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Roses

Navn Klasse Dato

Petar Lubarda, Roses (1937), The Pavle Beljanski Memorial Collection. Reproduceret til referenceformål; alle rettigheder er forbeholdt rettighedshaveren. Se dette lærred i bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
Petar Lubarda originaluniqueart.com/da/artists/petar-lubarda/
Kunstnerens årstal
1907 – 1974
Malet
1937
Oprindelig størrelse
73 x 97 cm
Bevægelse
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.
Periode
Modern
Afholdt hos
The Pavle Beljanski Memorial Collection originaluniqueart.com/da/museums/the-pavle-beljanski-memorial-collection-novi-sad/
Artistic style
Silver period; clear color accents
Influences
Byzantine art, Flemish realism, Impressionism, Vincent van Gogh
Notable elements or techniques
Transition from linear to pictorial style
Subject or theme
Flowers in a vase

I kontekst

Roses — Petar Lubarda

Hvor stor er den?

Originalen måler 73 × 97 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960
  8. 1970

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 67 ved død.

Malet da kunstneren var 30 år gammel. Kunstneren blev 67 år gammel. 0 af de 1 daterede værker af denne kunstner i vores katalog er skabt tidligere.

Skyggelagt: Petar Lubarda' livstid (1907–1974) ▲ dette værk, 1937 hvert dateret maleri, årti for årti

Farver

Målt ud fra billedet

    Primær farve

    Sap Green #5f6146

    Katalogiseret palet

    • #5F6146
    • #364532
    • #747659
    • #A39B75

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Navn på hovedfarve
    Sap Green
    Intensitet
    Balanced Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Serene Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Strong Color Unity Hvor godt farverne spiller sammen, fra kontrasterende til fuldstændig harmoniske.
    Lysstyrke
    Balanced Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Subtle Color Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • mindst 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af Petar Lubarda i løbet af de sidste tolv måneder — 1 lande i alt. Kildehenvisning til disse tal

    De ti førende lande

    1. 1 Kina 100,0%

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 1 mest viste værker af Petar Lubarda

    1. 1 Roses, 1937 dette maleri 100,0%

    Sammen udgør disse værker 100,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 1 værker af denne kunstner, hvoraf 1 er blevet set mindst én gang. Dette maleri rangerer som nummer 1 af dem med 100,0% af den samlede opmærksomhed. Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Om dette kunstværk

    Roses — Petar Lubarda

    A Silver Symphony of Petals and Light

    In the vast, textured tapestry of twentieth-century Balkan art, few works capture the delicate transition between tradition and modernity as poignantly as Petar Lubarda’s Roses. Painted in 1937, this masterpiece serves as a luminous gateway into what historians fondly refer to as Lubarda’s "silver period." At first glance, the viewer is greeted by a breathtaking arrangement of blossoms, where the soft, velvety textures of roses mingle with complementary flora, all cradled within a graceful vase. The composition is not merely a study of botanical beauty but a sophisticated dance of light and form. As the eye wanders across the canvas, one notices how the artist employs a masterful balance of depth; certain blooms press forward with vibrant vitality, while others recede into a soft, atmospheric haze, creating a sense of three-dimensional space that breathes within the frame.

    The technique displayed in Roses is nothing short of transformative. During this pivotal era of his career, Lubarda was navigating the delicate shift from linear precision to a more fluid, pictorial approach. While his earlier works often relied on defined outlines, here we see the emergence of a "sillevry shine"—a luminous quality where color acts as a deliberate accent against a more ethereal, shimmering background. The brushstrokes are skillful and intentional, capturing the organic weight of the petals and the reflective surface of the vase with an impressionistic touch that recalls the expressive power of Van Gogh, yet remains uniquely anchored in Lubarda’s own visionary language. This interplay of light and shadow lends the painting a rhythmic quality, making the stillness of the still life feel vibrantly alive.

    Historical Resonance and Artistic Legacy

    Beyond its aesthetic splendor, Roses carries a profound historical and emotional resonance that makes it a cornerstone for any serious collection. The painting was part of the prestigious Pavle Beljanski collection, acquired as early as 1937, marking it as a work of immediate significance. There are even legendary stories surrounding its impact; during an exhibition in Moscow in 1948, one visitor was reportedly captivated by the painting, stating that it was exactly the work he had hoped to paint all his life. This level of reverence speaks to the universal appeal of Lubarda's ability to blend the local spirit of Montenegro with a broader European modernism.

    For the discerning collector or interior designer, this piece offers more than just visual beauty; it provides a sense of timelessness. The way the light interacts with the "silver" tones makes it an ideal centerpiece for spaces that value elegance and quiet contemplation. Whether placed in a sun-drenched gallery or a sophisticated contemporary living room, the painting acts as a window into a moment of perfect botanical harmony. It is a work that does not merely decorate a wall but enriches the very atmosphere of a home, inviting viewers to pause and lose themselves in its shimmering, floral depths.

