Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 102 værker af Albert Pinkham Ryder i vores katalog
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I galleriets øjne er Albert Pinkham Ryders mest berømte maleri Sporløbet, hvis original hænger på Cleveland Museum of Art i Cleveland. Summer's Fruitful Pasture, (painting) (1870) og Macbeth and the Witches (1899) fuldender trioen, som ethvert øje genkender. Ud af de 102 værker af Albert Pinkham Ryder i vores katalog præsenterer galleriet herunder de 100 mest berømte, hver som et originalværk med årstal, museum og det, der gør det unikt.
Albert Pinkham Ryders “The Race Track” er et mesterværk, der trækker betragteren ind i en drømmende verden af symbolisme og ekspressionisme. Maleriet, skabt omkring 1896-1908, forestiller en ensom rytter på hesteryg, der galoperer mod en dramatisk himmel over et sparsomt landskab. Det er mere end blot et billede; det er en følelsesladet rejse, fyldt med gåder og underliggende fortællinger. Ryders evne til at fange stemning og skabe dybde gennem simple…
Summer's Fruitful Pasture, (painting) is a work by Albert Pinkham Ryder. The artist was born in 1847 in New Bedford, United States. This piece dates to about 1870. It emerges from a period when the painter was beginning to find his voice within the American landscape.
The canvas presents a nocturnal landscape where the boundaries between the physical and the spectral dissolve. A central, luminous orb of light pierces through a murky, atmospheric gloom, casting a dim, ochre glow upon swirling, indistinct forms. These nebulous shapes suggest the presence of the three witches from Act 1, scene 3 of Shakespeare’s play, their forms caught in a state of perpetual, ghostly motion. The composition is claustrophobic, lacking…
Introduction to the Artist and Painting Albert Pinkham Ryder, an American painter known for his dreamlike, often melancholic landscapes, created Moonlight Marine in 1870. This oil on panel painting measures 29 x 31 cm and is housed at The Metropolitan Museum of Art in New York. Background and Inspiration Raised in the whaling port of New Bedford, Massachusetts, Ryder maintained a deep connection with the ocean even after moving to…
A single, dark mass of cloud hangs in the upper left, heavy with the weight of unfallen rain. It looms over a small sailing vessel, a tiny silhouette lost against the dark expanse of the sea. The water is a murky collection of deep blacks and ochre, moving with a slow, rhythmic tension. A pale, ghostly orb sits in the center-left, casting a diffused, weak light that fails to pierce…
Siegfried and the Rhine Maidens is an oil on canvas painted by Albert Pinkham Ryder. The artist, born in 1847 and deceased in 1917, captured this scene in 1891. The work emerges from a moment of intense creative impulse. Ryder reportedly rushed home after a five-hour performance of Wagner's Götterdämmerung, working for forty-eight hours without food or sleep to translate the opera's narrative into this visual form.
Boy Driving a Wagon by Albert Pinkham Ryder, created about 1875, presents a scene of rural life set within a quiet landscape. A boy sits atop a large, heavy mass of hay that fills a wagon. This wagon is being pulled by a horse along a narrow dirt path. The subject is positioned centrally, moving through a landscape characterized by organic shapes and muted tones. The sky above is pale…
Panel for a Screen Children Playing with a Rabbit is a work by Albert Pinkham Ryder. Created about 1876, this piece emerged during a formative period in the artist's career. Ryder was born in 1847 in New Bedford, United States.
In Woman and Staghound (Geraldine), Albert Pinkham Ryder presents a vertically oriented composition that feels heavy with atmosphere. A vast, dark expanse occupies the majority of the frame, creating a sense of nocturnal space that seems to swallow the periphery. Within this shadow, the color palette remains deeply somber, relying on dark browns, blacks, and deep umbers to establish a moody, nocturnal environment. This darkness is interrupted by a luminous…
The Hunter is an oil painting by Albert Pinkham Ryder, executed in 1880. The work emerged during a period of significant creative development for the American artist, who lived from 1847 to 1917. This piece belongs to a body of work characterized by its atmospheric depth and a departure from traditional academic precision.
