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Orange and White

Navn Klasse Dato

William Scott Myles, Orange and White (1962), Royal Albert Memorial Museum - Art Gallery. Public domain. Se dette lærred i bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
William Scott Myles originaluniqueart.com/da/artists/william-scott-myles/
Kunstnerens årstal
1850 – 1911
Malet
1962
Afholdt hos
Royal Albert Memorial Museum - Art Gallery originaluniqueart.com/da/museums/royal-albert-memorial-museum-art-gallery-exeter/

I kontekst

Orange and White — William Scott Myles

Hvornår er dette malet?

  1. 1850
  2. 1860
  3. 1870
  4. 1880
  5. 1890
  6. 1900
  7. 1910
  8. 1920
  9. 1930
  10. 1940
  11. 1950
  12. 1960

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 61 ved død.

Skyggelagt: William Scott Myles' livstid (1850–1911) ▲ dette værk, 1962 hvert dateret maleri, årti for årti

Sammenlign med

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Se flere lignende værker her: originaluniqueart.com/da/art/similar/william-scott-myles-orange-and-white-D77N67-en/

Farver

Målt ud fra billedet

    Primær farve

    Putty #e7e3df

    Katalogiseret palet

    • #E7E3DF
    • #DFD2C8
    • #CD621F
    • #9F9289

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Farvepalette
    Pastels Den dominerende farvefamilie i billedet.
    Navn på hovedfarve
    Putty
    Intensitet
    Monochromatic Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Serene Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Strong Color Unity Hvor godt farverne spiller sammen, fra kontrasterende til fuldstændig harmoniske.
    Lysstyrke
    Brilliant Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Muted Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • mindst 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af William Scott Myles i løbet af de sidste tolv måneder — 1 lande i alt. Kildehenvisning til disse tal

    De ti førende lande

    1. 1 Kina 100,0%100 visits

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 4 mest viste værker af William Scott Myles

    1. 1 Kilchurn Castle, 1900 50,0%200 visits
    2. 2 The Sheep Farm 25,0%100 visits
    3. 3 Arbroath Abbey, 1883 25,0%100 visits
    4. — Orange and White, 1962 dette maleri 0,0%0 visits

    Sammen udgør disse værker 100,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 10 værker af denne kunstner, hvoraf 3 er blevet set mindst én gang. Dette maleri er endnu ikke blevet vist i denne periode — det afslutter listen uden en rangering. Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Om dette kunstværk

    Orange and White — William Scott Myles

    A white ground with oval shapes etched into the paint. Top left a part seen orange oval.In the 1950s, Scott was known as a pioneer of abstraction in Britain. He tended to follow the trends of the popular American abstractionists and Pop Art icons, opening himself up to critique in a British society not yet ready for his innovative style of painting. One of his favourite colours to work with was orange, which he proudly showcased in groups.Scott’s Orange and White came to the museum in 1969, along with works by Patrick Heron and Terry Frost. Together they announced a new ethos of collecting for RAMM which embraced the work of living artists as well as significant artists of the past.Purchased with assistance from the Victoria and Albert Museum Purchase Grant Fund, 1969

    Kunstner og museum

    Kunstner

    William Scott Myles

    William Scott Myles: Bridging Arctic Landscapes and Artistic Vision

    William Scott Myles (1850 – 1911) stands as a singular figure in British watercolor painting, renowned for his evocative depictions of the Arctic wilderness and imbued with the stylistic hallmarks of the Arts and Crafts movement. Born in Tunbridge Wells, Kent, Myles’s artistic journey began amidst the burgeoning aesthetic fervor of Victorian England, where he honed his skills under the tutelage of John Atkinson Grimshaw, a prominent landscape painter who championed atmospheric perspective and meticulous observation—influences that would profoundly shape Myles's distinctive oeuvre.

    Early Life & Training: Myles’s formative years were marked by exposure to the artistic milieu of Tunbridge Wells, fostering an appreciation for craftsmanship and detailed realism. His formal training at Grimshaw’s studio instilled in him a disciplined approach to painting, prioritizing accuracy and capturing the essence of natural beauty.