    Kunstner og museum

    Kunstner

    Petar Lubarda

    Født i Cetinje, Montenegro

    The Visionary Soul of Montenegro: The Life and Legacy of Petar Lubarda

    In the vast, rugged tapestry of twentieth-century Balkan art, few names resonate with as much heroic grandeur and profound emotional depth as Petar Lubarda. Born in 1907 in the village of Ljubotinj, near Cetinje, Lubarda’s very existence was steeped in the spiritual and historical echoes of Montenegro. His formative years were shaped by the solemnity of Byzantine traditions and the narrative power of medieval frescoes, elements that would later become the bedrock of his distinctive artistic language. As a painter, he did not merely seek to replicate the world around him; rather, he sought to capture the very essence of identity, sacrifice, and the enduring spirit of a people.

    Lubarda’s journey was one of constant movement and intellectual expansion. His early studies at the Belgrade School of Art in 1925 led him to the vibrant artistic currents of Paris, where he encountered the transformative power of European modernism. It was here that the influence of Flemish realism and the expressive, emotive use of color found in Vincent van Gogh’s work began to permeate his technique. This period of exposure allowed him to bridge the gap between the ancient, iconographic traditions of his homeland and the fluid, avant-garde movements of the West. His ability to synthesize these disparate worlds—the rigid spiritual symbolism of the East and the impressionistic light of the West—created a style that was both timeless and strikingly modern.

    A Symphony of Light, Shadow, and History

    The evolution of Lubarda’s technique is perhaps most beautifully illustrated in his transition from linear precision to a more atmospheric, painterly approach. During what historians often call his "silver period," exemplified by his 1937 masterpiece Roses, one can witness a breathtaking dance of light and form. In these works, the artist moved away from defined outlines toward a luminous quality where color acts as a deliberate accent against an ethereal, shimmering background. He masterfully employed chiaroscoscuro—a technique reminiscent of Rembrandt—to heighten dramatic tension, allowing certain elements to press forward with vitality while others recede into a soft, mysterious haze.

    Beyond the delicate beauty of his still lifes, Lubarda’s oeuvre is defined by its monumental themes. He was a painter of epic proportions, most famously revisited in over thirty different versions of the Battle of Kosovo (1389). These canvases are far more than historical chronicles; they are visceral, psychological explorations of courage and tragedy. Through thick, intentional brushstrokes and a powerful command of composition, he transformed historical struggle into a universal symbol of human resilience. His work often grappled with the weight of history, using the landscape of Montenegro not just as a setting, but as a character imbued with memory and myth.

    Enduring Influence and Artistic Triumph

    The significance of Petar Lubarda extends far beyond the borders of the Balkans. Throughout his career, he achieved international acclaim, earning prestigious honors such as the Herder Prize in 1968 and recognition from major institutions in Brazil, New York, and across Europe. His role as an educator was equally profound; after surviving the hardships of concentration camps during the war years, he returned to Belgrade and Cetinje to shape the next generation of artists, serving as a professor at the Academy of Fine Arts and establishing vital art institutions in Montenegro.

    Lubarda’s legacy is characterized by several key pillars of achievement:

    Synthesis of Traditions: The seamless integration of Byzantine iconography and medieval narrative power with modern European Impressionism.

    Mastery of Emotion: A unique ability to use color and light to convey the psychological complexity of both historical events and natural landscapes.

    Cultural Foundation: His instrumental role in establishing professional art schools and institutions that solidified Montenegro's place in the global art dialogue.

    Iconic Imagery: The creation of a visual vocabulary for Balkan identity, most notably through his monumental depictions of historical struggle.

    Today, Petar Lubarda remains a cornerstone of 20th-century art. His paintings continue to serve as luminous gateways into a world where the boundaries between reality and myth are beautifully blurred, leaving behind a legacy that is as enduring and rugged as the Montenegrin mountains from which he emerged.

    Museum

    The Pavle Beljanski Memorial Collection

    Udstillet i Novi Sad, Serbia

    A Sanctuary of Serbian Modernity

    Nestled in the heart of Novi Sad, Serbia, stands a testament to one man’s profound passion for art and his enduring gift to the nation – the Pavle Beljanski Memorial Collection. More than just a museum, it is a carefully preserved echo of a discerning eye, a space where the vibrant spirit of 20th-century Serbian and Yugoslav art continues to resonate. The collection itself blossomed from the personal pursuit of Pavle Beljanski, a diplomat whose keen understanding of artistic merit led him to champion emerging talents during a period of immense cultural transformation. He didn’t simply acquire paintings; he fostered relationships with artists, recognizing their potential before it was widely celebrated, and ultimately assembling a body of work that now forms a cornerstone of Serbian art history.