Woman and Staghound, (painting)1883
12
The Story of the Cross1890
13
The Culprit Fay, (painting)1886
14
The Smugglers' Cove1880 · Metropolitan Museum of Art
15
Pegasus Departing1901 · Smithsonian American Art Museum
16
The Bridge1880 · Metropolitan Museum of Art
17
Jonah1890 · Smithsonian American Art Museum
18
Curfew Hour1882 · Metropolitan Museum of Art
19
The Toilers of the Sea1880 · Metropolitan Museum of Art
20
Mending the Harness1870 · National Gallery of Art
21
Landscape1897 · Metropolitan Museum of Art
22
Dancing Dryads1879 · Smithsonian American Art Museum
23
The Forest of Arden1908 · Metropolitan Museum of Art
24
Evening Glow, The Old Red Cow1870 · Brooklyn Museum
25
A Stag Drinking1870 · Smithsonian American Art Museum
26
A Stag and Two Does1870 · Smithsonian American Art Museum
27
The Bridge1880 · Metropolitan Museum of Art
28
The Grazing Horse1872 · Brooklyn Museum
29
Plodding Homeward, (painting)1878
30
Self Portrait, (painting)1878
31
Spirit of Autumn1875
32
Panel for a Screen Children Frightened by a Rabbit1876 · Smithsonian American Art Museum
33
Panel for a Screen Woman with a Deer1876 · Smithsonian American Art Museum
34
Spring1879 · Toledo Museum of Art
35
Autumn's Golden Pathway1880 · Cincinnati Art Museum
36
The Waste of Waters is Their Field1880 · Brooklyn Museum
37
The Old Mill by Moonlight1885
38
Perrette1885
39
With Sloping Mast and Dipping Prow1885 · Smithsonian American Art Museum
40
Moonlit Cove1880 · The Phillips Collection
41
Resurrection1885 · The Phillips Collection
42
Christ Appearing to Mary1885 · Smithsonian American Art Museum
43
The Lovers' Boat1881 · Smithsonian American Art Museum
44
The Canal1890
45
Florizel and Perdita1887 · Smithsonian American Art Museum
46
Moonlight1887 · Smithsonian American Art Museum
47
Flying Dutchman1887 · Smithsonian American Art Museum
48
Dead Bird1890 · The Phillips Collection
49
The Wood Road1893 · Worcester Art Museum
50
Homeward Bound1893 · The Phillips Collection
51
Constance1896 · Museum of Fine Arts
52
The Essex Canal1896 · Art Institute of Chicago
53
Pastoral Study, (painting)1897
54
Constance, (painting)1896
55
Childe Harold's Pilgrimage1895
56
Jonah1895
57
Desdemona1896 · The Phillips Collection
58
Landscape with Trees and Cattle, (painting)1897
59
Pastoral Study1897 · Smithsonian American Art Museum
60
Dead Bird, (painting)1900
61
Passing Song1902 · Smithsonian American Art Museum
62
In the Stable, (painting)1911
63
Lord Ullin's Daughter1907 · Smithsonian American Art Museum
64
The Lorelei1917 · Smithsonian American Art Museum
65
Misty Moonlight1885 · Crystal Bridges Museum of American Art
66
The Monastery1885 · Parrish Art Museum
67
The Smugglers' Cove1880 · Metropolitan Museum of Art
68
The River1889 · Los Angeles County Museum of Art
69
The Tempest1892 · Detroit Institute of Arts
70
Fisherman's HutThe Phillips Collection
71
A Country Girl1905
72
The Lone Scout1885 · Fine Arts Museums of San Francisco
73
In the Stable1911 · Smithsonian American Art Museum
74
SeascapeDallas Museum of Art
75
The Temple of the MindBuffalo AKG Art Museum
76
Summer Night, MoonlightDetroit Institute of Arts
77
Noli Me TangereCarnegie Museum of Art
78
Gay HeadThe Phillips Collection
79
Silver MoonMuseum of Fine Arts
80
The Golden HourMuseum of Fine Arts
81
Roadside MeetingButler Institute of American Art
82
Macbeth and the Witches
83
Evening Rest
84
The White Horse
85
The Poor Artist
86
Moonrise at South Ferry, (painting)
87
Three Sailing Ships, (painting)
88
Essex Canal, (painting)
89
The Pond
90
The Farmyard
91
Pond in Moonlight
92
Marine
93
Elemental Forces, (painting)
94
The Way of the Cross, (painting)
95
The Elegy, (painting)
96
Mother and Child
97
Landscape
98
Landscape with House, (painting)
99
HarvestSmithsonian American Art Museum
100
Sailing by MoonlightThe Phillips Collection
De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.
