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Football

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William Barns Wollen, Football (1879). Public domain. Se dette lærred i bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
William Barns Wollen originaluniqueart.com/da/artists/william-barns-wollen/
Kunstnerens årstal
1857 – 1936
Malet
1879
Oprindelig størrelse
105 x 150 cm

I kontekst

Football — William Barns Wollen

Hvor stor er den?

Originalen måler 105 × 150 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1850
  2. 1860
  3. 1870
  4. 1880
  5. 1890
  6. 1900
  7. 1910
  8. 1920
  9. 1930

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 79 ved død.

Malet da kunstneren var 22 år gammel. Kunstneren blev 79 år gammel. 0 af de 20 daterede værker af denne kunstner i vores katalog er skabt tidligere.

Skyggelagt: William Barns Wollen' livstid (1857–1936) ▲ dette værk, 1879 hvert dateret maleri, årti for årti

Første værker: frem til 1899 Primære arbejdsår: 1899–1915 Senere værker: fra 1915

Disse tre intervaller opdeler de værker i denne katalog, der er dateret, i et første kvartal, en midterste halvdel og et sidste kvartal. De udgør ikke kunstnerens samlede produktion: en tynd periode kan være et hul i dokumentationen snarere end en stille periode. De samme år, som kunstnerens liv er vævet ind i dem

Sammenlign med

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Se flere lignende værker her: originaluniqueart.com/da/art/similar/william-barns-wollen-football-AQV6KB-en/

Farver

Målt ud fra billedet

    Primær farve

    Gray #85766e

    Katalogiseret palet

    • #85766E
    • #2B2727
    • #56483D
    • #A7A2A0

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Farvepalette
    Earthy Den dominerende farvefamilie i billedet.
    Navn på hovedfarve
    Gray
    Intensitet
    Monochromatic Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Bold Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Discordant Palette Hvor godt farverne spiller sammen, fra kontrasterende til fuldstændig harmoniske.
    Lysstyrke
    Deep_shadow Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Muted Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • mindst 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af William Barns Wollen i løbet af de sidste tolv måneder — 6 lande i alt. Kildehenvisning til disse tal

    De ti førende lande

    1. 1 Kina 44,4%400 visits
    2. 2 Brasilien 11,1%100 visits
    3. 3 Hong Kong 11,1%100 visits
    4. 4 Holland 11,1%100 visits
    5. 5 New Zealand 11,1%100 visits
    6. 6 USA 11,1%100 visits

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 10 mest viste værker af William Barns Wollen

    1. 1 The Black Watch at Bay, 1894 16,7%200 visits
    2. 2 An Ambush, Boer War, 1900 16,7%200 visits
    3. 3 The Scouts, 1905 16,7%200 visits
    4. 4 Right About Turn 'Nobby', Peninsular War, c.1809, 1910 8,3%100 visits
    5. 5 Landrécies, 25 August 1914, 1915 8,3%100 visits
    6. 6 News, Horsemen of the New Model Army Greet a Messenger, c.1645, 1910 8,3%100 visits
    7. 7 The 28th (1st Gloucestershire Regiment) at Waterloo 8,3%100 visits
    8. 8 Sir Thomas Forster, KC, 1918 8,3%100 visits
    9. 9 The 21st Lancers at Omdurman, Sudan, 1899 8,3%100 visits
    10. — Football, 1879 dette maleri 0,0%0 visits

    Sammen udgør disse værker 99,9% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 23 værker af denne kunstner, hvoraf 9 er blevet set mindst én gang. Dette maleri er endnu ikke blevet vist i denne periode — det afslutter listen uden en rangering. Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Kunstner og museum

    Kunstner

    William Barns Wollen

    William Barnes Wollen: A Master of Victorian Military Art

    William Barnes Wollen, a name perhaps less familiar than some of his contemporaries, stands as a pivotal figure in the history of British military art. Born in Leipzig, Germany, in 1857, and passing away in London in 1936, his life was inextricably linked to the dramatic events unfolding across Europe during the late Victorian and Edwardian eras. Wollen’s career wasn't defined by grand salons or courtly commissions; instead, he found his voice amidst the tumult of war and empire, meticulously documenting battles, campaigns, and the lives of soldiers – a testament to his keen observational skills and profound understanding of human drama under pressure. His work offers a uniquely visceral glimpse into a bygone era, capturing not just the spectacle of conflict but also the courage, sacrifice, and often brutal realities faced by those who fought in its name.

    Early Life and Artistic Training

    Wollen’s early life was marked by a restless spirit and a burgeoning artistic talent. He initially studied at University College School in London before pursuing formal training at the Slade School of Fine Art, where he honed his skills in drawing and painting under the tutelage of established artists. This foundation proved crucial as he transitioned from academic pursuits to a career dedicated to capturing the immediacy of military life. Unlike many artists who sought romanticized depictions of heroism, Wollen’s early works already demonstrated an interest in realism and a willingness to portray the gritty details of combat – a characteristic that would become increasingly prominent throughout his career. His initial exposure to art was influenced by the prevailing trends of the time, including the influence of French Impressionism, which subtly informed his approach to light, color, and composition.

