Kort sagt
Anno 1648. The Peace of Munster (1850) er det maleri af Barend Wijnveld, der vækker mest opsigt; originalen findes på Amsterdam Museum, Amsterdam. Derefter falder blikket på Anno 1584. The Murder of Willem van Oranje (1850) og Anno 1647. Frederik Hendrik feels his end approaching and takes leave of the Staten (1850). Blandt de 56 værker af Barend Wijnveld i vores katalog er disse 56 de mest berømte, hver især et unikt originalværk præsenteret med sit årstal, sit museum og årsagen til dets tidløse betydning.
Top 10 malerier af Barend Wijnveld, set gennem galleriets øjne
Barend Wijnvelds berømte malerier, nummer 11 til 56
De museer, der udstiller Barend Wijnvelds originalværker
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Barend Wijnveld | Malerier fra denne liste |
|---|---|---|---|
| Amsterdam | 55 | Anno 1648. The Peace of Munster, Anno 1584. The Murder of Willem van Oranje, Anno 1647. Frederik Hendrik feels his end approaching and takes leave of the Staten |
Barend Wijnveld gennem årtierne: ét unikt originalværk til hver
Værker per årti
Vælg et årti for at se det originale værk, der definerer det.
Count Jan II grants the first Privilege to Amsterdam, 1300
Barend Wijnvelds malerier: spørgsmål til galleriet
Hvad er det mest berømte værk af Barend Wijnveld?Vis svaret
Anno 1648. The Peace of Munster (1850), Amsterdam Museum, Amsterdam. Derefter følger Anno 1584. The Murder of Willem van Oranje (1850) og Anno 1647. Frederik Hendrik feels his end approaching and takes leave of the Staten (1850).
Hvilken alder havde Barend Wijnveld, da Anno 1648. The Peace of Munster blev skabt?Vis svaret
30 år gammel: Anno 1648. The Peace of Munster er fra 1850, og Barend Wijnveld blev født i 1820.
Hvilke ti malerier af Barend Wijnveld er de mest berømte?Vis svaret
Anno 1648. The Peace of Munster, Anno 1584. The Murder of Willem van Oranje, Anno 1647. Frederik Hendrik feels his end approaching and takes leave of the Staten, Anno 1672. The Heroic Defense of Aardenburg, Anno 1648. The first laying of the stone of the Amsterdamse stadhuis, Anno 1465. Duke Arnoud van Gelre is taken prisoner by his son Adolf, Anno 70. Brinio as Leader of the Kaninefaten Raised on the Shield, Anno 70. Claudius Civilis incites the Batavians to revolt, Anno 1830. The Prince of Orange escapes the wrath of the Brussels people og Anno 1018. The Duke of Lotharingen is defeated by Dirk III of Holland near Dordrecht. Ranglisten ovenfor viser det enkelte værks årstal og museum.
Hvor mange værker af Barend Wijnveld er kendt?Vis svaret
Vores katalog indeholder 56 værker af Barend Wijnveld, dateret fra 1850 til 1885.
Hvor kan de mest berømte originaler af Barend Wijnveld ses?Vis svaret
Primært i Amsterdam Museum (Amsterdam). Museumslisten ovenfor viser dem alle.
I hvilken periode skabte Barend Wijnveld sine mest kendte malerier?Vis svaret
I 1860s: 44 af de 56 værker på denne side blev skabt dengang, herunder Count Jan II grants the first Privilege to Amsterdam, 1300.
Hvilket berømt maleri af Barend Wijnveld er det tidligste, og hvilket er det seneste?Vis svaret
På denne side er det tidligste Anno 1648. The Peace of Munster (1850) og det seneste Anno 1573. The Battle on the Zuiderzee (1885).
Hvilke originalværker af Barend Wijnveld kan jeg se på Amsterdam Museum?Vis svaret
Anno 1648. The Peace of Munster, Anno 1584. The Murder of Willem van Oranje og Anno 1647. Frederik Hendrik feels his end approaching and takes leave of the Staten: Amsterdam Museum, Amsterdam har 55 af værkerne på denne side.
Barend Wijnveld: et portræt af kunstneren
The Life of a Dutch Painter
Born in the bustling streets of Amsterdam, Barend Wijnveld entered a world where the brush and the palette were the primary tools of a dedicated life. His path was one of steady progression, beginning his active work in the mid-1830s and continuing until his final days. He was a man deeply embedded in the artistic fabric of the Netherlands, finding a home within the prestigious circles of Arti et Amicitiae from 1854. His existence was defined by the quiet discipline of the studio and the lively exchange of ideas among his peers.
His presence in the Dutch art scene was not merely that of a solitary creator, but that of a mentor. He understood that the survival of craft depended on the passing of knowledge from one hand to another. This commitment to the future of art led him to the halls of the Rijksakademie van Beeldende Kunsten, where he held the position of professor starting in 1869. Through his guidance, many pupils learned to see the world through a painter's eyes, ensuring his influence extended far beyond his own canvases.
A Legacy of Instruction and Residence
Wijnveld’s professional life was marked by several significant roles that allowed him to engage with the creative community in diverse ways. His influence was felt in both the formal academy and the more intimate settings of artistic gathering. His career was characterized by these specific engagements:
- Professor at the Rijksakademie van Beeldende Kunsten
- Member of the society Arti et Amicitiae
- Artist-in-residence at Natura Artis Magistra
His work often turned its gaze toward the past, capturing moments of historical weight. One such effort involved depicting the people of Dordrecht as they celebrated William III in 1672. He sought to translate the collective energy of a nation into a visual form, documenting the spirit of a specific era through his brushwork. Whether painting historical scenes or participating in the academic life of his country, he remained a constant figure in the Dutch landscape.
The Final Years in Haarlem
As the decades passed, Wijnveld’s connection to the art world only deepened. He moved through the various stages of a long and productive career, maintaining his practice from 1835 until his death in 1902. His final years were spent in Haarlem, far from the birthplace of his youth but still within the heart of the culture he helped shape. He left behind a lineage of students and a body of work that remains a part of the historical record of the Netherlands.








