Kort sagt
Af alle de originale værker, som Albert Dumouchel efterlod, er det mest berømte The Snow on the Olive Trees (1957), som er en del af samlingen på National Gallery of Canada i Ottawa. Vores katalog indeholder 3 værker af Albert Dumouchel; galleriet har bevaret de 2 værker, som verden beundrer mest, hver vist med sin dato, sit museum og sin historie.
Albert Dumouchels top 10 malerier: galleriets udvalg
De museer, der udstiller Albert Dumouchels originalværker
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Albert Dumouchel | Malerier fra denne liste |
|---|---|---|---|
| Ottawa | 2 | The Snow on the Olive Trees, The Bubos of the Sun Are Elongated |
Albert Dumouchel år for år: de originale værker, der definerer hvert år
Albert Dumouchel's daterede værker i dette udvalg dækker kun 5 år, fra 1953 til 1957: en kort karriere, vist her år for år.
Samleres spørgsmål om Albert Dumouchels malerier
Hvilket værk er Albert Dumouchel mest kendt for?Vis svaret
The Snow on the Olive Trees (1957)
Hvor gammel var Albert Dumouchel, da The Snow on the Olive Trees blev skabt?Vis svaret
41 år gammel: The Snow on the Olive Trees er fra 1957, og Albert Dumouchel blev født i 1916.
Hvor mange malerier efterlod Albert Dumouchel?Vis svaret
Vores katalog indeholder 3 værker af Albert Dumouchel, dateret fra 1953 til 1957.
I hvilke museer udstilles Albert Dumouchel's mesterværker?Vis svaret
Primært i National Gallery of Canada (Ottawa). Museumslisten ovenfor viser dem alle.
Hvad er de første og de sidste berømte originaler af Albert Dumouchel?Vis svaret
På denne side er det tidligste The Bubos of the Sun Are Elongated (1953) og det seneste The Snow on the Olive Trees (1957).
Hvilke værker af Albert Dumouchel udstilles på National Gallery of Canada?Vis svaret
The Snow on the Olive Trees og The Bubos of the Sun Are Elongated: National Gallery of Canada, Ottawa har 2 af værkerne på denne side.
Albert Dumouchel: liv og værk
The Life and Art of Albert Dumouchel
Albert Dumouchel was a Canadian printmaker, painter, and teacher whose creative practice spanned from abstract to figurative expressions. Born in Salaberry-de-Valleyfield, Canada, his artistic journey was shaped by diverse studies, including engraving in Montreal, etching and lithography in Paris, and sculpture in Valleyfield. He also studied with Alfred Pellan. Beyond his visual arts, Dumouchel was a photographer and a musician. His professional life included roles as a textile designer at Montreal Cottons and a teacher of art, drawing, art history, publicity, and photography.
A significant figure in Montreal's artistic community, Dumouchel was involved in the Exquisite corpse experiments and the Montreal surrealists. He was a member of The Non-Figurative Artists Association of Montreal and signed the Prisme d'yeux manifesto. His work has been featured in various exhibitions worldwide and is held in major public collections, including:
Teaching and Legacy
Dumouchel left a profound mark on art education, particularly through his work at the École des arts graphiques (now Collège Ahuntsic), where he taught from 1942 to 1960. He established an engraving workshop at the École des Beaux-Arts in Montreal and served as the head of its graphics division from 1960 to 1969. His teaching was noted for influencing and inspiring many artists, with the graphics department being described as a premier training ground in the country.
His international recognition included a UNESCO scholarship to study in Europe and representing Canada at the Venice Biennale in 1960. He was also honored by the Florentine Academy of Fine Arts. In his later years, he resided in Saint-Antoine-sur-Richelieu, where he passed away.
