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Pranciškus Smuglevičius, Esther before Ahasuerus (1778), Lithuanian Art Centre TARTLE. Public domain. Se dette lærred i bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
Pranciškus Smuglevičius originaluniqueart.com/da/artists/pranciskus-smuglevicius_da/
Kunstnerens årstal
1745 – 1807
Malet
1778
Medie
Oil
Oprindelig størrelse
78 x 106 cm
Bevægelse
Neo-Classical
Periode
Early Modern
Afholdt hos
Lithuanian Art Centre TARTLE originaluniqueart.com/da/museums/lithuanian-art-centre-tartle-vilnius/
Artistic style
Neo-Classical
Notable elements
Detailed portrait, crown, expressive face
Subject or theme
Beauty and intrigue of Esther

I kontekst

Esther before Ahasuerus — Pranciškus Smuglevičius

Hvor stor er den?

Originalen måler 78 × 106 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1740
  2. 1750
  3. 1760
  4. 1770
  5. 1780
  6. 1790
  7. 1800

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 62 ved død.

Malet da kunstneren var 33 år gammel. Kunstneren blev 62 år gammel. 1 af de 17 daterede værker af denne kunstner i vores katalog er skabt tidligere.

Skyggelagt: Pranciškus Smuglevičius' livstid (1745–1807) ▲ dette værk, 1778 hvert dateret maleri, årti for årti

Første værker: frem til 1790 Primære arbejdsår: 1790–1804 Senere værker: fra 1804

Disse tre intervaller opdeler de værker i denne katalog, der er dateret, i et første kvartal, en midterste halvdel og et sidste kvartal. De udgør ikke kunstnerens samlede produktion: en tynd periode kan være et hul i dokumentationen snarere end en stille periode. De samme år, som kunstnerens liv er vævet ind i dem

Sammenlign med

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Se flere lignende værker her: originaluniqueart.com/da/art/similar/pranciskus-smuglevicius-esther-before-ahasuerus-DD27RH-en/

Farver

Målt ud fra billedet

    Primær farve

    Espresso #514b32

    Katalogiseret palet

    • #514B32
    • #332F2C
    • #ADAE90
    • #6B7462

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Navn på hovedfarve
    Espresso
    Intensitet
    Balanced Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Gentle Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Balanced Harmony Hvor godt farverne spiller sammen, fra kontrasterende til fuldstændig harmoniske.
    Lysstyrke
    Shadow Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Subtle Color Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • mindst 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af Pranciškus Smuglevičius i løbet af de sidste tolv måneder — 1 lande i alt. Kildehenvisning til disse tal

    De ti førende lande

    1. 1 Kina 100,0%300 visits

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 3 mest viste værker af Pranciškus Smuglevičius

    1. 1 Esther before Ahasuerus, 1778 dette maleri 33,3%100 visits
    2. 2 Farewell of St Peter and St Paul, visible damages, 1804 33,3%100 visits
    3. 3 Farewell of St Peter and St Paul, restoration, 1804 33,3%100 visits

    Sammen udgør disse værker 99,9% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 17 værker af denne kunstner, hvoraf 3 er blevet set mindst én gang. This painting ranks 1 of them, with 33,3% of that attention (100 visits). Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Om dette kunstværk

    Esther before Ahasuerus — Pranciškus Smuglevičius

    A Moment of Divine Courage

    In the grand tapestry of Neo-Classical history painting, few moments capture the tension between vulnerability and sovereignty as poignantly as Pranciškus Smuglevičius’s Esther before Ahasuerus. Painted in 1778, this masterpiece transports the viewer into the heart of a biblical drama where destiny hangs by a single thread. The canvas centers on the breathtaking figure of Esther, whose presence commands the frame not merely through her regal attire, but through the profound emotional complexity etched upon her face. As she stands before the formidable King Ahasuerus, there is a palpable sense of disbelief and trepidation—a silent prayer captured in pigment. Smuglevičius masterfully utilizes the light to illuminate Esther’s beauty, turning her physical grace into a symbol of the spiritual fortitude required to intercede for her people.

