Opdateret oktober 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 10 værker af Anthon van Rappard i vores katalog
Kort sagt
I galleriets øjne er Anthon van Rappards mest berømte maleri Weaver (1884), hvis original hænger på Van Gogh Museet i Amsterdam. Portrait of a Girl (1884) og Woman at the Spinning Wheel (1891) fuldender trioen, som ethvert øje genkender. Ud af de 10 værker af Anthon van Rappard i vores katalog præsenterer galleriet herunder de 10 mest berømte, hver som et originalværk med årstal, museum og det, der gør det unikt.
In 1884, Anthon van Rappard turned his gaze toward the quiet, heavy shadows of Drenthe. The painting, Weaver, captures a man caught in the rhythmic, solitary labor of his craft. He sits within a small, dark house, dwarfed by the imposing wooden structure of a loom. The space is cramped and dim, a setting where the air feels thick with the dust of industry and the weight of poverty. It…
Anthon van Rappard, born in Zeist, Netherlands, captured the quietude of a life lived in observation. In his work Old Drenthe Woman, the artist turns his gaze toward the weathered reality of the human form. This oil portrait focuses on an elderly subject, presenting a face marked by the passage of time. The subject sits in a moment of stillness, her presence anchored by the weight of her years and…
De 3 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Anthon van Rappard | Malerier fra denne liste |
|---|---|---|---|
 Museum Boijmans Van Beuningen |
Rotterdam | 5 | Portrait of a Girl, Woman at the Spinning Wheel, Landing-stage with boats |
 Centraal Museum |
Utrecht | 3 | Two Female Workers, Tile Painters, Washing strands of Cotton |
 Van Gogh Museet |
Amsterdam | 2 | Weaver, Old Drenthe Woman |
Næsten ti år, fra 1882 til 1891, var nok for Anthon van Rappard: galleriet gennemgår dem år for år, ét berømt originalværk efter det andet.
Vælg et årstal for at se de originale værker.
In 1884, Anthon van Rappard turned his gaze toward the quiet, heavy shadows of Drenthe. The painting, Weaver, captures a man caught in the rhythmic, solitary labor of his craft. He sits within a small, dark house, dwarfed by the imposing wooden structure of a loom. The space is cramped and dim, a setting where the air feels thick with the dust of industry and the weight of poverty. It…
Mere fra 1884
Weaver (1884), Van Gogh Museet, Amsterdam. Derefter følger Portrait of a Girl (1884) og Woman at the Spinning Wheel (1891).
26 år gammel: Weaver er fra 1884, og Anthon van Rappard blev født i 1858.
Weaver, Portrait of a Girl, Woman at the Spinning Wheel, Old Drenthe Woman, Two Female Workers, Tile Painters, Landing-stage with boats, Laborer in a brickworks, Cotton Weaver near his Machine og Washing strands of Cotton. Ranglisten ovenfor viser det enkelte værks årstal og museum.
Vores katalog indeholder 10 værker af Anthon van Rappard, dateret fra 1882 til 1891.
Primært i Museum Boijmans Van Beuningen (Rotterdam), Centraal Museum (Utrecht) og Van Gogh Museet (Amsterdam). Museumslisten ovenfor viser dem alle.
I 1884: 3 af de 10 værker på denne side blev skabt dengang, herunder Weaver.
På denne side er det tidligste Tile Painters (1882) og det seneste Woman at the Spinning Wheel (1891).
Portrait of a Girl, Woman at the Spinning Wheel og Landing-stage with boats: Museum Boijmans Van Beuningen, Rotterdam har 5 af værkerne på denne side.
Anthon van Rappard lived through a period of quiet observation in the Netherlands. His life was closely tied to the city of Utrecht, where he found moments of deep connection with his surroundings. During the first half of the 1880s, he maintained a friendship and an exchange of letters with Vincent van Gogh. This connection placed him within a circle of individuals who were deeply engaged with the realities of their time.
His work often turned toward the lived experiences of those in his community. He spent time sketching at the Institute for the Blind in Utrecht, a place dedicated to teaching people how to earn a living through manual labor. In the autumn of 1882 and again around 1890, he returned to this setting to capture the steady rhythm of daily tasks.
Van Rappard had a way of looking at the small, focused movements of people at work. In his 1891 pastel, he documented three men engaged in the delicate process of making brushes. He watched as they fitted plant fibers into wooden handles with precise care. The scene included the simple tools of their trade, such as hammers and rolls of metal wire, laid out on a table.
There was a specific stillness in how he approached his subjects. In the same work, he depicted a bookkeeper at a tall desk, turned away from the craftsmen. This figure, wearing a faded black frock coat and spectacles, provided a quiet contrast to the physical labor occurring nearby. Through these sketches, Van Rappard recorded the atmosphere of an institution where people worked to find their place in society.
