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De 2 mest berømte Anton Ebert-malerier, en galleriselektion
Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 3 værker af Anton Ebert i vores katalog
Kort sagt
Af alle de originale værker, som Anton Ebert efterlod, er det mest berømte Self-Portrait (1889). Vores katalog indeholder 3 værker af Anton Ebert; galleriet har bevaret de 2 værker, som verden beundrer mest, hver vist med sin dato, sit museum og sin historie.
1845 – 1896, Kladruby
Flest værker: Berlinische Galerie
Anton Eberts top 10 malerier: galleriets udvalg
De museer, der udstiller Anton Eberts originalværker
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Anton Ebert | Malerier fra denne liste |
|---|---|---|---|
 Berlinische Galerie |
Berlin | 1 | Female Semi-Nude |
Anton Ebert år for år: de originale værker, der definerer hvert år
1889 er året for hvert dateret Anton Ebert værk i dette udvalg: her er de, rangeret efter berømmelse.
Værker per år
Vælg et årstal for at se de originale værker.
Samleres spørgsmål om Anton Eberts malerier
Hvilket værk er Anton Ebert mest kendt for?Vis svaret
Self-Portrait (1889)
Hvor gammel var Anton Ebert, da Self-Portrait blev skabt?Vis svaret
44 år gammel: Self-Portrait er fra 1889, og Anton Ebert blev født i 1845.
Hvor mange malerier efterlod Anton Ebert?Vis svaret
Vores katalog indeholder 3 værker af Anton Ebert.
I hvilke museer udstilles Anton Ebert's mesterværker?Vis svaret
Primært i Berlinische Galerie (Berlin). Museumslisten ovenfor viser dem alle.
Anton Ebert: liv og værk
A Life Between Borders
Anton Ebert entered the world in 1845 at Kladrau Castle near Mies, Bavaria. His early years were shaped by the structured surroundings of the Windisch-Graetz family estate, where his father served as the royal treasurer. This childhood setting provided a foundation for a life that would eventually span several European cultural centers.
His path as an artist led him from the Prague Academy to the studios of Vienna. It was there that he studied under Ferdinand Georg Waldmüller, an instructor whose approach to subject matter and palette left a lasting mark on his technique. While his roots were in Bohemia, Ebert’s movements took him through Berlin and eventually into the heart of Russia around 1870. This migration allowed him to observe a wide variety of lives, from the aristocratic circles of the Imperial family to the rural populations of the Russian countryside.
He spent his final years in Vienna, where he passed away on 16 June 1896. His life was defined by this movement between different landscapes and social strata.
The Art of Observation
Ebert’s work focused heavily on the human figure, particularly children and women. He possessed a particular skill for capturing the textures of daily existence, whether through the heavy fabrics of a peasant's clothing or the delicate details of a formal portrait. His paintings often documented specific cultural identities, such as the traditional folk attire found in his 1879 work, Girl in Folk Costume.
His approach to painting was grounded in realism and a meticulous attention to detail. He used oil on canvas and panel to render skin, fabric, and light with great precision. While some of his portraits leaned toward the classical, others captured more intimate, everyday scenes:
- Portraits of the aristocracy and members of the Imperial family.
- Genre scenes depicting merchants and peasants.
- Landscapes focused on the surroundings of Vienna.
- Miniature portraits executed on ivory.
In works like The Mellon Seller, he applied a realistic style to depict a young woman with watermelons, focusing on the physical reality of the scene. He also drew from his own memories of Kladrau Castle to create scenes involving children, often using the family members of the Windisch-Graetz house as models.
A Lasting Record
Ebert’s significance lies in his role as a documentarian of 19th-century life. Through his portraits and genre paintings, he recorded the customs, costumes, and faces of a period undergoing rapid change. His ability to move between the formal requirements of portraiture for royalty and the honest depiction of ordinary people allowed him to create a broad visual record of his era.
His pieces are held in various collections across Europe, including the Museum of Vienna, the Roumianzeff Museum in Moscow, and the Mainz Art Gallery. These works remain as physical links to the social structures and regional identities of the late 1800s.