Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 50 værker af Alfred Roll i vores katalog
Kort sagt
Af alle de originale værker, som Alfred Roll efterlod, er det mest berømte Portrait de Mme Roll. Lige efter følger Retour du bal og The feast of Silenus (1871). Vores katalog indeholder 50 værker af Alfred Roll; galleriet har bevaret de 49 værker, som verden beundrer mest, hver vist med sin dato, sit museum og sin historie.
The portrait depicts a woman, identified as Madame Roll, positioned in a vertical orientation. She is situated slightly off-center within a domestic interior, appearing to stand near a window. The figure is rendered with a muted color palette, primarily composed of blacks, grays, and browns. Subtle ochre and muted red tones appear in the highlights and the background. Her attire is formal, and her expression remains serene with a slight…
The air in the room feels heavy with the scent of perfume and the soft rustle of silk as two women move through an opulent interior. We watch them from behind, catching only the graceful curve of their backs and the sweeping lines of their attire. They are poised, perhaps caught in a moment of transition between the excitement of a social gathering and the quietude of their private quarters.…
The feast of Silenus emerges from the brush of Alfred Philippe Roll, a painter whose life spanned the transformative decades of the late nineteenth century. Born in the former 8th arrondissement of Paris, France, in 1845, Roll carries the weight of a changing era within his lineage. He remains a figure of the French tradition, having departed this world in 1919. This specific work, The feast of Silenus, captures a…
In this 1880 oil on canvas, we find ourselves standing at eye-level with a solitary woman, a street vendor whose presence commands a quiet, stoic dignity. She is positioned slightly off-center, a choice that lends a sense of naturalism to the vertical composition. There is a certain weight to her figure, anchored by the heavy folds of her skirt and the rounded, organic form of the basket she carries. The…
The canvas depicts a dense, wide-angle view of a Parisian square during a large-scale public celebration. In the center of the composition, a monument rises toward a sky filled with fluttering flags. The scene is populated by a vast, diverse crowd of figures that extend from the immediate foreground into the distance. These people are rendered with varied postures, some standing in groups and others moving through the space. The…
The portrait emerges from a period of transition in French art, moving away from the rigid constraints of academic tradition toward a more grounded, empathetic realism. The visible layering of paint suggests a preoccupation with the authentic human form rather than an idealized version of it. There is a palpable sense of the man's internal life, a quiet intensity that lingers in the way the light interacts with his features.…
The air feels heavy and still within this shadowed woodland, where the light filters through a dense canopy in soft, dappled patches. A nude woman rests in an intimate, quiet moment, her pale skin glowing against the deep, earthy tones of the surrounding meadow. Beside her, the muscular form of a bull emerges from the darkness, its presence a powerful counterpoint to her vulnerability. There is a profound sense of…
In the work Alsatian and Lorrainer by Alfred Philippe Roll, the composition is structured as a tight, intimate close-up of two female figures. The primary subject is positioned in the foreground, presented in a sharp profile facing toward the left side of the frame. Behind her, a second woman is partially visible, also oriented toward the left. This overlapping arrangement creates a sense of depth within the narrow field of…
In this intimate oil on canvas, Alfred Philippe Roll presents Portrait of Thaulow and His Wife. Painted about 1890, the work captures a quiet moment between a man and a woman. The subjects are likely the artist's acquaintances, Thaulow and his wife, rendered with a sense of naturalism that suggests a close proximity to the figures. There is a palpable sense of companionship in the way they are positioned together.
The portrait presents a woman seated centrally within a luxurious interior. She is positioned in a vertical orientation, wearing a sleeveless black gown that features shimmering, light-colored patterns suggestive of sequins or embroidery. A large, dark, textured element, resembling a fur mantle or heavy drapery, surrounds the upper portion of her chair. Her skin is rendered with smooth, luminous textures, and her reddish-brown hair is styled softly around her face.…
André Manaut1890 · Municipal museum (Saverne)
12
Au trot1888 · Municipal museum (Saverne)
13
Adolphe Alphand1888 · Petit Palais
14
Centenary of the Estates General at the Neptune Basin (May 3, 1889)1889
15
Exodus1893 · Petit Palais
16
Louise Cattel, wet nurse1894 · Palais des Beaux-Arts de Lille
17
Alexandre Dumas fils1895 · Musée des Beaux-Arts
18
Roll Painting1900 · Petit Palais
19
Portrait de Mme Henriette Roll1900 · Municipal museum (Saverne)
20
Nu couché1900 · Musée d'Art Moderne et Contemporain de Strasbourg
21
