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Covered jar

Navn Klasse Dato

Ronald Meyers, Covered jar (1980), Georgia Museum of Art. Reproduceret til referenceformål; alle rettigheder er forbeholdt rettighedshaveren. Se dette lærred i bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
Ronald Meyers originaluniqueart.com/da/artists/ronald-meyers/
Kunstnerens årstal
1934 –
Malet
1980
Afholdt hos
Georgia Museum of Art originaluniqueart.com/da/museums/georgia-museum-of-art-athen_da/

I kontekst

Covered jar — Ronald Meyers

Hvornår er dette malet?

  1. 1930
  2. 1940
  3. 1950
  4. 1960
  5. 1970
  6. 1980

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode, hvor 0 tælles fra fødslen.

Malet da kunstneren var 46 år gammel. 0 af de 1 daterede værker af denne kunstner i vores katalog er skabt tidligere.

▲ dette værk, 1980 hvert dateret maleri, årti for årti

Farver

Målt ud fra billedet

    Primær farve

    Rosy Brown #a79984

    Katalogiseret palet

    • #A79984
    • #C7C6BC
    • #66503B
    • #0A0805

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Farvepalette
    Neutrals Den dominerende farvefamilie i billedet.
    Navn på hovedfarve
    Rosy Brown
    Intensitet
    Monochromatic Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Statement Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Softly Mixed Palette Hvor godt farverne spiller sammen, fra kontrasterende til fuldstændig harmoniske.
    Lysstyrke
    Bright Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Muted Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Om dette kunstværk

    Covered jar — Ronald Meyers

    In 1971, while attending a National Council on Education for the Ceramic Arts conference in Toronto, Meyers visited the Royal Ontario Museum, where he came across Japanese ware for the first time; he was immediately attracted to its spontaneous, gestural approach. Influenced by this experience, Meyers began using a Japanese Shino glaze, a type of satiny glaze that ranges in color from white to orange depending on reduction, with his primarily stoneware clay bodies.

    Kunstner og museum

    Kunstner

    Ronald Meyers

    Født i Buffalo, United States of America

    A Life Rooted in Clay: The Enduring Legacy of Ron Meyers

    Ron Meyers, born in Buffalo, New York, in 1934, is more than just a potter; he’s a storyteller who breathes life into earthenware. His journey began not with clay, but with the vibrant energy of a blue-collar upbringing and a youthful fascination with comic book art—specifically, the stark black-and-white drawings that captured his imagination. This early love for narrative imagery would subtly yet profoundly shape his artistic path, imbuing his functional pottery with a whimsical spirit and a distinctly human touch. Meyers’ parents recognized and nurtured his talent, encouraging him to pursue formal art education, a decision that ultimately led him to the State University College at Buffalo where he earned both a Bachelor of Science and Master's degree in Art Education. Further honing his skills at the School for American Craftsmen at the Rochester Institute of Technology, he completed his MFA in Ceramics in 1967, setting the stage for a career dedicated to teaching and artistic exploration.

    From Classroom to Studio: A Career Dedicated to Mentorship

    Meyers’ commitment extended beyond personal creation; it was deeply interwoven with education. He began his academic tenure at the University of South Carolina in 1967, followed by a transformative twenty-year period at the University of Georgia in Athens, where he retired as Professor Emeritus. For over two decades, Meyers didn't simply impart technical skills—he fostered an environment that encouraged experimentation, spontaneity, and a deep connection to the material itself. He believed in the power of storytelling within functional forms, challenging students to see pottery not as a restrictive craft but as a canvas for personal expression. His influence resonates through generations of ceramic artists who carry his ethos of integrating form, surface, and use. Even after retirement, Meyers remained an active figure, continuing to mentor and inspire with workshops across the United States and internationally, solidifying his reputation as “one of his generation’s most important potters” and “an icon of the American ceramics community.”

