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Robert Edward Morrison, William James Lamb (1839–1901) (1911), Wigan Arts And Heritage Service. Public domain. Se dette lærred i bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
Robert Edward Morrison originaluniqueart.com/da/artists/robert-edward-morrison/
Kunstnerens årstal
1851 – 1924
Malet
1911
Oprindelig størrelse
74 x 62 cm
Afholdt hos
Wigan Arts And Heritage Service originaluniqueart.com/da/museums/wigan-arts-and-heritage-service-wigan/

I kontekst

William James Lamb (1839–1901) — Robert Edward Morrison

Hvor stor er den?

Originalen måler 74 × 62 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1850
  2. 1860
  3. 1870
  4. 1880
  5. 1890
  6. 1900
  7. 1910
  8. 1920

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 73 ved død.

Malet da kunstneren var 60 år gammel. Kunstneren blev 73 år gammel. 22 af de 30 daterede værker af denne kunstner i vores katalog er skabt tidligere.

Skyggelagt: Robert Edward Morrison' livstid (1851–1924) ▲ dette værk, 1911 hvert dateret maleri, årti for årti

Første værker: frem til 1892 Primære arbejdsår: 1892–1911 Senere værker: fra 1911

Disse tre intervaller opdeler de værker i denne katalog, der er dateret, i et første kvartal, en midterste halvdel og et sidste kvartal. De udgør ikke kunstnerens samlede produktion: en tynd periode kan være et hul i dokumentationen snarere end en stille periode. De samme år, som kunstnerens liv er vævet ind i dem

Sammenlign med

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Se flere lignende værker her: originaluniqueart.com/da/art/similar/robert-edward-morrison-william-james-lamb-1839-1901-AQV45M-en/

Farver

Målt ud fra billedet

    Primær farve

    Phthalo Green #2d2924

    Katalogiseret palet

    • #2D2924
    • #36312D
    • #654A38
    • #A5744A

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Farvepalette
    Monochrome Den dominerende farvefamilie i billedet.
    Navn på hovedfarve
    Phthalo Green
    Intensitet
    Monochromatic Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Serene Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Balanced Harmony Hvor godt farverne spiller sammen, fra kontrasterende til fuldstændig harmoniske.
    Lysstyrke
    Deep_shadow Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Muted Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • mindst 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af Robert Edward Morrison i løbet af de sidste tolv måneder — 2 lande i alt. Kildehenvisning til disse tal

    De ti førende lande

    1. 1 Kina 87,5%
    2. 2 USA 12,5%

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 8 mest viste værker af Robert Edward Morrison

    1. 1 Alderman Sir William Bower Forwood (1840–1928), 1919 12,5%
    2. 2 Sir David Radcliffe (1834–1907), 1890 12,5%
    3. 3 Sir Hall Caine (1853–1931) 12,5%
    4. 4 Portrait of a Man with a White Beard, 1920 12,5%
    5. 5 William James Lamb (1839–1901), 1911 dette maleri 12,5%
    6. 6 William Hulton, 1908 12,5%
    7. 7 Edwin Hodge Banks, Esq. (1847–1917), 1902 12,5%
    8. 8 Robert Jones (1858–1933) 12,5%

    Sammen udgør disse værker 100,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 40 værker af denne kunstner, hvoraf 8 er blevet set mindst én gang. Dette maleri rangerer som nummer 5 af dem med 12,5% af den samlede opmærksomhed. Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Kunstner og museum

    Kunstner

    Robert Edward Morrison

    A Life Dedicated to Realism: The World of Robert Edward Morrison

    Robert Edward Morrison, born in 1851, was a Canadian artist whose career unfolded during a period of significant change and artistic development. While biographical details remain somewhat sparse, the legacy he left through his meticulously rendered portraits and evocative landscapes speaks volumes about his dedication to realism and mastery of light. His early life, rooted in Peel and Douglas before relocating to Liverpool around 1870, undoubtedly shaped his artistic sensibilities. This period saw a burgeoning interest in capturing the world with accuracy and detail—a trend Morrison wholeheartedly embraced. He wasn’t merely documenting appearances; he was striving for an emotional resonance within each brushstroke, a quality that would become a hallmark of his work.

    The Portraitist's Eye: Capturing Character and Status

    Morrison quickly established himself as a sought-after portrait painter, particularly amongst the influential figures of his time. His portraits weren’t simply likenesses; they were insightful studies of character, often revealing subtle nuances of personality and social standing. Works like “Edward Bousfield Dawson” (1914) exemplify this talent—a dignified depiction rendered with a realistic style that invites contemplation. The subject's age is conveyed not just through physical features but also through the careful rendering of texture and expression. Similarly, his 1919 portrait of Alderman Sir William Bower Forwood showcases an academic mastery of impasto technique, highlighting the sitter’s military status and conveying a sense of authority. These weren’t commissions merely to record faces; they were statements about power, influence, and societal position. Morrison understood the language of visual symbolism—the clothing, posture, and background details all contributed to a narrative beyond the individual subject.

    Beyond Likeness: Exploring Life Studies and Artistic Technique

    While celebrated for his formal portraits, Morrison’s “Life Study, Head and Shoulders of a Man” (1880) offers a glimpse into his broader artistic exploration. This nude portrait is remarkable for its rich detail, dramatic lighting, and masterful depiction of musculature. It reveals a deep understanding of anatomy and form, suggesting a rigorous academic training. The painting isn’t simply an exercise in technical skill; it's a captivating study of the human body, imbued with a sense of vulnerability and strength. This work demonstrates Morrison’s ability to move beyond commissioned pieces and explore subjects driven by artistic curiosity. His technique consistently prioritized realism—a careful observation of light and shadow, precise rendering of textures, and an unwavering commitment to capturing the essence of his subject matter.

