Kunstner
Født i Lucca, Italien
Tidligt liv og uddannelse
Født: Lucca, Italien (1708)
Død: 1787
Pompeo Batoni flyttede til Rom i 1727.
Han var i lære hos Agostino Masucci, Sebastiano Conca og/eller Francesco Imperiali.
Hans første selvstændige bestilling kom som følge af de regnskyl, der ramte Rom i april 1732.
Maleriets "Sankt Catharina af Siens ekstase" illustrerer hans akademiske forfinelse af den senbarokke stil.
Kunstnerisk stil og indflydelser
Batonis stil trak inspiration fra klassisk antikvitet, fransk rokoko, bolognesisk klassicisme og kunstnere som Nicolas Poussin, Claude Lorrain og især Raphael.
Han betragtes som en forløber for nyklassicismen.
Hans værker kan findes på forskellige museer, herunder Pinacoteca di Brera i Milano, Italien.
Bemærkelsesværdige værker og bestillinger
Jomfru og barn med helgener
En ridder i Rom: Charles Cecil Roberts – Et berømt portræt af en britisk rejsende, sat mod baggrund af romerske ruiner.
Venedigs triumf
Adskillige altertavler til kirker i Italien, såsom Museum Duomo i Siena.
Han var i høj kurs til portrætter, især blandt britiske rejsende på "The Grand Tour", som bestilte stående portrætter i antikke omgivelser.
Udvikling og historisk betydning
Batoni blev en yderst moderigtig maler i Rom, efter at hans rival, Anton Raphael Mengs, rejste til Spanien i 1761.
Han knyttede venskab med Winckelmann og tilstræbte at dæmpe klassicismen i sit maleri.
Hans portrætter indfangede ånden fra Grand Tour-æraen og afspejlede den europæiske elites fascination af den klassiske antikvitet.
Batonis evne til at forene barokke teknikker med fremspirende nyklassicistiske idealer placerede ham som en overgangsfigur i den italienske kunsthistorie.
Eftermæle
Pompeo Batoni gik bort den 4. februar 1787 i Rom.
Han efterlod sig en arv som en af sin tids mest berømte italienske malere.
Hans arbejde fortsætter med at blive beundret for sin tekniske dygtighed, elegante kompositioner og indsigtsfulde skildringer af individer i deres historiske kontekst.
Museum
Udstillet på Exeter, United Kingdom
A Sanctuary of Stories: Unveiling the Royal Albert Memorial Museum
Nestled within the historic heart of Exeter, Devon, the Royal Albert Memorial Museum (RAMM) isn’t merely a repository for artifacts; it's an immersive journey through time and culture. Stepping through its imposing Gothic Revival doors is akin to entering a meticulously curated world where centuries collide, diverse traditions converge, and the echoes of the past resonate with vibrant contemporary life. The building itself—a magnificent testament to local New Red Sandstone – immediately captivates, its warm hues radiating an inviting atmosphere that belies the extraordinary breadth of treasures within. Originally conceived in 1868 as a poignant memorial to Prince Albert, RAMM has undergone a remarkable evolution, transforming from a solemn tribute into a dynamic cultural hub—a testament to thoughtful preservation and innovative presentation.
RAMM’s strength lies not just in its sheer volume of holdings – over 7,000 objects spanning art, natural history, archaeology, and global cultures – but in the way these disparate collections are interwoven. The museum deliberately resists rigid categorization, offering visitors a holistic understanding of our world through interconnected narratives. A particular highlight is the remarkable collection of British art, boasting masterpieces by Gainsborough and Reynolds alongside evocative works by Walter Sickert, Barbara Hepworth, and Patrick Heron. Beyond national boundaries, RAMM’s artistic treasures extend to Pompeo Batoni and Joseph Wright of Derby, reflecting a rich European influence. But the museum's allure doesn’t stop at canvas; Percy Sladen’s extraordinary collection of echinoderms—a globally significant assemblage rivaling those found in national collections – stands as a testament to the natural world’s wonders. The World Cultures galleries are particularly noteworthy, officially recognized for their national and international importance by the UK government, offering profound explorations of diverse traditions, beliefs, and ways of life from across the globe.
A Building Steeped in History
The story of RAMM is inextricably linked to the history of Exeter itself. Remarkably, the university, central library, and college of art all trace their origins back to this very institution—a testament to its enduring role as a cultural cornerstone for the city. The building’s evolution mirrors Exeter's own growth, adapting and expanding over decades to meet changing needs and interests. The recent redevelopment, completed in 2011 at a cost of £24 million, was spearheaded by Allies and Morrison and involved not only restoring the building’s historical integrity but also creating a new entrance from the historic Registered gardens, enhancing accessibility, and completely reimagining the display of its vast collections. This commitment to modernization is further exemplified by RAMM’s 2024 announcement of an open access strategy, making public domain collections freely available online—a bold step towards wider engagement and long-term preservation.
Treasures Within: Highlights of the Collection
Exploring RAMM's diverse holdings reveals a captivating array of treasures. The costume and textiles collection – one of the most important outside London – is particularly prized, though its delicate nature often necessitates curated exhibitions rather than permanent display. The museum’s zoology collection, amassed by Percy Sladen, houses an astonishing diversity of invertebrates and mammals, while the archaeology galleries offer glimpses into Exeter's rich past, from Roman settlements to medieval trade routes. Don’t miss the opportunity to encounter “Toekomstdromen” (Future Dreams) by Otto Roelofs – a captivating Belgian Impressionist portrait that exemplifies the collection’s vibrant artistic diversity. The museum also holds significant holdings of British landscape art, reflecting Devon's stunning natural beauty.
A Living Cultural Hub
What truly sets RAMM apart is its unwavering commitment to accessibility and inclusivity. With free entry for all visitors, the museum actively strives to be a welcoming space where everyone can engage with art, history, and culture. The displays are thoughtfully designed to appeal to a wide range of ages and interests, fostering curiosity and discovery. From families exploring together to scholars conducting research, RAMM serves as a vital community resource—a living, breathing cultural hub that enriches the lives of all who encounter it. It stands not just as a museum, but as a beacon of knowledge, creativity, and community spirit in the heart of Exeter.
Findes online
originaluniqueart.com/da/art/download/pompeo-batoni-john-rolle-walter-D77N43-en/
Kildehenvisning til dette kunstværk
- MLA
- Batoni, Pompeo. John Rolle Walter. 1753, Royal Albert Memorial Museum - Art Gallery. https://originaluniqueart.com/da/art/pompeo-batoni-john-rolle-walter-D77N43-en/
- APA
- Batoni, Pompeo (1753). John Rolle Walter [Painting]. Royal Albert Memorial Museum - Art Gallery. https://originaluniqueart.com/da/art/pompeo-batoni-john-rolle-walter-D77N43-en/
- Chicago
- Pompeo Batoni. John Rolle Walter. 1753. Royal Albert Memorial Museum - Art Gallery. https://originaluniqueart.com/da/art/pompeo-batoni-john-rolle-walter-D77N43-en/
- Harvard
- Batoni, Pompeo (1753) John Rolle Walter. Royal Albert Memorial Museum - Art Gallery. Available at: https://originaluniqueart.com/da/art/pompeo-batoni-john-rolle-walter-D77N43-en/