In Summer, Woman with Dog1909 · Petit Palais
22
Sketch for the Petit Palais, south gallery: Apotheosis (central ceiling)1909 · Petit Palais
23
Sketch for the Petit Palais, south gallery: Poetry - Drama1910 · Petit Palais
24
Sketch for the Petit Palais, south gallery: Fantastic Music1911 · Petit Palais
25
Sketch for the South Gallery of the Petit Palais: Apotheosis (central ceiling)1913 · Petit Palais
26
The Big Bed1912 · Municipal museum (Saverne)
27
Bourgeoisie1913 · Municipal museum (Saverne)
28
Portrait of Miss Amélie Diéterle, in 1913. Title : In June, Amélie Diéterle.1913 · Petit Palais
29
The Tea Cup1918 · Municipal museum (Saverne)
30
CHEMIN SOUS BOIS
31
July 14, 1880, Inauguration of the Monument to the Republic1881 · Petit Palais
32
Esquisse pour La fête nationale du 14 juillet 18801881 · Municipal museum (Saverne)
33
Sketch for the Hôtel de Ville de Paris: Art, Movement, Work, Lights1897 · Petit Palais
34
The Vigil under the Arc de Triomphe1903 · Musée Victor Hugo
35
The Wave1911 · Petit Palais
36
Sketch for the Petit Palais, south gallery: Fantastic Music1911 · Petit Palais
37
Peder Severin Kröyer (1851-1909)Nationalmuseum
38
Petite République1907 · Municipal museum (Saverne)
39
La grève de mineurs
40
Portrait de Léon Bourgeois
41
PORTRAIT DE JEUNE FILLE
42
Portrait de jeune femme
43
L'Exécution d'un trompette sous la CommuneCarnavalet Museum
44
Les baigneuses Panneau décoratif (Ancien titre)
45
BathersMusée des Beaux-Arts de Dijon
46
Chevaux à l'écurie
47
Manda Lamétrie, fermière1887 · Musée d'Orsay
48
The Young Republic1908 · Musée d'Orsay
49
The Striker's WifeMusee Baron Martin
De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.
De 8 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Alfred Roll | Malerier fra denne liste |
|---|---|---|---|
 Petit Palais |
Paris | 16 | July 14, 1880, Inauguration of the Monument to the République, Portrait of Thaulow and His Wife, Portrait of Jane Hading |
 Municipal museum (Saverne) |
Saverne | 8 | André Manaut, Au trot, Portrait de Mme Henriette Roll |
 Carnavalet Museum |
Paris | 2 | Henri Rochefort (Victor-Henri, marquis de Rochefort-Luçay, 1831-1913), journalist, politician and writer, L'Exécution d'un trompette sous la Commune |
 Musée d'Orsay |
Paris | 2 | Manda Lamétrie, fermière, The Young Republic |
 Musée d'Arts de Nantes |
Nantes | 1 | Retour du bal |
 Museum of Fine Arts Ghent (MSK) |
Gent | 1 | The feast of Silenus |
 Musée des Beaux-Arts de Pau |
Pau | 1 | Marianne Orfrey, Green Crier |
 National Museum of Fine Arts |
Buenos Aires | 1 | Woman and bull |
Vælg et årti for at se det originale værk, der definerer det.
The feast of Silenus emerges from the brush of Alfred Philippe Roll, a painter whose life spanned the transformative decades of the late nineteenth century. Born in the former 8th arrondissement of Paris, France, in 1845, Roll carries the weight of a changing era within his lineage. He remains a figure of the French tradition, having departed this world in 1919. This specific work, The feast of Silenus, captures a…
In this 1880 oil on canvas, we find ourselves standing at eye-level with a solitary woman, a street vendor whose presence commands a quiet, stoic dignity. She is positioned slightly off-center, a choice that lends a sense of naturalism to the vertical composition. There is a certain weight to her figure, anchored by the heavy folds of her skirt and the rounded, organic form of the basket she carries. The…
In the work Alsatian and Lorrainer by Alfred Philippe Roll, the composition is structured as a tight, intimate close-up of two female figures. The primary subject is positioned in the foreground, presented in a sharp profile facing toward the left side of the frame. Behind her, a second woman is partially visible, also oriented toward the left. This overlapping arrangement creates a sense of depth within the narrow field of…
Roll Painting by Alfred Philippe Roll presents a close-up profile of an older man. The composition is tightly cropped, focusing the viewer's attention on the subject's head and upper torso. Positioned diagonally across the frame, the figure occupies the space with a sense of immediacy. The man possesses white hair and a beard that appears bright white against the surrounding tones. Light descends from above, illuminating the forehead and the…
A pale orb, like a moon caught in a slow drift, anchors a swirling expanse of blue. Around this light, human forms dissolve into the atmosphere, their limbs stretching through a haze of cerulean and navy. The figures do not stand; they float, caught in a rhythmic, tidal movement that suggests the weightless drift of clouds. Soft purples and muted ochres bleed into the shadows, creating a landscape that feels…
Portrait de Mme Roll. Derefter følger Retour du bal og The feast of Silenus (1871).
Portrait de Mme Roll, Retour du bal, The feast of Silenus, Marianne Orfrey, Green Crier, July 14, 1880, Inauguration of the Monument to the République, Henri Rochefort (Victor-Henri, marquis de Rochefort-Luçay, 1831-1913), journalist, politician and writer, Woman and bull, Alsatian and Lorrainer, Portrait of Thaulow and His Wife og Portrait of Jane Hading. Ranglisten ovenfor viser det enkelte værks årstal og museum.