De 8 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Albert Pinkham Ryder | Malerier fra denne liste |
|---|---|---|---|
 Smithsonian American Art Museum |
Washington, D.C. | 21 | Panel for a Screen Children Playing with a Rabbit, Pegasus Departing, Jonah |
 Metropolitan Museum of Art |
New York | 10 | Moonlight Marine, Under a Cloud, The Smugglers' Cove |
 The Phillips Collection |
Washington, D.C. | 9 | Macbeth and the Witches, Moonlit Cove, Resurrection |
 Brooklyn Museum |
Brooklyn | 4 | The Hunter, Evening Glow, The Old Red Cow, The Grazing Horse |
 Museum of Fine Arts |
Boston | 3 | Constance, Silver Moon, The Golden Hour |
 National Gallery of Art |
Washington | 2 | Siegfried and the Rhine Maidens, Mending the Harness |
 Fine Arts Museums of San Francisco |
San Francisco | 2 | Boy Driving a Wagon, The Lone Scout |
 Detroit Institute of Arts |
Detroit | 2 | The Tempest, Summer Night, Moonlight |
Vælg et årti for at se det originale værk, der definerer det.
Summer's Fruitful Pasture, (painting) is a work by Albert Pinkham Ryder. The artist was born in 1847 in New Bedford, United States. This piece dates to about 1870. It emerges from a period when the painter was beginning to find his voice within the American landscape.
In Woman and Staghound (Geraldine), Albert Pinkham Ryder presents a vertically oriented composition that feels heavy with atmosphere. A vast, dark expanse occupies the majority of the frame, creating a sense of nocturnal space that seems to swallow the periphery. Within this shadow, the color palette remains deeply somber, relying on dark browns, blacks, and deep umbers to establish a moody, nocturnal environment. This darkness is interrupted by a luminous…
The canvas presents a nocturnal landscape where the boundaries between the physical and the spectral dissolve. A central, luminous orb of light pierces through a murky, atmospheric gloom, casting a dim, ochre glow upon swirling, indistinct forms. These nebulous shapes suggest the presence of the three witches from Act 1, scene 3 of Shakespeare’s play, their forms caught in a state of perpetual, ghostly motion. The composition is claustrophobic, lacking…
A single, dark mass of cloud hangs in the upper left, heavy with the weight of unfallen rain. It looms over a small sailing vessel, a tiny silhouette lost against the dark expanse of the sea. The water is a murky collection of deep blacks and ochre, moving with a slow, rhythmic tension. A pale, ghostly orb sits in the center-left, casting a diffused, weak light that fails to pierce…
Sporløbet, Cleveland Museum of Art, Cleveland. Derefter følger Summer's Fruitful Pasture, (painting) (1870) og Macbeth and the Witches (1899).
Sporløbet, Summer's Fruitful Pasture, (painting), Macbeth and the Witches, Moonlight Marine, Under a Cloud, Siegfried and the Rhine Maidens, Boy Driving a Wagon, Panel for a Screen Children Playing with a Rabbit, Woman and Staghound (Geraldine) og The Hunter. Ranglisten ovenfor viser det enkelte værks årstal og museum.
Vores katalog indeholder 102 værker af Albert Pinkham Ryder, dateret fra 1870 til 1917.
Primært i Smithsonian American Art Museum (Washington, D.C.), Metropolitan Museum of Art (New York) og The Phillips Collection (Washington, D.C.). Museumslisten ovenfor viser dem alle.
I 1880s: 26 af de 100 værker på denne side blev skabt dengang, herunder Woman and Staghound (Geraldine).
På denne side er det tidligste Summer's Fruitful Pasture, (painting) (1870) og det seneste The Lorelei (1917).
