Kort sagt
I galleriets øjne er Anna Petersens mest berømte maleri Breton Girl Looking After Plants in the Hothouse (1884), hvis original hænger på Statens Museum for Kunst i København. Ud af de 3 værker af Anna Petersen i vores katalog præsenterer galleriet herunder de 2 mest berømte, hver som et originalværk med årstal, museum og det, der gør det unikt.
Galleriets top 10 Anna Petersen malerier
De museer, der udstiller Anna Petersens originalværker
De 2 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Anna Petersen | Malerier fra denne liste |
|---|---|---|---|
| København | 1 | Breton Girl Looking After Plants in the Hothouse | |
| København | 1 | An evening with a friend. By lamplight |
Anna Petersen, årets signaturmalerier
Næsten ti år, fra 1884 til 1891, var nok for Anna Petersen: galleriet gennemgår dem år for år, ét berømt originalværk efter det andet.
Værker per år
Vælg et årstal for at se de originale værker.
Anna Petersen's malerier: galleriets svar
Hvilket maleri af Anna Petersen er det mest berømte af alle?Vis svaret
Breton Girl Looking After Plants in the Hothouse (1884)
Hvor gammel var Anna Petersen, da Breton Girl Looking After Plants in the Hothouse blev færdiggjort?Vis svaret
39 år gammel: Breton Girl Looking After Plants in the Hothouse er fra 1884, og Anna Petersen blev født i 1845.
Hvor mange værker skabte Anna Petersen?Vis svaret
Vores katalog indeholder 3 værker af Anna Petersen, dateret fra 1884 til 1891.
Hvor hænger Anna Petersens mest berømte originaler?Vis svaret
Primært i Statens Museum for Kunst (København) og Den Hirschsprungske Samling (København). Museumslisten ovenfor viser dem alle.
Hvilke er Anna Petersens tidligste og seneste berømte værker?Vis svaret
På denne side er det tidligste Breton Girl Looking After Plants in the Hothouse (1884) og det seneste An evening with a friend. By lamplight (1891).
Anna Petersen: kunstneren
The Life and Art of Anna Petersen
Born in Copenhagen, Denmark, Anna Petersen was a painter who navigated the complexities of the late 19th and early 20th-century art world. She received her training at the Tegneskolen for Kvinder in Copenhagen and later moved to France, where she apprenticed under Jean-Jacques Henner in Paris. Her artistic journey included studying at the Kunstskole for Kvinder and exhibiting her work at the Charlottenborg Spring Exhibition. Petersen also showcased her talent on an international stage, exhibiting at the 1889 Exposition Universelle in Paris and the 1893 World's Columbian Exposition in Chicago. Throughout her career, she traveled to Spain, Skagen, and Italy.
Artistic Style and Notable Works
Petersen was recognized for her strong sense of realism, particularly in her genre paintings that depicted common people in domestic or religious settings. Her work often focused on figure painting and portraiture. Some of her notable works include:
In her painting En Aften Hos Veninde. Ved Lampelys, she depicted contemporary artists Marie Krøyer, Bertha Wegmann, and Jeanna Bauck listening to the violinist Frida Schytte. While she primarily worked in painting, she also produced a single known sculpture, a monument for her parents' grave in Assistens Cemetery.