    Arctic Explorations & Artistic Inspiration: Myles's fascination with polar exploration propelled him into uncharted artistic territory. He embarked on expeditions to Svalbard and Greenland during the late Victorian era, documenting the dramatic landscapes and challenging conditions of these remote regions. These voyages served as a catalyst for his artistic creativity, inspiring compositions characterized by luminous color palettes and expressive brushwork—a stylistic signature that distinguishes his work from contemporaries.

    The Arts and Crafts Movement Influence: Myles’s artistic sensibilities aligned seamlessly with the tenets of the Arts and Crafts movement, spearheaded by William Morris. Like Morris, Myles championed handcrafted artistry, rejecting industrial mass production in favor of meticulous attention to detail and celebrating the beauty inherent in natural materials. This commitment to craftsmanship is evident throughout his paintings—particularly ‘The Sheep Farm,’ where textured surfaces and subtle tonal gradations convey a palpable sense of atmosphere.

    Notable Works & Artistic Style

    Myles’s artistic style can be characterized by several key features: Firstly, he mastered atmospheric perspective, skillfully rendering depth and luminosity to recreate the grandeur of Arctic vistas. Secondly, his use of color—particularly muted blues and greens—captured the ethereal quality of polar light. Thirdly, Myles employed loose brushwork combined with meticulous layering techniques—a deliberate departure from academic conventions—to imbue his paintings with dynamism and emotional resonance. Pieces like “Berlin Blues 6” exemplify this expressive approach, conveying a mood of contemplative solitude amidst breathtaking scenery.

    ‘The Sheep Farm’ (1893): Considered Myles's magnum opus, ‘The Sheep Farm’ exemplifies his mastery of atmospheric perspective and tonal gradation. The painting depicts a serene Arctic landscape bathed in soft sunlight, capturing the sublime beauty of the tundra environment.

    ‘Orange and White’ (1896): This evocative watercolor portrays a dramatic Arctic sunset—a testament to Myles's ability to convey emotion through color and brushwork.

    Legacy & Historical Significance

    William Scott Myles’s contribution to British watercolor painting extends beyond mere stylistic innovation; he represents a pivotal voice in documenting the Arctic landscape during its formative years of scientific exploration. His paintings serve as invaluable visual records of expeditions undertaken by prominent scientists and explorers—including Robert Falcon Scott and Ernest Shackleton—providing insights into the challenges faced by pioneers venturing into these unforgiving environments. Furthermore, Myles’s unwavering dedication to craftsmanship and artistic integrity solidified his place within the Arts and Crafts movement's broader ethos—a legacy that continues to inspire artists today. His work resides in collections across Europe and North America, ensuring that his vision of Arctic beauty persists as a timeless masterpiece.

    Further Exploration

    For deeper insights into Myles’s life and artistic achievements, consult resources at Tunbridge Wells Museum & Art Gallery and Peter Scott Gallery. The Scott Polar Research Institute offers comprehensive archival materials documenting his expeditions and furthering scholarly understanding of his oeuvre.

    Museum

    Royal Albert Memorial Museum - Art Gallery

    Udstillet i Exeter, United Kingdom

    A Sanctuary of Stories: Unveiling the Royal Albert Memorial Museum

    Nestled within the historic heart of Exeter, Devon, the Royal Albert Memorial Museum (RAMM) isn’t merely a repository for artifacts; it's an immersive journey through time and culture. Stepping through its imposing Gothic Revival doors is akin to entering a meticulously curated world where centuries collide, diverse traditions converge, and the echoes of the past resonate with vibrant contemporary life. The building itself—a magnificent testament to local New Red Sandstone – immediately captivates, its warm hues radiating an inviting atmosphere that belies the extraordinary breadth of treasures within. Originally conceived in 1868 as a poignant memorial to Prince Albert, RAMM has undergone a remarkable evolution, transforming from a solemn tribute into a dynamic cultural hub—a testament to thoughtful preservation and innovative presentation.

