Papirformat

Guide til elevkunst

The Block

Navn Klasse Dato

Romare Bearden, The Block (1971). Reproduceret til referenceformål; alle rettigheder er forbeholdt rettighedshaveren. Se dette lærred under bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
Romare Bearden originaluniqueart.com/da/artists/romare-bearden_da/
Kunstnerens levetid
1911 – 1988
Malet
1971
Oprindelig størrelse
128 x 97 cm

I kontekst

The Block — Romare Bearden

Dimensioner

Originalen måler 128 × 97 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960
  7. 1970
  8. 1980

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 77 ved død.

Malet da kunstneren var 60 år gammel. Kunstneren blev 77 år gammel. 1 af de 2 daterede værker af denne kunstner i vores katalog er skabt tidligere.

Skyggelagt: Romare Bearden' livstid (1911–1988) ▲ dette værk, 1971 hvert dateret maleri, årti for årti

Sammenlignelige værker

  • Pittsburgh Memory, 1964 originaluniqueart.com/da/art/romare-bearden-pittsburgh-memory-D2RAB6-en/
  • Patchwork quilt originaluniqueart.com/da/art/romare-bearden-patchwork-quilt-A25F5Y-en/
  • The train originaluniqueart.com/da/art/romare-bearden-the-train-A25QM3-en/

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Flere værker, der kan placeres ved siden af dette: originaluniqueart.com/da/art/similar/romare-bearden-the-block-D2UUKK-en/

Farver

Målt ud fra billedet

    Hovedfarve

    Rosy Brown #a8a2a6

    Gemt palet

    • #A8A2A6
    • #4A515D
    • #1C6EB2
    • #866962

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Primær farve
    Rosy Brown
    Intensitet
    Balanced Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Gentle Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Discordant Palette Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
    Lysstyrke
    Balanced Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Balanced Soft Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af Romare Bearden i løbet af de sidste tolv måneder — 1 lande i alt. Hvor disse tal stammer fra

    De ti førende lande

    1. 1 USA 100,0%

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 3 mest viste værker af Romare Bearden

    1. 1 The Block, 1971 dette maleri 33,3%
    2. 2 Patchwork quilt 33,3%
    3. 3 Pittsburgh Memory, 1964 33,3%

    Sammen udgør disse værker 99,9% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 4 værker af denne kunstner, hvoraf 3 er blevet set mindst én gang. Dette maleri rangerer som nummer 1 af dem, med 33,3% af den opmærksomhed. Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Om dette kunstværk

    The Block — Romare Bearden

    The Block is a tribute to Harlem, a neighborhood in New York City that nurtured both the life and work of artist Romare Bearden. Although he was born in Charlotte, North Carolina, Bearden spent part of each year in New York throughout his childhood. In 1940 he established his first studio in Harlem, at 306 West 125th Street, in the same building as the artist Jacob Lawrence and the poet­novelist Claude McKay. During the 1940s Bearden was active in the Harlem cultural community as part of the informal artists" organization known as the 306 Group and as a member of the Harlem Artists Guild.Each of the six panels of The Block presents an aspect of life in Harlem, depicting such neighborhood institutions as the Evangelical church, the barbershop, and the corner grocery store. Bearden took artistic license in revealing the private moments of tenement life as well as the exuberant humanity that existed in the prototypical city block. His concern with social issues reflects the influence of the German artist George Grosz, with whom Bearden had studied at the Art Students League in the 1930s. The "Cubist" character of Bearden"s cut-paper collage, a technique with which he is associated, resulted from formal experimentation, the documentary impulse of Dadaist photomontage, and Bearden"s own modern vision, which matured during the 1940s and 1950s.The original installation of this work included a tape recording of street sounds to enhance the viewer"s visual experience of the work, but even without this accompaniment the vitality of the scene is palpable.

    Kunstner og museum

    Kunstner

    Romare Bearden

    Født i Charlotte, United States of America

    A Life Immersed in Culture: The Journey of Romare Bearden

    Romare Howard Bearden, born in Charlotte, North Carolina, in 1911, was more than just an artist; he was a cultural architect, a visual storyteller whose work resonated with the rhythms and realities of African-American life. His early years were marked by constant movement, a childhood spent between the burgeoning artistic hub of Harlem, New York, and the quieter landscapes of Pittsburgh, Pennsylvania. This geographic fluidity instilled in him a unique perspective, an ability to observe and absorb the diverse experiences that would later fuel his creative vision. The Bearden home wasn’t simply a residence; it was a salon, a gathering place for luminaries of the Harlem Renaissance—writers, musicians, intellectuals—who shaped young Romare's understanding of art as a vehicle for social commentary and cultural preservation. His mother, Bessye Bearden, a prominent figure in New York City’s civic life and a journalist for the Chicago Defender, further nurtured this environment, instilling in him a sense of responsibility to his community and a deep appreciation for storytelling.

