Portræt af Bartus Korteling

De 10 mest berømte Bartus Korteling-malerier, hver og en unik

Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 10 værker af Bartus Korteling i vores katalog

Kort sagt

Still Life with Dead Rooster and Dove on Chest (1871) er det maleri af Bartus Korteling, der vækker mest opsigt; originalen findes på Museum De Waag, Deventer. Derefter falder blikket på Small Street in 'De Hoven' with Two Characteristic Garden Houses (1890) og Ships in the Turfhaven, now Mr. H.F. de Boerlaan (1890). Blandt de 10 værker af Bartus Korteling i vores katalog er disse 10 de mest berømte, hver især et unikt originalværk præsenteret med sit årstal, sit museum og årsagen til dets tidløse betydning.

1853 – 1930, Deventer Flest værker: Museum De Waag

Top 10 malerier af Bartus Korteling, set gennem galleriets øjne

De museer, der udstiller Bartus Kortelings originalværker

Det museum, der rummer flest af malerierne på denne side.

Museum By Værker af Bartus Korteling Malerier fra denne liste
Museum De Waag, DeventerMuseum De Waag Deventer 10 Still Life with Dead Rooster and Dove on Chest, Small Street in 'De Hoven' with Two Characteristic Garden Houses, Ships in the Turfhaven, now Mr. H.F. de Boerlaan

Bartus Korteling gennem årtierne: ét unikt originalværk til hver

Værker per årti

Vælg et årti for at se det originale værk, der definerer det.

Bartus Kortelings malerier: spørgsmål til galleriet

Hvad er det mest berømte værk af Bartus Korteling?Vis svaret

Still Life with Dead Rooster and Dove on Chest (1871), Museum De Waag, Deventer. Derefter følger Small Street in 'De Hoven' with Two Characteristic Garden Houses (1890) og Ships in the Turfhaven, now Mr. H.F. de Boerlaan (1890).

Hvilken alder havde Bartus Korteling, da Still Life with Dead Rooster and Dove on Chest blev skabt?Vis svaret

18 år gammel: Still Life with Dead Rooster and Dove on Chest er fra 1871, og Bartus Korteling blev født i 1853.

Hvilke ti malerier af Bartus Korteling er de mest berømte?Vis svaret

Still Life with Dead Rooster and Dove on Chest, Small Street in 'De Hoven' with Two Characteristic Garden Houses, Ships in the Turfhaven, now Mr. H.F. de Boerlaan, Still Life with Copper Pan, Onions and Cauliflower, Painting with Boats at Oude Turfhaven, Still Life with Copper Pan, Sunflowers, Raalterkanaal near Zandbeltermolen, Flooded Park, Worpplantsoen og Small Piece of Land near the Steenenkamer, Deventer. Ranglisten ovenfor viser det enkelte værks årstal og museum.

Hvor mange værker af Bartus Korteling er kendt?Vis svaret

Vores katalog indeholder 10 værker af Bartus Korteling, dateret fra 1871 til 1912.

Hvor kan de mest berømte originaler af Bartus Korteling ses?Vis svaret

Primært i Museum De Waag (Deventer). Museumslisten ovenfor viser dem alle.

I hvilken periode skabte Bartus Korteling sine mest kendte malerier?Vis svaret

I 1900s: 5 af de 10 værker på denne side blev skabt dengang, herunder Still Life with Copper Pan, Onions and Cauliflower.

Hvilket berømt maleri af Bartus Korteling er det tidligste, og hvilket er det seneste?Vis svaret

På denne side er det tidligste Still Life with Dead Rooster and Dove on Chest (1871) og det seneste Small Piece of Land near the Steenenkamer, Deventer (1912).

Hvilke originalværker af Bartus Korteling kan jeg se på Museum De Waag?Vis svaret

Still Life with Dead Rooster and Dove on Chest, Small Street in 'De Hoven' with Two Characteristic Garden Houses og Ships in the Turfhaven, now Mr. H.F. de Boerlaan: Museum De Waag, Deventer har 10 af værkerne på denne side.

Bartus Korteling: et portræt af kunstneren

The Legacy of the Smedenstraat

In the narrow streets of Deventer, where the scent of pigment and oil once lingered in the air, the Korteling name was woven into the very fabric of the city's creative life. Born in 1853, Bartus Korteling emerged from a lineage of craftsmen who understood the alchemy of color. His family had established a foundation in the Smedenstraat, where his forefather, Gerhard, spent his days preparing paints by hand and preserving the ancient methods of the trade. This upbringing meant that for Bartus, art was not a distant pursuit but a tangible, daily reality shaped by the textures of raw materials and the discipline of the workshop.

He did not merely inherit a trade; he inherited a way of seeing. While his ancestors focused on the production of the medium itself, Bartus sought to master the application of it. His life was deeply rooted in the local community, a man of the city who moved through its cultural circles with a quiet, steady purpose. He became a figure of influence, not through loud proclamations, but through the steady guidance he offered to those seeking to master the line and the shadow.

A Teacher and a Practitioner

Bartus found his calling in the delicate balance between instruction and creation. He became a teacher of drawing in Deventer, a role that allowed him to shape the hands and eyes of many young talents. His influence was felt in the studios and academies where he imparted the technical rigors of his craft. He possessed a deep understanding of form, a skill honed by a lifetime spent surrounded by the tools of the painter.

His personal work reflected the shifting tides of the era, finding its place within the stylistic echoes of the Hague School. He worked with a precision that spoke of his lineage, yet his hand was his own. His output was characterized by:

  • A mastery of draftsmanship that informed his teaching.
  • A commitment to the high standards of the Dutch tradition.
  • A technical proficiency rooted in the family's history of pigment making.

The Quiet Influence of a Family Line

The significance of Bartus lies in the continuity he provided for the generations that followed. He was a bridge between the old world of the artisan-painter and the modern era of the professional artist. His son, Willem, would eventually take the family's artistic ambitions even further, becoming the first to pursue the life of a full-time artist. This progression was built upon the technical foundations and the local respect earned by Bartus during his long life in the Netherlands.

When he passed away in 1930, he left behind more than just sketches and canvases; he left a legacy of craftsmanship that had been refined over decades. His life was a testament to the idea that art is often a matter of lineage, a slow accumulation of skill passed from father to son, from the workshop to the academy, and from the hand to the heart of a city.