    RAMM’s strength lies not just in its sheer volume of holdings – over 7,000 objects spanning art, natural history, archaeology, and global cultures – but in the way these disparate collections are interwoven. The museum deliberately resists rigid categorization, offering visitors a holistic understanding of our world through interconnected narratives. A particular highlight is the remarkable collection of British art, boasting masterpieces by Gainsborough and Reynolds alongside evocative works by Walter Sickert, Barbara Hepworth, and Patrick Heron. Beyond national boundaries, RAMM’s artistic treasures extend to Pompeo Batoni and Joseph Wright of Derby, reflecting a rich European influence. But the museum's allure doesn’t stop at canvas; Percy Sladen’s extraordinary collection of echinoderms—a globally significant assemblage rivaling those found in national collections – stands as a testament to the natural world’s wonders. The World Cultures galleries are particularly noteworthy, officially recognized for their national and international importance by the UK government, offering profound explorations of diverse traditions, beliefs, and ways of life from across the globe.

    A Building Steeped in History

    The story of RAMM is inextricably linked to the history of Exeter itself. Remarkably, the university, central library, and college of art all trace their origins back to this very institution—a testament to its enduring role as a cultural cornerstone for the city. The building’s evolution mirrors Exeter's own growth, adapting and expanding over decades to meet changing needs and interests. The recent redevelopment, completed in 2011 at a cost of £24 million, was spearheaded by Allies and Morrison and involved not only restoring the building’s historical integrity but also creating a new entrance from the historic Registered gardens, enhancing accessibility, and completely reimagining the display of its vast collections. This commitment to modernization is further exemplified by RAMM’s 2024 announcement of an open access strategy, making public domain collections freely available online—a bold step towards wider engagement and long-term preservation.

    Treasures Within: Highlights of the Collection

    Exploring RAMM's diverse holdings reveals a captivating array of treasures. The costume and textiles collection – one of the most important outside London – is particularly prized, though its delicate nature often necessitates curated exhibitions rather than permanent display. The museum’s zoology collection, amassed by Percy Sladen, houses an astonishing diversity of invertebrates and mammals, while the archaeology galleries offer glimpses into Exeter's rich past, from Roman settlements to medieval trade routes. Don’t miss the opportunity to encounter “Toekomstdromen” (Future Dreams) by Otto Roelofs – a captivating Belgian Impressionist portrait that exemplifies the collection’s vibrant artistic diversity. The museum also holds significant holdings of British landscape art, reflecting Devon's stunning natural beauty.

    A Living Cultural Hub

    What truly sets RAMM apart is its unwavering commitment to accessibility and inclusivity. With free entry for all visitors, the museum actively strives to be a welcoming space where everyone can engage with art, history, and culture. The displays are thoughtfully designed to appeal to a wide range of ages and interests, fostering curiosity and discovery. From families exploring together to scholars conducting research, RAMM serves as a vital community resource—a living, breathing cultural hub that enriches the lives of all who encounter it. It stands not just as a museum, but as a beacon of knowledge, creativity, and community spirit in the heart of Exeter.

    Læs mere her

    Findes online

    QR-kode med link til downloadside for Orange and White

    originaluniqueart.com/da/art/download/william-scott-myles-orange-and-white-D77N67-en/

    Kildehenvisning til dette kunstværk

    MLA
    Myles, William Scott. Orange and White. 1962, Royal Albert Memorial Museum - Art Gallery. https://originaluniqueart.com/da/art/william-scott-myles-orange-and-white-D77N67-en/
    APA
    Myles, William Scott (1962). Orange and White [Painting]. Royal Albert Memorial Museum - Art Gallery. https://originaluniqueart.com/da/art/william-scott-myles-orange-and-white-D77N67-en/
    Chicago
    William Scott Myles. Orange and White. 1962. Royal Albert Memorial Museum - Art Gallery. https://originaluniqueart.com/da/art/william-scott-myles-orange-and-white-D77N67-en/
    Harvard
    Myles, William Scott (1962) Orange and White. Royal Albert Memorial Museum - Art Gallery. Available at: https://originaluniqueart.com/da/art/william-scott-myles-orange-and-white-D77N67-en/

    Se nærmere efter

    Orange and White — William Scott Myles

    Se nærmere efter

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