    The Whimsical World on Earthenware: Style & Influences

    Meyers' pottery is immediately recognizable for its playful spirit. He works primarily with red earthenware, embracing its warmth and tactile quality. His pieces are not pristine or perfectly symmetrical; instead, they bear the visible marks of the hand—wobbly forms, intentional imperfections, and a casual fluidity that speaks to the spontaneity of creation. Pictorial slips depicting animals, human figures, and humorous scenes adorn his vessels, transforming everyday objects into miniature narratives. While rooted in functionality, Meyers’ work transcends mere utility. He openly acknowledges influences from diverse sources: Picasso and Chagall for their expressive forms, the Leach-Hamada aesthetic for its emphasis on natural materials, and even Frans Wildenhain, his graduate school instructor at RIT, who instilled a deep appreciation for traditional techniques. However, Meyers doesn't simply replicate these influences; he synthesizes them into a unique visual language that is distinctly his own—a blend of folk art charm, narrative storytelling, and a profound respect for the clay itself.

    A Lasting Impression: Collections & Recognition

    The impact of Ron Meyers’ work extends far beyond the studio and classroom. His pieces are held in numerous prestigious collections, including the Smithsonian American Art Museum, the Georgia Museum of Art, and the Rosenfield Collection—testaments to his artistic merit and enduring appeal. He has been featured in prominent publications such as Clay Times, NCECA Journal, and The Penland Book of Ceramics, further solidifying his position within the contemporary ceramics landscape. In 2008, he received the Northern Clay Center’s Regis Masters Award, an honor bestowed upon senior artists who have made a significant contribution to the field. This recognition not only celebrated his lifetime achievements but also acknowledged his profound influence on generations of ceramic artists. His work continues to be exhibited and sought after by collectors, ensuring that his whimsical narratives and tactile forms will continue to inspire for years to come.

    The Enduring Power of Human Touch

    Ron Meyers’ legacy lies in his ability to imbue functional pottery with personality and soul. He demonstrated that utility does not preclude artistry—that a mug or a platter can be both beautiful and meaningful. His emphasis on the human touch, prioritizing storytelling and informality over perfection, has resonated deeply within the ceramics community. As he continues to work well into his nineties, Meyers remains a vital force, bridging traditional techniques with personal expression and reminding us of the enduring power of clay—and the stories it can tell. His pottery is not merely an object; it’s a connection to the past, a celebration of the present, and a testament to the transformative power of art.

    Museum

    Georgia Museum of Art

    Udstillet i Athen, USA

    Et fristed for lys og arv i Athens

    Gemt i det livlige, akademiske hjerte af Athens, Georgia, står

    Georgia Museum of Art

    som et dybtgående vidnesbyrd om den kunstneriske udtryks vedvarende kraft. Siden sin begyndelse, født af den generøse Eva Underhill Holbrook Memorial Collection, har denne institution udviklet sig fra en ydmyg universitetsperle til Georgias officielle statsmuseum for kunst. At træde indenfor er at træde ind i et rum, hvor historien ånder gennem hvert lærred, og hvor inspiration er vævet ind i selve arkitekturens stof. Museets nuværende hjem, beliggende i Performing and Visual Arts Complex, er et mesterværk i moderne design; efter en betydelig ombygning i 2011 af de anerkendte Gluckman Mayner Architects, udnytter bygningen svimlende lofter og et overflod af naturligt lys til at skabe en kontemplativ atmosfære. Dette bevidste design sikrer, at enhver besøgende, uanset om det er en erfaren forsker eller en nysgerrig forbipasserende, bliver omsluttet af et lysfyldt miljø, der maksimerer beskuelseskomforten og opfordrer til en dyb, følelsesmæssig forbindelse med de udstillede mesterværker.

    En odyssé gennem amerikansk identitet

    Museets sjæl ligger i dets betagende mangfoldige samling, som tilbyder en fængslende rejse gennem den amerikanske identitets stilistiske udvikling. For både kunstelskere og samlere præsenterer gallerierne en uovertruffen odyssé gennem det 19. og 20. århundredes amerikanske maleri. Man kan finde sig selv fortabt i de stemningsfulde, rå landskaber af

    Winslow Homer

    , hvor havgus fra Maine-kysten føles næsten mærkbar, eller blive transporteret til de glitrende, energiske bylandskaber hos

    Childe Hassam

    , som indfanger den forgyldte dynamik i et spirende New York. Samlingen fungerer også som en vital fortælling om den amerikanske oplevelse, især gennem den rørende sociale kommentar, man finder i

    Jacob Lawrences

    monumentale

    Migration Series

    . Denne dybe dokumentation af "The Great Migration" tilfører en rytmisk, visuel hjerteslag til museets mission om kulturel forståelse.