    The composition is a sophisticated study in depth and narrative layering. While Esther remains the luminous focal point, the artist subtly populates the periphery with secondary figures who serve as silent witnesses to this high-stakes encounter. These observers, rendered with careful attention to detail, add a layer of courtly intrigue and social context, suggesting the watchful eyes of an empire. The interplay between the central subjects and the background figures creates a theatrical atmosphere, reminiscent of a stage set where every glance and gesture carries the weight of historical consequence. For the discerning collector, this painting offers more than just a depiction of a scene; it offers a window into the psychological landscape of courage.

    The Mastery of Neo-Classical Elegance

    Smuglevičius, a scholar of the Roman school and a protégé of the great masters, brings a refined technical precision to this work that defines the late 18th-century aesthetic. His training under Anton von Maron is evident in the meticulous handling of textures—the heavy, regal weight of the crown, the delicate sheen of royal fabrics, and the soft, lifelike rendering of skin tones. The artist employs a palette that balances the warmth of human emotion with the cool, structured dignity of the Neo-Classical style. Every brushstroke serves to reinforce the clarity of the narrative, ensuring that the viewer is not lost in ornamentation but remains anchored to the dramatic tension of the subject matter.

    For interior designers and curators of fine art reproductions, this piece represents a pinnacle of classical sophistication. The artwork possesses a timeless quality that allows it to anchor a room with authority and grace. Whether placed in a formal study, a grand hallway, or a curated gallery space, Esther before Ahasuerus acts as a conversation piece that invites contemplation on themes of justice, bravery, and the human condition. It is an exquisite choice for those seeking to infuse their environments with the intellectual depth and aesthetic splendor of the Enlightenment era.

    Kunstner og museum

    Kunstner

    Pranciškus Smuglevičius

    Født i Warszawa, Polen

    tidligt liv og uddannelse

    Pranciškus Smuglevičius, en polsk-litauisk tegner og maler, blev født den 6. oktober 1745 i Warszawa, Polen. Han var søn af Łukasz Smuglewicz, som selv var maler, og Regina Olesińska. Smuglevičius' tidlige år var præget af hans første skridt som kunstner i sin fars værksted i Warszawa, hvor fundamentet for hans tekniske kunnen blev lagt.

    kunstnerisk karriere

    I 1763 begav Smuglevičius sig ud på en dannelsesrejse til Rom, hvor han begyndte at studere de fine kunstarter under vejledning af Anton von Maron. Han blev i Rom i hele 21 år, en periode hvor han fuldt ud omfavnede den nyklassicistiske stil. I 1765 modtog han et kongeligt legat fra kong Stanisław August Poniatowski, hvilket førte til hans optagelse på Sankt Lukas-akademiet.

    bemærkelsesværdige værker og eftermæle

    Smuglevičius' mest betydningsfulde værker inkluderer:

    Et møde i fireårs-sejmen (1793), som udstiller hans mesterlige historiske malestil.

    Kościuszkos ed på markedspladsen i Krakows gamle bydel (1797), der fremhæver hans evne til at indfange både hverdagsliv og arkitektur.

    Litauiske bønder, der frigøres fra livegenskab i Merkinė, hvilket vidner om hans engagement i sociale spørgsmål.

    Disse værker kan findes i samlingen hos Polonika – det nationale institut for polsk kulturarv i udlandet (Warszawa, Polen), som også er repræsenteret på AllPaintingsStore.com.

    undervisning og indflydelse

    Smuglevičius fungerede som mentor for generationer af polsk-litauiske malere, herunder Jan Rustem, Jan Krzysztof Damel, Gaspar Borowski og Józef Oleszkiewicz. Han bragte klassiske idealer og perspektiver fra den oplyste klassicisme til Litauen, hvilket satte et dybt præg på udviklingen af litauisk kunst.

    senere liv og død

    I 1797 flyttede Smuglevičius til Vilnius, hvor han blev grundlægger og første dekan for instituttet for skitse og maleri ved Akademiet i Vilnius. Han udførte allegoriske loftmalerier til tsar Paul I i hans nye kejserlige palads, Mikhailovsky-slottet, i Sankt Petersborg. Smuglevičius gik bort den 18. september 1807 i Vilnius, Litauen. Se flere værker af Pranciškus Smuglevičius på AllPaintingsStore.com Udforsk kunstnerens profil og værker på AllPaintingsStore.com Læs mere om Franciszek Smuglewicz på Wikipedia

