Portræt af Adriano De Sousa Lopes

De 27 mest berømte Adriano De Sousa Lopes-malerier, en galleriselektion

Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 27 værker af Adriano De Sousa Lopes i vores katalog

Kort sagt

Af alle de originale værker, som Adriano De Sousa Lopes efterlod, er det mest berømte Engano de alma, ledo e cego... (1901). Lige efter følger Self-portrait (1907) og Portrait of Luciano Freire (c. 1915-1920) (1917). Vores katalog indeholder 27 værker af Adriano De Sousa Lopes; galleriet har bevaret de 27 værker, som verden beundrer mest, hver vist med sin dato, sit museum og sin historie.

1879 – 1944, Leiria Modernism Flest værker: Centro de Arte Moderna Gulbenkian

Adriano De Sousa Lopess top 10 malerier: galleriets udvalg

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The Moulin Rouge (nighttime) (1910) af Adriano De Sousa Lopes

The Moulin Rouge (nighttime)

The Moulin Rouge, much represented at the time by the artists as a symbol of a Parisian bohemia, emerges from the city landscape. In a nocturnal atmosphere, which the colorist skillfully works, sensations of that zone of the city are represented through the planning of its structure and by marking, here and there, the human movement. Painted in Paris in the early nineties where Sousa Lopes was living as a…

Adriano De Sousa Lopes-udvalget fortsætter, fra 11 til 27

Motiverne, der fangede Adriano De Sousa Lopess blik

De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.

De museer, der udstiller Adriano De Sousa Lopess originalværker

De 4 museer, der rummer flest af malerierne på denne side.

Museum By Værker af Adriano De Sousa Lopes Malerier fra denne liste
Centro de Arte Moderna Gulbenkian, LissabonCentro de Arte Moderna Gulbenkian Lissabon 13 Dismantled cannon, Retrato de mulher sorrindo, The brigade of Minho in
National Museum of Contemporary Art - Museu do Chiado, LissabonNational Museum of Contemporary Art - Museu do Chiado Lissabon 7 Portrait of Luciano Freire (c. 1915-1920), Self-portrait, The Moulin Rouge (nighttime)
Calouste Gulbenkian Museum, LisbonCalouste Gulbenkian Museum Lisbon 1 Self-portrait
Soares dos Reis National Museum, PortoSoares dos Reis National Museum Porto 1 Self-Portrait

Adriano De Sousa Lopes årti for årti: det originale værk, der definerer hvert enkelt

Værker per årti

Vælg et årti for at se det originale værk, der definerer det.

Samleres spørgsmål om Adriano De Sousa Lopess malerier

Hvilket værk er Adriano De Sousa Lopes mest kendt for?Vis svaret

Engano de alma, ledo e cego... (1901). Derefter følger Self-portrait (1907) og Portrait of Luciano Freire (c. 1915-1920) (1917).

Hvor gammel var Adriano De Sousa Lopes, da Engano de alma, ledo e cego... blev skabt?Vis svaret

22 år gammel: Engano de alma, ledo e cego... er fra 1901, og Adriano De Sousa Lopes blev født i 1879.

Hvad er de ti mest berømte Adriano De Sousa Lopes malerier?Vis svaret

Engano de alma, ledo e cego..., Self-portrait, Portrait of Luciano Freire (c. 1915-1920), Self-portrait, At the park, The Moulin Rouge (nighttime), Self-Portrait, Boat, Dismantled cannon og Untitled (ARD3AV). Ranglisten ovenfor viser det enkelte værks årstal og museum.

Hvor mange malerier efterlod Adriano De Sousa Lopes?Vis svaret

Vores katalog indeholder 27 værker af Adriano De Sousa Lopes, dateret fra 1901 til 1944.

I hvilke museer udstilles Adriano De Sousa Lopes's mesterværker?Vis svaret

Primært i Centro de Arte Moderna Gulbenkian (Lissabon), National Museum of Contemporary Art - Museu do Chiado (Lissabon) og Calouste Gulbenkian Museum (Lisbon). Museumslisten ovenfor viser dem alle.

I hvilke år malede Adriano De Sousa Lopes sine mest berømte værker?Vis svaret

I 1920s: 5 af de 27 værker på denne side blev skabt dengang, herunder At the park.