    Udover den amerikanske fortælling tilbyder Georgia Museum of Art uventede vinduer ind i den bredere globale kunsthistorie.

    Samuel H. Kress Study Collection

    giver et intimt møde med ekkoerne fra renæssancens Italien og fremviser det omhyggelige håndværk og de humanistiske idealer hos mestre som

    Piero della Francesca

    og

    Andrea Mantegna

    . Denne videnskabelige skat muliggør en sjælden, nærværende dialog med den stilistiske sofistikering, der definerede en æra af europæisk innovation. Som et supplement til disse højkulturelle traditioner findes en voksende dedikation til det amerikanske sydstats æstetik. Museet fejrer regional identitet gennem udsøgt sydstatslig dekorativ kunst, herunder møbler fremstet af lokalt pecan- og magnolietræ, samt sølvbeholdere prydet med indviklede blomstermotiver. Disse genstande er mere end blot artefakter; de er håndgribelige påmindelser om en rig kulturarv, der afspejler det håndværk og de værdier, som har formet det sydlige landskab gennem generationer.

    En levende oase for inspiration

    Det, der virkelig adskiller Georgia Museum of Art, er dets rolle som et tilgængeligt fyrtårn for kultur, hvor barriererne for skønhed bevidst er nedbrudt. Med gratis adgang fremmer museet et inkluderende miljø, hvor socioøkonomisk status aldrig dikterer ens adgang til inspiration. Denne engagementssind strækker sig ud over de permanente gallerier gennem en dynamisk rotation af udstillinger, der udfordrer og stimulerer nutidig tankegang. For dem, der søger et øjebliks pusterum, tilbyder

    Jane and Harry Willson Sculpture Garden

    en frodig, fredfyldt oase, hvor besøgende kan vandre blandt moderne skulpturer omgivet af frodigt grønt. Uanset om du er indretningsarkitekt, der søger inspiration i historiske tekstilers teksturer, en samler, der sporer den amerikanske modernismes linje, eller en lokal beboer på jagt efter stille refleksion, forbliver museet en vital, levende organisme—et sted, hvor kunst ikke blot eksisterer, men aktivt dyrker nysgerrighed og fejrer den menneskelige ånds transformative skønhed.

    Læs mere her

    Findes online

    QR-kode med link til downloadside for Covered jar

    originaluniqueart.com/da/art/download/ronald-meyers-covered-jar-D695RB-en/

    Kildehenvisning til dette kunstværk

    MLA
    Meyers, Ronald. Covered jar. 1980, Georgia Museum of Art. https://originaluniqueart.com/da/art/ronald-meyers-covered-jar-D695RB-en/
    APA
    Meyers, Ronald (1980). Covered jar [Painting]. Georgia Museum of Art. https://originaluniqueart.com/da/art/ronald-meyers-covered-jar-D695RB-en/
    Chicago
    Ronald Meyers. Covered jar. 1980. Georgia Museum of Art. https://originaluniqueart.com/da/art/ronald-meyers-covered-jar-D695RB-en/
    Harvard
    Meyers, Ronald (1980) Covered jar. Georgia Museum of Art. Available at: https://originaluniqueart.com/da/art/ronald-meyers-covered-jar-D695RB-en/

    Se nærmere efter

    Covered jar — Ronald Meyers

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Ronald Meyers var omkring 46 år gammel, da dette blev skabt. Hvad i værket bærer præg af at være skabt af en kunstner på det stadie?
    4. Hvad har kunstneren måske ønsket, at du skulle føle?
    5. Hvis du kunne stille kunstneren ét spørgsmål om dette værk, hvad ville det så være?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål og svar

    Hvordan beskrives farvepaletten i "Covered jar" af Ronald Meyers?

    Farverne i "Covered jar" udgør en Neutrals palet. Denne klassificering beskriver de dominerende farvefamilier.

    Hvad er lysstyrken i "Covered jar" af Ronald Meyers?

    Luminansen registreret for "Covered jar" af Ronald Meyers er Bright Balance.

    Hvor gammel var Ronald Meyers, da "Covered jar" blev skabt?

    Ronald Meyers var 46 år gammel, da vedkommende skabte "Covered jar" i 1980. Alderen er beregnet ud fra kunstnerens fødselsår, 1934.