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Guide til elevkunst

The Stirrup Cup

Navn Klasse Dato

William Ewart Lockhart, The Stirrup Cup (1871). Public domain. Se dette lærred i bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
William Ewart Lockhart originaluniqueart.com/da/artists/william-ewart-lockhart/
Kunstnerens årstal
1846 – 1900
Malet
1871
Oprindelig størrelse
30 x 45 cm

I kontekst

The Stirrup Cup — William Ewart Lockhart

Hvor stor er den?

Originalen måler 30 × 45 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1840
  2. 1850
  3. 1860
  4. 1870
  5. 1880
  6. 1890
  7. 1900

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 54 ved død.

Malet da kunstneren var 25 år gammel. Kunstneren blev 54 år gammel. 1 af de 18 daterede værker af denne kunstner i vores katalog er skabt tidligere.

Skyggelagt: William Ewart Lockhart' livstid (1846–1900) ▲ dette værk, 1871 hvert dateret maleri, årti for årti

Første værker: frem til 1883 Primære arbejdsår: 1883–1895 Senere værker: fra 1895

Disse tre intervaller opdeler de værker i denne katalog, der er dateret, i et første kvartal, en midterste halvdel og et sidste kvartal. De udgør ikke kunstnerens samlede produktion: en tynd periode kan være et hul i dokumentationen snarere end en stille periode. De samme år, som kunstnerens liv er vævet ind i dem

Sammenlign med

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Se flere lignende værker her: originaluniqueart.com/da/art/similar/william-ewart-lockhart-the-stirrup-cup-AQSFQP-en/

Farver

Målt ud fra billedet

    Primær farve

    Driftwood #856e49

    Katalogiseret palet

    • #856E49
    • #5E827C
    • #4B3D2D
    • #B0A085

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Farvepalette
    Earthy Den dominerende farvefamilie i billedet.
    Navn på hovedfarve
    Driftwood
    Intensitet
    Balanced Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Gentle Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Strong Color Unity Hvor godt farverne spiller sammen, fra kontrasterende til fuldstændig harmoniske.
    Lysstyrke
    Balanced Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Subtle Color Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • mindst 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af William Ewart Lockhart i løbet af de sidste tolv måneder — 5 lande i alt. Kildehenvisning til disse tal

    De ti førende lande

    1. 1 Kina 82,1%2.300 visits
    2. 2 Litauen 7,1%200 visits
    3. 3 Storbritannien 3,6%100 visits
    4. 4 Singapore 3,6%100 visits
    5. 5 USA 3,6%100 visits

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 20 mest viste værker af William Ewart Lockhart

    1. 1 Sir John Heron Maxwell, 1883 9,7%300 visits
    2. 2 The Right Honourable Arthur J. Balfour (1848–1930), MP, 1898 9,7%300 visits
    3. 3 Old Father Christmas 9,7%300 visits
    4. 4 Scene from the Rebellion, 1864 6,5%200 visits
    5. 5 Gil Blas and the Archbishop of Granada (from Lesages 'The Adventures of Gil Blas de Santillane'), 1878 6,5%200 visits
    6. 6 Samuel Smith (1836–1906), 1899 6,5%200 visits
    7. 7 Sir James Porter Corry (1826–1891), Bt, MP, 1892 6,5%200 visits
    8. 8 Dunottar Castle 6,5%200 visits
    9. 9 The Crowning of Mary, Queen of Scots 3,2%100 visits
    10. 10 Theodora and Marjorie, 1885 3,2%100 visits
    11. 11 The White Cockade, 1899 3,2%100 visits
    12. 12 Sketch of Queen Victoria Attending Her Diamond Jubilee, 1897 3,2%100 visits
    13. 13 Miss Ellen Terry, Study for 'The Golden Jubilee Picture', 1887 3,2%100 visits
    14. 14 Sir Reginald Palgrave, 1887 3,2%100 visits
    15. 15 Self Portrait, 1884 3,2%100 visits
    16. 16 Sir Henry Irving, Study for 'The Golden Jubilee Picture', 1887 3,2%100 visits
    17. 17 Sir Andrew McDonald (1836–1919) 3,2%100 visits
    18. 18 The Stirrup Cup, 1871 dette maleri 3,2%100 visits
    19. 19 Mrs Stewart Clark 3,2%100 visits
    20. 20 Cardinal Beaton Besieged in St Andrews Castle 3,2%100 visits

    Sammen udgør disse værker 100,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 28 værker af denne kunstner, hvoraf 20 er blevet set mindst én gang. This painting ranks 18 of them, with 3,2% of that attention (100 visits). Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Kunstner og museum

    Kunstner

    William Ewart Lockhart

    The Vibrant Legacy of William Ewart Lockhart

    In the grand tapestry of Victorian art, few threads shine with as much color and dramatic flair as those woven by William Ewart Lockhart. A Scottish master whose brush possessed the rare ability to oscillate between the intimate dignity of portraiture and the sweeping grandeur of landscape, Lockhart emerged from the rugged landscapes of Dumfries and Galloway to capture the very essence of his era. Born in Eaglesfield in 1846 and raised amidst the quiet beauty of Sibbaldbie and Annan, his early life was steeped in an appreciation for the natural world—a foundation that would later allow him to translate the sunlight of Spain and the vastness of the Australian Outback onto the canvas with unparalleled vitality.

