Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 4 værker af Antonio Begarelli i vores katalog
Kort sagt
Deposition (1530) er det maleri af Antonio Begarelli, der vækker mest opsigt; originalen findes på San Francesco, Modena. Derefter falder blikket på The Adoration of the Shepherds (1526) og Madonna del Latte (Madonna of the Milk) (1535). Blandt de 4 værker af Antonio Begarelli i vores katalog er disse 4 de mest berømte, hver især et unikt originalværk præsenteret med sit årstal, sit museum og årsagen til dets tidløse betydning.
The Deposition by Antonio Begarelli captures a moment of heavy, silent stillness. Created about 1530, this large terracotta statuary group depicts the removal of Christ from the cross. The figures are frozen in a choreography of grief, gathered around the central structure of the crucifixion. It is a work of profound weight and presence, a sculptural event that occupies the space of the church with its physical gravity.
The terracotta holds the warmth of the earth from which it was pulled. In the Cathedral of Modena, the figures of 1526 gather in a silent, frozen circle. A central child lies on its side, a small, pale presence amidst the heavy folds of drapery. Around this infant, the shepherds lean in, their bodies caught in a moment of profound stillness. The surface of the clay bears the marks of…
The sculpture presents a quiet, intimate moment of maternal care, capturing the Madonna and Child in a state of serene contemplation. Seated upon a cloud-like base that suggests a divine presence, Mary holds the infant Jesus securely. Her robes drape in heavy, elegant folds, suggesting both the softness of fabric and the physical weight of the form. The child rests against her, his pose reflecting a natural, infant-like comfort. This…
One centre of terracotta sculpture during the High Renaissance was Modena. The highly respected Antonio Begarelli was active there, creating numerous altars with life-size figural groups for Modena and communities in the region. As early as 1842 the Berlin Museums were able to acquire a major work of this type. The four angels from San Salvatore in Modena were combined by the previous owner, who restored a number of Begarelli’s…
De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.
De 3 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Antonio Begarelli | Malerier fra denne liste |
|---|---|---|---|
 San Francesco |
Modena | 1 | Deposition |
 Cathedral |
Modena | 1 | The Adoration of the Shepherds |
 Galleria Estense |
Modena | 1 | Madonna del Latte (Madonna of the Milk) |
Vælg et årti for at se det originale værk, der definerer det.
One centre of terracotta sculpture during the High Renaissance was Modena. The highly respected Antonio Begarelli was active there, creating numerous altars with life-size figural groups for Modena and communities in the region. As early as 1842 the Berlin Museums were able to acquire a major work of this type. The four angels from San Salvatore in Modena were combined by the previous owner, who restored a number of Begarelli’s…
The terracotta holds the warmth of the earth from which it was pulled. In the Cathedral of Modena, the figures of 1526 gather in a silent, frozen circle. A central child lies on its side, a small, pale presence amidst the heavy folds of drapery. Around this infant, the shepherds lean in, their bodies caught in a moment of profound stillness. The surface of the clay bears the marks of…
The Deposition by Antonio Begarelli captures a moment of heavy, silent stillness. Created about 1530, this large terracotta statuary group depicts the removal of Christ from the cross. The figures are frozen in a choreography of grief, gathered around the central structure of the crucifixion. It is a work of profound weight and presence, a sculptural event that occupies the space of the church with its physical gravity.
Deposition (1530), San Francesco, Modena. Derefter følger The Adoration of the Shepherds (1526) og Madonna del Latte (Madonna of the Milk) (1535).
40 år gammel: Deposition er fra 1530, og Antonio Begarelli blev født i 1490.
Vores katalog indeholder 4 værker af Antonio Begarelli, dateret fra 1500 til 1535.
Primært i San Francesco (Modena), Cathedral (Modena) og Galleria Estense (Modena). Museumslisten ovenfor viser dem alle.
I 1530s: 2 af de 4 værker på denne side blev skabt dengang, herunder Deposition.
På denne side er det tidligste Altar Group (1500) og det seneste Madonna del Latte (Madonna of the Milk) (1535).
Begarellis formative år blev brugt på at forfine sit håndværk under Giovanni dell’Abbate, hvor han blev opslugt af de kunstneriske strømninger i Modena i en periode præget af intens religiøs glød. Som en dominerende skulptør i Modena indgik han omfattende samarbejder med Mazzoni II Modanino og transformerede kirker over hele regionen til rum prydet med terracotta-skulpturer – en revolutionerende teknik, der prioriterede teksturel rigdom og skulpturel nærvær over illusionistisk farvebrug. Hans ry strakte sig langt ud over Modena, da han sikrede sig opgaver fra Parmas aristokratiske elite, hvilket førte hans kunstneriske udforskning yderligere fremad. Selvom der fortsat spekuleres i en forbindelse mellem Begarelli og Raphael (Correggio), tyder den videnskabelige konsensus på, at deres stilistiske forskelle – hvor Begarelli foretrak jordagtige toner og monumental skala – vidner om to vidt forskellige kunstneriske baner.