    The architecture of the museum is an integral part of this immersive experience. Designed by the visionary architect Ivo Kurtović and completed in 1961, the building serves as a bold departure from prevailing styles of its era, reflecting a belief that architecture should complement and elevate the treasures it houses. The structure is not merely a container but a harmonious environment where functional elegance meets thoughtful design. Inside, the spaces are bathed in natural light, creating an atmosphere conducive to quiet contemplation and fostering a deep, visceral connection between the viewer and the canvas. For the interior designer or the lover of fine aesthetics, the building itself stands as a masterpiece of mid-century modernism.

    Masterpieces of the Interwar Spirit

    At the core of this sanctuary lies a remarkable assemblage of 185 paintings by 37 artists, representing the zenith of Serbian artistic expression during the interwar period. These works offer a window into an era defined by intellectual currents and shifting societal identities. Among these masterpieces are the landscapes of Sava Šumanović, whose brushstrokes capture the sublime beauty of the Serbian countryside with evocative color palettes that seem to breathe on the canvas. In contrast, the portraits of Milan Konjović delve into profound psychological depth, portraying subjects with a sensitivity and nuance that transcend the mere likeness of the sitter.

    The collection also celebrates the courage of artists like Nadežda Petrović, Milan Milovanović, and Kosta Miličević, who navigated a landscape shaped by political upheaval. These creators masterfully blended influences from European movements such as Cubism and Surrealism with their own unique perspectives, forging a distinctly Serbian artistic identity. To walk through these galleries is to witness the birth of a modern visual language, where every stroke and shade tells a story of a nation finding its voice amidst the complexities of the 20th century.

    A Living Legacy and Personal Intimacy

    What truly distinguishes the Pavle Beljanski Memorial Collection is its profound intimacy. Adding to the museum's character is the Memorial Hall, inaugurated in 1966 as a poignant recreation of Beljanski’s personal living and working space. Stepping inside feels like entering a time capsule; visitors are surrounded by his original furniture, books, photographs, and cherished possessions. This meticulously curated hall allows one to understand the man behind the art, offering insight into the refined sensibility and intellectual curiosity that guided his collecting activities. It is an invitation to step into the life of a diplomat who lived among the very beauty he sought to preserve.

    The museum’s mission extends far beyond the preservation of the past, as it actively nurtures the future of Serbian culture. Through educational programs for young students and the prestigious

    Pavle Beljanski Award

    —which recognizes outstanding scholarly work in art history—the institution ensures that the dialogue between generations remains unbroken. For the connoisseur seeking an authentic cultural journey, the collection offers a compelling encounter with history, culture, and the transformative power of artistic expression, making it an essential destination for anyone captivated by the enduring legacy of Serbian modernism.

    Læs mere her

    Findes online

    QR-kode med link til downloadside for Roses

    originaluniqueart.com/da/art/download/petar-lubarda-roses-D5GPNW-en/

    Kildehenvisning til dette kunstværk

    MLA
    Lubarda, Petar. Roses. 1937, The Pavle Beljanski Memorial Collection. https://originaluniqueart.com/da/art/petar-lubarda-roses-D5GPNW-en/
    APA
    Lubarda, Petar (1937). Roses [Painting]. The Pavle Beljanski Memorial Collection. https://originaluniqueart.com/da/art/petar-lubarda-roses-D5GPNW-en/
    Chicago
    Petar Lubarda. Roses. 1937. The Pavle Beljanski Memorial Collection. https://originaluniqueart.com/da/art/petar-lubarda-roses-D5GPNW-en/
    Harvard
    Lubarda, Petar (1937) Roses. The Pavle Beljanski Memorial Collection. Available at: https://originaluniqueart.com/da/art/petar-lubarda-roses-D5GPNW-en/

    Se nærmere efter

    Roses — Petar Lubarda

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Vores katalog klassificerer dette værk under: roses, flowers, vase. Er du enig? Hvad ville du tilføje eller fjerne?
    4. Impressionism: Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio. Hvor kan du se det i dette værk?
    5. Petar Lubarda var omkring 30 år gammel, da dette blev skabt. Hvad i værket bærer præg af at være skabt af en kunstner på det stadie?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål og svar

    Kan man se et diasshow af "Roses" af Petar Lubarda?

    "Roses" af Petar Lubarda kan opleves som et diasshow på værkets Billedserie-side.

    Hvilken gennemgående nuance præger "Roses" af Petar Lubarda?

    "Roses" har en tendens til en Green to Violet Spectrum nuance.

    Er "Roses" tilgængelig som et fine art-print?

    Et print af "Roses" af Petar Lubarda kan bestilles direkte på siden for Kunstprint i høj kvalitet: et fine art-print på bomuldscanvas eller arkivbestandigt lærredspapir.