    From Social Realism to Abstract Exploration

    Bearden's formal education was equally diverse, encompassing studies at Lincoln University, Boston University, and ultimately New York University, where he earned a degree in science and education in 1935. However, his true calling lay in the realm of art, and he continued his training at the Art Students League under the tutelage of German artist George Grosz. His early artistic endeavors were rooted in social realism, depicting scenes from the American South with a keen eye for detail and a commitment to portraying the lives of ordinary people. These works often reflected the influence of Mexican muralists like Diego Rivera and José Clemente Orozco, whose powerful narratives and bold compositions resonated with Bearden’s own desire to address issues of social justice and human dignity. However, his experiences during World War II—serving in the US Army on the European front—profoundly impacted his artistic trajectory. The horrors he witnessed fueled a search for deeper meaning, leading him to explore more abstract forms of expression after the war. A period of study at the Sorbonne in Paris in 1950 further broadened his horizons, exposing him to new philosophical and art historical perspectives that challenged his previous assumptions and encouraged experimentation.

    The Power of Collage: A Defining Aesthetic

    It was in the late 1950s and early 1960s that Romare Bearden truly found his signature style—collage. He didn’t simply adopt collage as a technique; he elevated it to an art form, transforming humble materials like magazine clippings, fabric scraps, and photographs into vibrant, emotionally resonant compositions. This choice wasn't accidental. Collage allowed him to fragment and reassemble reality, mirroring the complexities of memory, identity, and experience. His collages weren’t merely representations of scenes; they were evocations of moods, atmospheres, and cultural narratives. He often drew inspiration from jazz music—its improvisational spirit, its layered harmonies, its ability to convey profound emotions through seemingly simple melodies. Bearden saw parallels between the artist's process and the musician's performance, both relying on intuition, spontaneity, and a deep understanding of their respective mediums. He became a founding member of the Spiral group in 1963, an organization of African-American artists grappling with their role in the Civil Rights Movement. This commitment to social justice remained central to his work throughout his career.

    Legacy and Enduring Influence

    Throughout his prolific career, Bearden received numerous accolades, including honorary doctorates from several prestigious universities and, in 1987, the National Medal of Arts. He was also a gifted writer and songwriter, co-writing the jazz standard "Sea Breeze" with childhood friend Dizzy Gillespie. But perhaps his most lasting legacy lies in his dedication to supporting emerging artists. Together with his wife, Nanette Rohan Bearden, he established the Bearden Foundation, providing financial assistance and mentorship to young creatives. The New York Times famously hailed him as “the nation’s foremost collagist” in its obituary following his death in 1988—a testament to his groundbreaking contributions to the art world. Romare Bearden's work continues to inspire and challenge audiences today, reminding us of the power of art to illuminate the human condition, celebrate cultural heritage, and advocate for a more just and equitable world. His ability to synthesize diverse influences—from African art and Byzantine mosaics to jazz music and personal memory—created a unique visual language that remains instantly recognizable and profoundly moving.

    Major Achievements & Recognitions

    1964: Appointed the first art director of the Harlem Cultural Council.

    1972: Elected to the American Academy of Arts and Letters.

    1987: Awarded the National Medal of Arts.

    Throughout his career: Received honorary doctorates from Pratt Institute, Carnegie Mellon University, Maryland Institute of Art, North Carolina Central College University, and Davidson College.

    Posthumously: Recognized as a pivotal figure in 20th-century American art, with works featured in major museum collections worldwide.

    Her kan du læse mere

    Findes online

    QR-kode med link til downloadside for The Block

    originaluniqueart.com/da/art/download/romare-bearden-the-block-D2UUKK-en/

    Kildehenvisning til dette kunstværk

    MLA
    Bearden, Romare. The Block. 1971, https://originaluniqueart.com/da/art/romare-bearden-the-block-D2UUKK-en/
    APA
    Bearden, Romare (1971). The Block [Painting]. https://originaluniqueart.com/da/art/romare-bearden-the-block-D2UUKK-en/
    Chicago
    Romare Bearden. The Block. 1971. https://originaluniqueart.com/da/art/romare-bearden-the-block-D2UUKK-en/
    Harvard
    Bearden, Romare (1971) The Block. Available at: https://originaluniqueart.com/da/art/romare-bearden-the-block-D2UUKK-en/

    Se nærmere efter

    The Block — Romare Bearden

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Se tilbage på Pittsburgh Memory (1964) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    4. Romare Bearden var omkring 60 år gammel, da dette blev skabt. Hvad i værket bærer præg af at være skabt af en kunstner på det stadie?
    5. Hvad har kunstneren måske ønsket, at du skulle føle?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål & svar

    I hvilket år blev "The Block" af Romare Bearden skabt?

    "The Block" af Romare Bearden blev skabt i 1971.

    Hvilken orientering har "The Block" af Romare Bearden?

    "The Block" af Romare Bearden har et Panoramic format. Formatet beskriver kompositionens proportioner.

    Hvor lys eller mørk fremstår "The Block" af Romare Bearden?

    Overordnet set er "The Block" registreret som balanced. Den oplevede lysstyrke beskriver, hvor lyst eller mørkt værket fremstår.