    Lockhart’s journey into the upper echelisi of the art world began with remarkable precocity. His talent was recognized early at the Annan Academy, leading to his acceptance into the prestigious Royal Scottish Academy in 1860. Under the mentorship of J.B. Macdonald R.S.A., the young artist began to refine a technique that would become his hallmark: a bravura style characterized by rich textures and a luminous command of light. Even as a mere fourteen-year-old, he was already contributing to the RSA Annual Exhibition, signaling the arrival of a formidable talent who refused to be bound by the traditional constraints of his training.

    A Wanderer’s Vision: From Australia to Spain

    Life, however, presented challenges that would redirect his artistic trajectory. A period of debilitating illness in 1863 necessitated a journey to Australia, an exile that inadvertently became a profound period of artistic awakening. The vast, sun-drenched horizons of the Australian landscape provided Lockhart with a new vocabulary of light and space, expanding his visual repertoire far beyond the misty hills of Scotland. This exposure to different climates and cultures instilled in him a lifelong fascination with how light interacts with atmosphere—a theme that would dominate his later masterpieces.

    Upon his return to Edinburgh in 1867, Lockhart’s thirst for new inspiration led him on several transformative voyages to Spain. It was here that his work reached its most vibrant zenith. The Spanish landscapes, with their dramatic shadows and intense, warm palettes, became a cornerstone of his oeuvre. He did not merely paint scenes; he captured the soul of the Iberian Peninsula, blending historical narrative with atmospheric realism. Whether depicting lively street scenes like Gil Blas and the Archbishop of Granada or capturing the somber weight of history in works such as Cardinal Beaton Besieged in St Andrews Castle, his ability to infuse movement and emotion into his compositions remained unmatched.

    Mastery of Portraiture and Royal Recognition

    While his landscapes were celebrated for their brilliance, Lockhart’s portraiture offered a different kind of mastery—one of psychological depth and social elegance. He possessed an uncanny ability to render the character of his subjects, from the dignified presence of Mrs Stewart Clark to the political weight of figures like Arthur J. Balfour. His portraits were never mere likenesses; they were studies in texture, light, and status, often utilizing a rich, academic style that emphasized the tactile quality of fabrics and the soft glow of skin.

    The pinnacle of his professional achievements was marked by significant institutional honors and royal commissions. His election as an Associate of the Royal Scottish Academy in 1871, followed by his elevation to Full Member in 1878, solidified his standing among the elite of British painters. Perhaps most notably, his work The Jubilee Celebration, commissioned in honor of Queen Victoria, stands as a testament to his ability to capture the monumental scale of national pride and historical splendor. Through his life’s work, William Ewart Lockhart remains a vital figure of the 19th century, leaving behind a legacy of color, drama, and an enduring connection to the landscapes and people that shaped his extraordinary vision.

    Læs mere her

    Findes online

    QR-kode med link til downloadside for The Stirrup Cup

    originaluniqueart.com/da/art/download/william-ewart-lockhart-the-stirrup-cup-AQSFQP-en/

    Kildehenvisning til dette kunstværk

    MLA
    Lockhart, William Ewart. The Stirrup Cup. 1871, https://originaluniqueart.com/da/art/william-ewart-lockhart-the-stirrup-cup-AQSFQP-en/
    APA
    Lockhart, William Ewart (1871). The Stirrup Cup [Painting]. https://originaluniqueart.com/da/art/william-ewart-lockhart-the-stirrup-cup-AQSFQP-en/
    Chicago
    William Ewart Lockhart. The Stirrup Cup. 1871. https://originaluniqueart.com/da/art/william-ewart-lockhart-the-stirrup-cup-AQSFQP-en/
    Harvard
    Lockhart, William Ewart (1871) The Stirrup Cup. Available at: https://originaluniqueart.com/da/art/william-ewart-lockhart-the-stirrup-cup-AQSFQP-en/

    Se nærmere efter

    The Stirrup Cup — William Ewart Lockhart

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Se tilbage på The Crowning of Mary, Queen of Scots tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    4. William Ewart Lockhart var omkring 25 år gammel, da dette blev skabt. Hvad i værket bærer præg af at være skabt af en kunstner på det stadie?
    5. Hvad har kunstneren måske ønsket, at du skulle føle?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål og svar

    Hvordan kan jeg se "The Stirrup Cup" af William Ewart Lockhart som et diasshow?

    Se diaporamabillederne af "The Stirrup Cup" på værkets side Billedserie.

    Hvor mættet er farvepaletten i "The Stirrup Cup"?

    "The Stirrup Cup" af William Ewart Lockhart er gengivet med en Subtle Color mætning.

    Kan jeg bestille en oliereproduktion af "The Stirrup Cup"?

    Du kan bestille en håndmalet reproduktion af "The Stirrup Cup" af William Ewart Lockhart direkte på dens Håndmalet reproduktion-side: en håndmalet oliereproduktion på lærred af hør, lavet efter bestilling.