    The Rise of a Military Artist

    Wollen’s breakthrough came with his depiction of Private Andrews being rescued from the Motee Mahal during the Siege of Lucknow in 1879 – an event that quickly gained recognition for its dramatic intensity and realistic portrayal of heroism. This marked the beginning of a prolific period where he produced over thirty battle and campaign paintings, primarily exhibited at Burlington House. He wasn’t simply illustrating historical events; he was actively seeking to understand and represent the experience of war firsthand. Crucially, Wollen's artistic journey coincided with a surge in public interest in military affairs, fueled by colonial expansion and ongoing conflicts. This created a receptive audience for his work, which offered a visual record of these momentous occasions.

    South Africa and the Boer War

    Perhaps the most significant chapter in Wollen’s career unfolded during the Second Boer War (1899-1902). Appointed as a special artist by The Sphere, a new illustrated newspaper, he travelled to South Africa to document the conflict. This experience profoundly shaped his artistic vision and cemented his reputation as a skilled military painter. He meticulously observed battles like Abu Klea and Waggon Hill, capturing not just the strategic maneuvers but also the emotional toll on the soldiers involved. Paintings such as “The Imperial Light Horse at Waggon Hill” and “The Victoria Cross” are particularly compelling examples of this period, showcasing his ability to convey both the grandeur of military action and the individual stories within it. These works demonstrated a shift towards greater realism and psychological depth, moving beyond mere depictions of combat to explore themes of courage, loss, and the human cost of war.

    World War I and Beyond

    As Europe plunged into World War I, Wollen continued his artistic output, producing a series of powerful paintings that reflected the scale and brutality of the conflict. Works like “Defeat of the Prussian Guard, Ypres, 1914” and "Semper Fidelis: The Last Stand of the 2nd Devons at Bois des Buttes" vividly portray the desperate struggles on the Western Front. He also documented lesser-known engagements, demonstrating a commitment to representing the diverse experiences of British soldiers across various theaters of war. Even in his later years, Wollen remained dedicated to capturing the essence of military life, producing evocative scenes from earlier conflicts and illustrating historical events with meticulous detail. His final works, including depictions of the American Revolution and the Crimean War, stand as a testament to his enduring fascination with history and his remarkable ability to translate it onto canvas.

    Legacy and Significance

    William Barnes Wollen’s legacy lies not in grand pronouncements or revolutionary techniques but in his unwavering commitment to documenting the realities of war through powerful visual narratives. He was a keen observer, a skilled artist, and a dedicated recorder of history. His paintings offer invaluable insights into the lives of soldiers during a turbulent period, providing a poignant reminder of the sacrifices made in the name of empire and nationhood. While overshadowed by some of his more flamboyant contemporaries, Wollen’s work continues to be appreciated for its realism, emotional depth, and historical significance – solidifying his place as a significant figure in the history of British military art. His paintings are now housed in collections such as the Royal Green Jackets Museum and the National Army Museum, ensuring that his artistic legacy endures for future generations.

    Læs mere her

    Findes online

    QR-kode med link til downloadside for Football

    originaluniqueart.com/da/art/download/william-barns-wollen-football-AQV6KB-en/

    Kildehenvisning til dette kunstværk

    MLA
    Wollen, William Barns. Football. 1879, https://originaluniqueart.com/da/art/william-barns-wollen-football-AQV6KB-en/
    APA
    Wollen, William Barns (1879). Football [Painting]. https://originaluniqueart.com/da/art/william-barns-wollen-football-AQV6KB-en/
    Chicago
    William Barns Wollen. Football. 1879. https://originaluniqueart.com/da/art/william-barns-wollen-football-AQV6KB-en/
    Harvard
    Wollen, William Barns (1879) Football. Available at: https://originaluniqueart.com/da/art/william-barns-wollen-football-AQV6KB-en/

    Se nærmere efter

    Football — William Barns Wollen

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Se tilbage på The Patrol (1906) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    4. William Barns Wollen var omkring 22 år gammel, da dette blev skabt. Hvad i værket bærer præg af at være skabt af en kunstner på det stadie?
    5. Hvad har kunstneren måske ønsket, at du skulle føle?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål og svar

    Kan jeg se et røntgenbillede af "Football" af William Barns Wollen?

    Røntgenvisningen af "Football" af William Barns Wollen findes på værkets Røntgenoptagelse-side: en interaktiv undersøgelse af billedet gennem elleve optiske lag.

    Er "Football" af William Barns Wollen i portræt-, landskabs- eller kvadratformat?

    Formatet på "Football" er Landscape. Dette er nyttigt, når du planlægger, hvor en reproduktion skal placeres.

    Hvor intense er farverne i "Football" af William Barns Wollen?

    Farveintensiteten i "Football" er Monochromatic. Intensitet beskriver, hvor kraftige farverne fremstår.