Landscape (16), Sky (8) og American art (5), fordelt på de 100 værker på denne side.
Oil On Canvas, for 15 af de 100 værker på denne side.
Tonalism, baseret på originalerne på denne side.
Panel for a Screen Children Playing with a Rabbit, Pegasus Departing og Jonah: Smithsonian American Art Museum, Washington, D.C. har 20 af værkerne på denne side.
I slutningen af 1860’erne flyttede Ryders familie til New York City, hvor hans søn administrerede Hotel Albert i Greenwich Village. Denne omplacering placerede ung Albert inden for et pulserende kulturelt miljø og åbnede døren til kunstnerisk udvikling og eksponering for nye ideer. Mens han assisterede med familiens ansvar fortsatte han med at dyrke sin passion for maleri, hvilket lagde grundlaget for hans fremtidige kunstneriske rejse.
Ryder’s formelle kunstuddannelse begyndte med studier under William Edgar Marshall i New York City. Han fortsatte senere ved National Academy of Design, hvor han deltog mellem 1870 og 1875 og fik et varigt venskab med kunstner Julian Alden Weir. Disse formative år gav ham en solid grundlag i traditionelle teknikker og introducerede ham til den etablerede kunstverden.
Ryder’s kunstneriske vision udvandt dog langt ud over konventionel akademisk træning. Mellem 1877 og 1903 foretog han fire rejser til Europa, hvor han dykkede ned i kunstens strømninger i den gamle verden. Han var særligt tiltrukket af den franske Barbizon skole, der lagde vægt på naturalisme og plein air maleri, og den hollandske Hague School, kendt for sine atmosfæriske landskaber og dæmpede farver. Disse indflydelser formede dybt hans æstetiske sansninger og bidrog til udviklingen af hans unikke stil.
Albert Pinkham Ryders kunstneriske signatur er straks genkendelig – en fascinerende blanding af Symbolisme, Tonalisme og en dybt personlig vision. Hans malerier er ikke blot gengivelser af virkeligheden, men snarere evocativ fortolkninger af natur infuseret med stemning, mysterium og åndelig resonans. Han foretrak brede, ofte ill-definerede former og stiliserede figurer sat ind i drømmeagtige landskaber eller søscener, hvilket skabte en atmosfære der både er æterisk og hjemsøgende.
Lys spiller en central rolle i Ryders arbejde. Hans scener er ofte oplyst af svagt sollys filtrerende gennem uhyggelige skyer eller den bløde glød af månen, hvilket kaster lange skygger og fremhæver følelsen af drama og introspektion. Han mestrer kunstigt farve til at skabe subtile variationer og atmosfæriske effekter, ofte ved hjælp af en begrænset palet for at opnå maksimal følelsesmæssig effekt.
Bemærkelsesværdige værker som Misty Moonlight, inspireret af hans barndomsminder om kysten omkring New Bedford, illustrerer Ryders evne til at transformere personlige erfaringer til universelle udtryk for længsel og eftertanke. Andre betydningsfulde malerier, såsom Siegfried & Rhine Maidens, demonstrerer hans fascination for mytologi og symbolik.
Efter 1900 reduceredes Ryders kreative produktivitet betydeligt. Han blev mere og mere tilbageholdende og brugte meget af sin tid på at omarbejde eksisterende malerier i en vedvarende søgen efter perfektion.
Albert Pinkham Ryder døde den 28. marts 1917 og efterlod sig et værk der fortsat fængsler publikum i dag. En mindehøjtidelighed afholdt på Metropolitan Museum of Art i New York i 1918 konsoliderede hans ry som en fremtrædende figur inden for amerikansk kunst og sikrede hans kunstneriske arv.
Ryder’s indflydelse strækker sig langt ud over hans umiddelbare samtidige. Hans fokus på form, farve og følelsesmæssig ekspression banede vejen for senere generationer af kunstnere, herunder Jackson Pollock, der erkendte Ryder som en betydelig præcedens for abstrakt ekspressionisme. Han fejres stadig som en pioner inden for amerikansk tonalisme og symbolisme – en kunstner hvis mystiske malerier fortsat inspirerer ærefrygt og undren.
