendte malerier?Vis svaret

I 1850s: 15 af de 93 værker på denne side blev skabt dengang, herunder Peasant girl with basket of vegetables.

Hvilket berømt maleri af Carl Haag er det tidligste, og hvilket er det seneste?Vis svaret

På denne side er det tidligste Portrait of a mother with her daughter (1847) og det seneste The happy smoker (1893).

Hvilke motiver foretrak Carl Haag?Vis svaret

Woman (7), Landscape (5) og Man (3), fordelt på de 93 værker på denne side.

Hvilke materialer brugte Carl Haag mest til sine malerier?Vis svaret

Watercolor, for 11 af de 93 værker på denne side.

Hvilken stilart tilhører værkerne fra Carl Haag?Vis svaret

Orientalism og Romanticism, baseret på originalerne på denne side.

Carl Haag: et portræt af kunstneren

Carl Haag (1820-1915): Bavarian-born British painter famed for detailed Orientalist scenes, Holy Land watercolors & royal commissions

Carl Haag’s artistic journey was one marked by a remarkable blend of academic training and transformative encounters with Eastern cultures. Born in Erlangen, Bavaria, in 1820, he began his artistic education at the Academy of Fine Arts Nuremberg and Munich, mastering portraiture, architectural studies, and illustration—skills that would underpin his later success as a watercolorist and Orientalist painter. However, it was his relocation to England in 1847 that fundamentally altered his trajectory, immersing him in British artistic traditions and propelling him toward international recognition.

Early Training and Artistic Foundations

Haag’s initial training instilled in him a disciplined approach to art—a meticulous attention to detail and an understanding of classical composition—traits that would become central to his distinctive style. He diligently studied the techniques of oil painting, honing his skills in capturing realistic likenesses and portraying architectural grandeur. These formative years equipped him with the foundational knowledge necessary for tackling more ambitious projects later in life. The influence of German academic art is palpable throughout his oeuvre, particularly in his early portraits and landscapes—a testament to the enduring legacy of Nuremberg’s artistic heritage.

The Embrace of Watercolor and British Artistic Sensibilities

Moving to England proved decisive in shaping Haag's artistic identity. He quickly adopted the vibrant watercolor techniques favored by British artists, gaining acclaim within London’s art circles and establishing himself as a respected member of the Royal Society of Painters in Water Colours. This embrace of watercolor wasn’t merely stylistic preference; it reflected a deeper engagement with Victorian aesthetic sensibilities—a fascination for natural beauty and an appreciation for capturing fleeting moments of emotion. Elected Associate in 1850 and Full Member in 1853, Haag benefited from the patronage of Queen Victoria, who commissioned several landscapes depicting Scotland's Highlands – a pivotal moment cementing his reputation as one of Britain’s foremost watercolorists.

Travels to the Middle East: Inspiration and Transformation

Between 1858 and 1860, and again in 1873-74, Carl Haag embarked on expeditions that would irrevocably transform his artistic vision. These voyages—spanning Egypt, Jerusalem, Lebanon, and Syria—were not simply journeys of discovery but profound encounters with cultures vastly different from his Bavarian upbringing. He collaborated closely with fellow artist Frederick Goodall in Cairo, fostering a shared aesthetic sensibility and enriching their respective perspectives. The landscapes, people, and traditions of the Middle East captivated Haag, inspiring him to specialize in Orientalist scenes characterized by unparalleled accuracy and intricate detail. He sought not merely to record what he saw but to convey *the essence* of these places—their light, their textures, their atmosphere—capturing the spirit of a bygone era. His depictions of Palmyra and Baalbek stand as enduring monuments to his dedication to faithful representation and artistic exploration.

Royal Patronage and Artistic Legacy

Haag’s talent attracted the attention of Queen Victoria, who recognized his exceptional skill and invited him to Balmoral Castle in Scotland. This patronage resulted in a series of paintings documenting royal life—a testament to Haag's ability to capture both grandeur and intimacy—and secured his place among Britain’s most celebrated artists. His landscapes of the Highlands remain iconic representations of Victorian England, embodying the Romantic ideal of sublime beauty and reflecting Haag’s profound connection with the natural world. Furthermore, Haag’s work is housed in prestigious collections worldwide, including the Israel Museum and the Royal Collection—a lasting testament to his artistic achievement and enduring influence on subsequent generations of painters. Carl Haag's legacy extends beyond his technical mastery; he fostered a deeper understanding between Europe and the Middle East through art, leaving behind a body of work that continues to inspire awe and admiration.