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De 2 mest berømte Alessandro Milesi-malerier, hver og en unik
Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 2 værker af Alessandro Milesi i vores katalog
Kort sagt
Silent Hours (1893) er det maleri af Alessandro Milesi, der vækker mest opsigt; originalen findes på Bavarian State Painting Collections, München. Blandt de 2 værker af Alessandro Milesi i vores katalog er disse 2 de mest berømte, hver især et unikt originalværk præsenteret med sit årstal, sit museum og årsagen til dets tidløse betydning.
1856 – 1945, Venice
Flest værker: Bavarian State Painting Collections
Top 10 malerier af Alessandro Milesi, set gennem galleriets øjne
De museer, der udstiller Alessandro Milesis originalværker
De 2 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Alessandro Milesi | Malerier fra denne liste |
|---|---|---|---|
 Bavarian State Painting Collections |
München | 1 | Silent Hours |
 Brooklyn Museum |
Brooklyn | 1 | Market Scene in Venice |
Alessandro Milesi gennem årene: de unikke originaler fra hver enkelt
Hvert dateret Alessandro Milesi originalværk vist her er skabt over 2 år, mellem 1893 og 1894: år for år, her er de.
Værker per år
Vælg et årstal for at se de originale værker.
Alessandro Milesis malerier: spørgsmål til galleriet
Hvad er det mest berømte værk af Alessandro Milesi?Vis svaret
Silent Hours (1893)
Hvilken alder havde Alessandro Milesi, da Silent Hours blev skabt?Vis svaret
37 år gammel: Silent Hours er fra 1893, og Alessandro Milesi blev født i 1856.
Hvor mange værker af Alessandro Milesi er kendt?Vis svaret
Vores katalog indeholder 2 værker af Alessandro Milesi, dateret fra 1893 til 1894.
Hvor kan de mest berømte originaler af Alessandro Milesi ses?Vis svaret
Primært i Bavarian State Painting Collections (München) og Brooklyn Museum (Brooklyn). Museumslisten ovenfor viser dem alle.
Hvilket berømt maleri af Alessandro Milesi er det tidligste, og hvilket er det seneste?Vis svaret
På denne side er det tidligste Silent Hours (1893) og det seneste Market Scene in Venice (1894).
Alessandro Milesi: et portræt af kunstneren
The Venetian Canvas
Venice, 1856. A child is born into the heart of a city defined by water and light. Alessandro Milesi begins his formal training at the Venice Academy of Fine Arts, entering the studio of Napoleone Nani in 1869. The years between 1869 and 1874 are marked by rigorous study under Nani, a period that eventually leads him away from his birthplace to follow his master to Verona. This movement through the Italian landscape shapes his early vision.
In 1876, the path leads back to Venice. The city becomes more than a setting; it becomes the primary subject of his brush. He does not seek the grand historical narratives of the past but focuses instead on the pulse of everyday Venetian life. His work carries the weight of the tradition established by Giacomo Favretto, yet he integrates the fresh perspectives offered by Ettore Tito and Cesare Laurenti.
A Life in Exhibition
The late nineteenth century brings recognition through the national stages of Milan and Venice. In 1881, his presence is felt at the Milan exhibitions, followed by a significant showing in Venice in 1887. The reach of his talent extends far beyond the Adriatic coast. At the Boston International Exhibition of 1890, he receives a gold medal, an achievement that signals his arrival on the international stage.
His career is defined by a long-standing relationship with the Venice Biennale. From 1895 to 1935, Milesi participates in every single edition of this prestigious event. The milestones of his later years include:
- A solo exhibition at the Venice Biennale in 1912.
- An anthological exhibition at the Venice Biennale in 1935.
- Participation in the Milan Triennale.
Portraits and People
As the new century unfolds, Milesi shifts his focus toward the faces of a changing society. He captures the Venetian middle classes with a precision that documents the era. His subjects are not mere figures in a landscape but individuals with specific roles in the city's social fabric. He turns his attention to:
- Writers
- Musicians
- Actors
These portraits provide a window into the cultural life of Venice during his lifetime. Through these depictions, he maintains a connection to the human element of the city, even as the decades pass toward 1945.