    Museum

    Lithuanian Art Centre TARTLE

    Udstillet i Vilnius, Lithuania

    A Sanctuary of Lithuanian Identity: Exploring the TARTLE Art Centre

    Nestled within the bohemian heart of Vilnius’ Užupis district, the Lithuanian Art Centre TARTLE is more than a mere repository of artifacts; it's an immersive journey into the very soul of Lithuania. Founded on a profound commitment to reclaiming and celebrating its cultural heritage, TARTLE stands as a powerful testament to art’s enduring ability to define a nation’s identity. Established by the Lithuanian Art Foundation and collector Rolandas Valiūnas, this remarkable space isn't simply about displaying objects – it’s about meticulously weaving a narrative that connects Lithuania’s ancient pagan roots with its vibrant, contemporary artistic expression. Stepping through its doors is akin to turning the pages of a richly illustrated visual history book, each exhibit offering a poignant glimpse into centuries of resilience, creativity, and cultural evolution. The building itself, harmoniously integrated within Užupis’ eclectic landscape – a district renowned for its self-declared independence and artistic spirit – exudes an inviting charm, beckoning visitors to lose themselves in Lithuania's captivating artistic legacy.

    The heart of TARTLE lies in its astonishingly diverse collection, a breathtaking assemblage that spans centuries and encompasses a remarkable breadth of historical artifacts and modern masterpieces. Perhaps most immediately striking is the centre’s unparalleled accumulation of medals – miniature sculptures that serve as tangible records of significant moments in Lithuanian history and culture. These aren't merely commemorative tokens; they are intricate works of art, each reflecting the stylistic trends and political climates of its time. Imagine holding a tiny bronze representation of a pivotal battle or a diplomatic treaty – these objects whisper stories of kings, wars, and treaties, offering an intimate connection to Lithuania’s past. Alongside these captivating medals, rare historical maps provide a fascinating perspective on Lithuania’s geographical transformations over centuries, revealing shifting borders, evolving perceptions of its place within Europe, and the very essence of its territorial identity. The museum also champions traditional Lithuanian folk art, showcasing the exquisite craftsmanship and deeply symbolic language embedded in wood carvings, textiles, and other artisanal creations – each piece imbued with stories passed down through generations.

    Užupis: A Bohemian Backdrop for Artistic Discovery

    The location of TARTLE within the Užupis district is utterly integral to its character. This self-declared Republic of Artists has cultivated an atmosphere of unparalleled creative freedom and unconventional expression, making it the perfect haven for a museum dedicated to preserving Lithuania’s artistic spirit. Užupis itself is a living artwork – its streets adorned with whimsical sculptures, vibrant murals, and thought-provoking installations that reflect the neighborhood's independent ethos. Visitors are warmly encouraged to explore this dynamic district before or after their visit, immersing themselves in its unique ambiance and discovering hidden gems around every corner. The museum’s presence actively contributes to Užupis’ thriving arts community, fostering dialogue and collaboration between artists, scholars, and art enthusiasts – a true synergy of creative forces.

    Notable Collections & Exhibitions

    Beyond the medals and maps, TARTLE's holdings are remarkably rich. The collection boasts an impressive array of works by renowned Lithuanian artists, including Petras Rimša, whose evocative sculptures form a cornerstone of the museum’s permanent exhibition. Jacques Lipschitz’s presence is equally significant, bridging classical forms with modern sensibilities and offering a compelling dialogue between artistic traditions. The centre also houses a substantial collection of books, silverware – including a particularly exquisite watch crafted by Vilnius master Jacob Gierke in the 17th century – and inter-war Lithuania's stamps, each telling its own story. Currently, “In the Shadow of Knowledge,” an exhibition exploring themes of space, material, and dream through sculpture, demonstrates TARTLE’s commitment to fostering dialogue between past and present. The museum regularly hosts temporary exhibitions showcasing emerging Lithuanian artists alongside established masters, ensuring a constantly evolving and engaging experience for visitors.