Hvad er de første og de sidste berømte originaler af Adriano De Sousa Lopes?Vis svaret

På denne side er det tidligste Engano de alma, ledo e cego... (1901) og det seneste Untitled (ARD3AT) (1944).

Hvilke motiver valgte Adriano De Sousa Lopes oftest?Vis svaret

Black and white (4), Man (3) og Portrait (2), fordelt på de 27 værker på denne side.

Hvilken teknik brugte Adriano De Sousa Lopes mest?Vis svaret

Etching, for 3 af de 27 værker på denne side.

Hvilken kunstretning tilhører Adriano De Sousa Lopes?Vis svaret

Modernism, baseret på originalerne på denne side.

Hvilke værker af Adriano De Sousa Lopes udstilles på Centro de Arte Moderna Gulbenkian?Vis svaret

Dismantled cannon, Retrato de mulher sorrindo og The brigade of Minho in: Centro de Arte Moderna Gulbenkian, Lissabon har 13 af værkerne på denne side.

Adriano De Sousa Lopes: liv og værk

A Pioneer of Portuguese Modernism

Adriano Sousa Lopes (1879 – 1944) stands as a pivotal figure in the trajectory of Portuguese art, embodying the spirit of modernist experimentation while simultaneously grounding his artistic vision within the traditions of his homeland. Born in Portugal during a period marked by significant social and cultural transformations—the burgeoning Belle Époque and the dawn of the 20th century—Lopes’s artistic journey unfolded against a backdrop of intellectual ferment and artistic innovation, shaping him into one of the most influential painters of his era.

His formative years were spent studying at the Academia Real de Belas Artes in Lisbon, where he honed his skills under Veloso Salgado and Luciano Freire, absorbing the stylistic precepts of Academic painting alongside explorations of design principles. This initial grounding proved invaluable as he embarked on a transformative voyage to Paris in 1903, fueled by a stipend from the Legado do Visconde de Valmor—a charitable endowment dedicated to nurturing artistic talent and fostering cultural enrichment. Within the vibrant Parisian art scene, Lopes immersed himself in the tutelage of Pierre Bonnard and Édouard Vuillard at École des Beaux-Arts and Académie Julian, encountering luminaries like Fernand Cormon who profoundly impacted his aesthetic sensibilities.

The Parisian Influence and Impressionist Light

Lopes's Parisian engagement was not merely academic; it was deeply experiential. He actively participated in the Salon d’Automne from 1904 to 1912, documenting the dynamism of urban life and engaging with fellow artists grappling with new artistic paradigms. His work during this period often reflected a fascination with light and atmosphere, drawing clear inspiration from the Impressionist masters. One of his most evocative works, The Moulin Rouge (nighttime), serves as a testament to this era; painted in Paris, it captures the nocturnal essence of the city through a skillful use of color and structure that reveals a profound influence from Claude Monet.

Through his explorations, Lopes mastered the ability to blur outlines and manipulate media screens between the viewer and the subject, creating a sense of movement and sensation. This period also saw him expanding his horizons beyond France; a brief excursion into Italy in 1907 exposed him to Italian Impressionism, fostering a comparative understanding of stylistic approaches that would later enrich his unique visual language.

Mastery of Line and the Power of Engraving

While his paintings captured the ephemeral beauty of light, Lopes also demonstrated a remarkable command over the more structured and somber medium of engraving. As a skilled engraver, he possessed the ability to convey intense emotion and historical weight through black and white compositions. His etchings often delved into more poignant, even haunting, subject matter, ranging from portraits of his mentors to scenes of profound human struggle.

His graphic works are characterized by their ability to capture tension and atmosphere:

Legacy and Historical Significance

The legacy of Adriano Sousa Lopes is one of bridge-building between the old world and the new. He successfully navigated the transition from the rigid structures of Academicism to the fluid, emotive possibilities of Modernism. By integrating the lessons learned in the studios of Paris with the cultural identity of Portugal, he helped define a new era for his nation's art. His work remains a vital record of the early 20th century, capturing everything from the bohemian energy of Parisian nightlife to the somber reflections on war and mortality, ensuring his place as a cornerstone of European art history.