Vores katalog indeholder 50 værker af Alfred Roll, dateret fra 1871 til 1918.
Primært i Petit Palais (Paris), Municipal museum (Saverne) (Saverne) og Carnavalet Museum (Paris). Museumslisten ovenfor viser dem alle.
I 1880s: 9 af de 49 værker på denne side blev skabt dengang, herunder Marianne Orfrey, Green Crier.
På denne side er det tidligste The feast of Silenus (1871) og det seneste The Tea Cup (1918).
Woman (19), Man (8) og Skin tones (5), fordelt på de 49 værker på denne side.
Oil On Canvas, for 17 af de 49 værker på denne side.
July 14, 1880, Inauguration of the Monument to the République, Portrait of Thaulow and His Wife og Portrait of Jane Hading: Petit Palais, Paris har 16 af værkerne på denne side.
I det levende og skiftende landskab i det sene 19. århundredes Frankrig var der få kunstnere, der indfangede en nations forandring med en så dyb følsomhed som Alfred Philippe Roll. Roll blev født i Paris i 1846 og trådte frem fra de prestigefyldte sale på École des Beaux-Arts, som en studerende formet af de strenge akademiske traditioner fra mestre som Jean-Léon Gérôme, Léon Bonnat og Charles-François Daubigny. Hans tidlige år var præget af en romantisk sanselighed, en stilistisk periode, hvor hans lærreder åndede med den storhed og pittoreske charme, der kendetegnede epoken. I denne formative fase genlød hans værker ofte af den overvældende emotionalitet fra den bolognesiske tradition og den spirende realisme fra Gustave Courbet, hvilket skabte en delikat spænding mellem klassisk skønhed og rå observation.
Rolls karriereforløb blev uigenkaldeligt ændret af historiens turbulente vinde. Den fransk-preussiske krig, hvor han tjente som militsløjtnant, gav hans perspektiv en dyb forståelse for menneskelig modstandskraft og samfundsmæssig opbrud. Denne konfliktperiode fungerede som en smeltedigel, der raffinerede hans blik fra det rent romantiske mod en mere jordnær og empatisk realisme. Hans mesterværk fra 1875, Oversvømmelsen i Toulouse, står som et hjemsøgende vidnesbyrd om denne overgang; ved at indfange den umiddelbare lidelse og livets skrøbelighed under en naturkatastrofe, bevægede han sig ud over ren dekoration for at engagere sig i det franske folks kollektive psyke. Dette værk, som nu befinder sig på Musée Malraux, markerede hans ankomst som en kunstner i stand til dyb visuel historiefortælling.
Som årtierne skred frem, begyndte Rolls penselstrøg at smide sine romantiske kanter og omfavnede i stedet Naturalismens råhed og sandhed. Han blev folkets maler, der rettede sin opmærksomhed mod de socio-politiske dynamikker i Den Tredje Republik. Denne evolution var ikke blot stilistisk, men dybt ideologisk. Han søgte at dokumentere den autentiske menneskelige erfaring, især arbejderklassens kampe og triumfer. Hans skelsættende maleri, Minearbejderstrejken (1880), forbliver en af hans mest betydningsfulde bedrifter, som kastede ham ind i de øverste rækker af den franske kunstverden. I dette værk skildrede han ikke blot arbejdsuroligheder; han menneskeliggjorde kampen og indgydede figurerne en værdighed, der resonerede langt ud over gallerivæggene.
Denne forpligtelse til social realisme gjorde det muligt for Roll at navigere i sin tids kompleksiteter med bemærkelsesværdig snilde. Hans repertoire udvidede sig til at omfatte:
Hans evne til at forene den tekniske præcision, han havde lært af sine akademiske mentorer, med en progressiv, næsten dokumentarisk tilgang til motivet, gjorde ham til en livsvigtig stemme i fransk kunst. Han var ikke blot en iagttager af livet, men en kronikør af dets mest presserende forvandlinger.
Alfred Philippe Rolls eftermæle defineres af hans rolle som en bro mellem den gamle verden af akademisk tradition og den nye verden af socialt engagement. Som medstifter af Société Nationale des Beaux-Arts spillede han en afgørende rolle i at omforme det institutionelle landskab i fransk kunst ved at kæmpe for et rum, hvor forskellige stilarter kunne eksistere side om side. Hans arbejde forbliver en vital historisk optegnelse, der indfanger essensen af et Frankrig fanget mellem romantikkens ekkoer og industrialiseringens og de sociale reformer barske realiteter.
Gennem sin beherskelse af lys, tekstur og komposition sikrede Roll, at hverdagens kampe og skønhed blev foreviget. Uanset om det var gennem de vidstrakte panoramaer i Champagne-regionen eller de dæmpede toner fra en arbejderstrejke, fortsætter hans kunst med at invitere beskueren ind i en dyb dialog med fortiden. Han forbliver en betydningsfuld skikkelse for enhver, der søger at forstå hjerteslagene i det 19. århundredes Frankrig – en kunstner, der betragtede verden, ikke blot som den så ud, men som den blev følt.