    A Dynamic Space for Contemporary Engagement & Accessibility

    Despite its deep roots in history, TARTLE is far from a static institution. It actively embraces contemporary artistic practices, hosting exhibitions that challenge conventional boundaries and invite contemplation. Guided tours led by knowledgeable art historians provide invaluable insights into the collection’s significance, enriching the visitor experience with contextual information and scholarly perspectives. Furthermore, TARTLE champions research and scholarship, serving as a vital resource for students and academics interested in Lithuanian art and history. The centre's dedication to accessibility is noteworthy; it offers flexible visiting hours and caters to diverse needs, ensuring that its treasures are enjoyed by all. It stands as a beacon of cultural preservation, safeguarding Lithuania’s artistic legacy for future generations.

    A Gateway to the Lithuanian Soul

    TARTLE isn't merely a museum; it’s an invitation – a genuine invitation – to connect with the heart and soul of Lithuania. It offers a unique opportunity to understand the nation’s complex history, appreciate its artistic traditions, and engage with its vibrant contemporary culture. Whether you are an avid collector seeking rare treasures, an interior designer searching for inspiration drawn from authentic cultural narratives, or simply a curious traveler eager to explore a hidden gem, TARTLE promises an enriching and unforgettable experience. It is a testament to the power of art to transcend time and connect us to something larger than ourselves – a shared human heritage that deserves to be cherished and celebrated.

    Læs mere her

    Findes online

    QR-kode med link til downloadside for Esther before Ahasuerus

    originaluniqueart.com/da/art/download/pranciskus-smuglevicius-esther-before-ahasuerus-DD27RH-en/

    Kildehenvisning til dette kunstværk

    MLA
    Smuglevičius, Pranciškus. Esther before Ahasuerus. 1778, Lithuanian Art Centre TARTLE. https://originaluniqueart.com/da/art/pranciskus-smuglevicius-esther-before-ahasuerus-DD27RH-en/
    APA
    Smuglevičius, Pranciškus (1778). Esther before Ahasuerus [Painting]. Lithuanian Art Centre TARTLE. https://originaluniqueart.com/da/art/pranciskus-smuglevicius-esther-before-ahasuerus-DD27RH-en/
    Chicago
    Pranciškus Smuglevičius. Esther before Ahasuerus. 1778. Lithuanian Art Centre TARTLE. https://originaluniqueart.com/da/art/pranciskus-smuglevicius-esther-before-ahasuerus-DD27RH-en/
    Harvard
    Smuglevičius, Pranciškus (1778) Esther before Ahasuerus. Lithuanian Art Centre TARTLE. Available at: https://originaluniqueart.com/da/art/pranciskus-smuglevicius-esther-before-ahasuerus-DD27RH-en/

    Se nærmere efter

    Esther before Ahasuerus — Pranciškus Smuglevičius

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Vores katalog klassificerer dette værk under: woman, crown, king. Er du enig? Hvad ville du tilføje eller fjerne?
    4. Se tilbage på Aubrey Beauclerk and his family, in an elegant interior, a view to the Castel Gandolfo beyond (1779) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    5. Pranciškus Smuglevičius var omkring 33 år gammel, da dette blev skabt. Hvad i værket bærer præg af at være skabt af en kunstner på det stadie?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål og svar

    Hvor harmoniske er farverne i "Esther before Ahasuerus" af Pranciškus Smuglevičius?

    Farveharmonien i "Esther before Ahasuerus" er beskrevet som Balanced Harmony.

    Hvad er målene på det originale værk "Esther before Ahasuerus"?

    De registrerede mål for "Esther before Ahasuerus" af Pranciškus Smuglevičius er 78 x 106 cm. Reproduktioner kan bestilles i andre størrelser, mens de samme proportioner bevares.

    Hvilket museum udstiller det originale "Esther before Ahasuerus"?

    Du kan se det originale værk "Esther before Ahasuerus" på Lithuanian Art Centre TARTLE, Vilnius, Lithuania.