    Historical Context and Enduring Legacy

    Robert Edward Morrison worked within a Victorian art landscape that valued both technical skill and narrative power. He was part of a generation of artists who sought to bridge the gap between academic tradition and emerging modern sensibilities. His work reflects the social and political climate of the late 19th and early 20th centuries, documenting the lives of prominent individuals and offering insights into the values of the era. Although not as widely recognized today as some of his contemporaries, Morrison’s paintings continue to captivate viewers with their detailed realism and emotional depth. His work serves as a testament to the enduring power of portraiture—the ability to capture not just an image but also a sense of time, place, and personality.

    Born: 1851

    Died: 1924

    Known for: Detailed realism, mastery of light in portraits and landscapes.

    Influences: Academic tradition, Victorian portraiture, a commitment to capturing the essence of his subjects.

    Museum

    Wigan Arts And Heritage Service

    Udstillet i Wigan, United Kingdom

    A Tapestry of Time: The Soul of Wigan

    Nestled within the historic heart of its namesake town, the

    Wigan Museum of Wigan Life

    serves as a profound sanctuary for the collective memory of a community. It is not merely a repository of artifacts but a living, breathing narrative that weaves together the industrial grit and the pastoral grace of the United Kingdom’s North West. To step through its doors is to embark on a temporal journey, where the echoes of coal mines, textile mills, and the rhythmic pulse of local commerce resonate through every curated display. For the art lover and the historian alike, the museum offers a rare intimacy, presenting a collection that feels less like a formal exhibition and more like a rediscovered family heirloom, polished by time and shared heritage.

    The architectural essence of the museum provides a dignified backdrop to its storied contents, grounding the visitor in the very fabric of Wigan’s evolution. As one wanders through the galleries, the interplay between the structural permanence of the building and the ephemeral nature of the objects on display creates a captivating tension. The collection highlights are a masterclass in local storytelling, ranging from the delicate intricacies of Victorian domestic life to the rugged, heavy implements of the industrial revolution. Each piece—be it a weathered tool from a bygone era or a finely crafted piece of local craftsmanship—is presented with an eye for the aesthetic beauty found in utility and the quiet dignity of labor.

    Inspiration for the Modern Eye

    For the interior designer and the collector of historical narratives, the museum offers unparalleled inspiration. The textures of the past provide a rich palette of motifs that speak to the timelessness of design. One can find profound aesthetic value in the following elements found within the collection:

    The Patina of Industry:

    The rusted iron and weathered metals that evoke the strength of the coal mining era.

    Textile Heritage:

    The faded textiles and intricate weaves that reflect the town's history as a major mill center.

    Domestic Elegance:

    The fine craftsmanship of Victorian objects that offer a window into a more ornamental age.

    Organic Textures:

    The worn wood and earthen elements that bridge the gap between industrial progress and pastoral roots.

    The museum’s ability to curate exhibitions that bridge the gap between historical significance and visual allure makes it a cornerstone for those seeking to understand the roots of regional identity. It is this unique ability to transform local history into a universal aesthetic experience that distinguishes the

    Wigan Arts And Heritage Service

    , making it an essential pilgrimage for anyone captivated by the enduring spirit of human endeavor and the artistry found in the everyday.

    Læs mere her

    Findes online

    QR-kode med link til downloadside for William James Lamb (1839–1901)

    originaluniqueart.com/da/art/download/robert-edward-morrison-william-james-lamb-1839-1901-AQV45M-en/

    Kildehenvisning til dette kunstværk

    MLA
    Morrison, Robert Edward. William James Lamb (1839–1901). 1911, Wigan Arts And Heritage Service. https://originaluniqueart.com/da/art/robert-edward-morrison-william-james-lamb-1839-1901-AQV45M-en/
    APA
    Morrison, Robert Edward (1911). William James Lamb (1839–1901) [Painting]. Wigan Arts And Heritage Service. https://originaluniqueart.com/da/art/robert-edward-morrison-william-james-lamb-1839-1901-AQV45M-en/
    Chicago
    Robert Edward Morrison. William James Lamb (1839–1901). 1911. Wigan Arts And Heritage Service. https://originaluniqueart.com/da/art/robert-edward-morrison-william-james-lamb-1839-1901-AQV45M-en/
    Harvard
    Morrison, Robert Edward (1911) William James Lamb (1839–1901). Wigan Arts And Heritage Service. Available at: https://originaluniqueart.com/da/art/robert-edward-morrison-william-james-lamb-1839-1901-AQV45M-en/

    Se nærmere efter

    William James Lamb (1839–1901) — Robert Edward Morrison

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Se tilbage på Alderman Sir William Bower Forwood (1840–1928) (1919) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    4. Robert Edward Morrison var omkring 60 år gammel, da dette blev skabt. Hvad i værket bærer præg af at være skabt af en kunstner på det stadie?
    5. Hvad har kunstneren måske ønsket, at du skulle føle?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål og svar

    Hvor mættet er farvepaletten i "William James Lamb (1839–1901)"?

    Farverne i "William James Lamb (1839–1901)" af Robert Edward Morrison har en Muted mætning. Mætning beskriver, hvor livlige eller dæmpede farverne er.

    Hvad er årsagen til ophavsretsstatus for "William James Lamb (1839–1901)" af Robert Edward Morrison?

    "William James Lamb (1839–1901)" af Robert Edward Morrison er i det offentlige domæne – ophavsretten er udløbet. Ophavsretten løber fra kunstnerens dødsår, som var 1924.

    Hvor intense er farverne i "William James Lamb (1839–1901)" af Robert Edward Morrison?

    Farverne i "William James Lamb (1839–1901)" af Robert Edward Morrison har en Monochromatic intensitet.