Papirformat

Guide til elevkunst

Self Portrait

Navn Klasse Dato

Norman Stansfield Cornish, Self Portrait (1950). Reproduceret til referenceformål; alle rettigheder er forbeholdt rettighedshaveren. Se dette lærred under bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
Norman Stansfield Cornish originaluniqueart.com/da/artists/norman-stansfield-cornish/
Kunstnerens levetid
1919 – 2014
Malet
1950
Oprindelig størrelse
39 x 28 cm

I kontekst

Self Portrait — Norman Stansfield Cornish

Dimensioner

Originalen måler 39 × 28 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960
  7. 1970
  8. 1980
  9. 1990
  10. 2000
  11. 2010

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 95 ved død.

Malet da kunstneren var 31 år gammel. Kunstneren blev 95 år gammel. 0 af de 1 daterede værker af denne kunstner i vores katalog er skabt tidligere.

Skyggelagt: Norman Stansfield Cornish' livstid (1919–2014) ▲ dette værk, 1950 hvert dateret maleri, årti for årti

Sammenlignelige værker

  • Pit Gantry Steps originaluniqueart.com/da/art/norman-stansfield-cornish-pit-gantry-steps-AQSKZV-en/
  • Pit Road originaluniqueart.com/da/art/norman-stansfield-cornish-pit-road-AQSL2D-en/
  • Pit Road at Night (recto) originaluniqueart.com/da/art/norman-stansfield-cornish-pit-road-at-night-recto-AQSKZR-en/

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Flere værker, der kan placeres ved siden af dette: originaluniqueart.com/da/art/similar/norman-stansfield-cornish-self-portrait-AQSKZM-en/

Farver

Målt ud fra billedet

    Hovedfarve

    Phthalo Green #36170a

    Gemt palet

    • #36170A
    • #AC7144
    • #D59367
    • #753F21

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Farvepalette
    Dark Den dominerende farvefamilie i billedet.
    Primær farve
    Phthalo Green
    Intensitet
    Vivid Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Bold Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Unified Palette Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
    Lysstyrke
    Balanced Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Clear Color Presence Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af Norman Stansfield Cornish i løbet af de sidste tolv måneder — 2 lande i alt. Hvor disse tal stammer fra

    De ti førende lande

    1. 1 Kina 75,0%
    2. 2 Argentina 25,0%

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 4 mest viste værker af Norman Stansfield Cornish

    1. 1 Self Portrait, 1950 dette maleri 25,0%
    2. 2 Pit Gantry Steps 25,0%
    3. 3 A Tired Pit Pony 25,0%
    4. 4 Going under Bye 25,0%

    Sammen udgør disse værker 100,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 14 værker af denne kunstner, hvoraf 4 er blevet set mindst én gang. Dette maleri rangerer som nummer 1 af dem, med 25,0% af den opmærksomhed. Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Kunstner og museum

    Kunstner

    Norman Stansfield Cornish

    Norman Cornish: A Chronicle of the Pit and the Palette

    Norman Stansfield Cornish (1919-2014) wasn’t merely an artist; he was a living embodiment of Northern England's industrial heartland, meticulously rendered onto canvas and paper. His life story is inextricably linked to the mines that shaped his identity and fueled his artistic vision – a poignant narrative of a miner who traded his pickaxe for brushes, capturing the dignity, hardship, and enduring spirit of his community with an unparalleled sensitivity. Born in Spennymoor, County Durham, a town synonymous with coal mining, Cornish’s early life was defined by the rhythms of the pit, a reality that would profoundly influence every aspect of his work.

    Cornish's journey into art began unexpectedly. Initially destined for a career within the mines, he found solace and inspiration in the Spennymoor Settlement, a unique recreational and artistic hub established to provide social and cultural opportunities for the local community. It was here, amidst workshops and gatherings, that Cornish discovered his talent for drawing and painting – a revelation sparked by the encouragement of Bill Farrell, the Settlement’s warden, who recognized the potential within the miner's eye. This formative experience marked a pivotal shift in Cornish’s life, transforming him from a dedicated worker into an artist deeply invested in documenting the lives of his fellow miners.

    The ‘Pitman Painter’ and His Subjects

    Cornish quickly established himself as the foremost “Pitman Painter,” a title earned through his unwavering dedication to portraying the everyday realities of mining life. Unlike many artists who sought grand, romanticized depictions of industry, Cornish focused on the intimate details – the weary faces of men returning from their shifts, the damp and claustrophobic tunnels, the communal spaces where miners found respite and camaraderie. His paintings aren’t dramatic landscapes; they are studies in human endurance, resilience, and community spirit.

    His subjects weren't merely miners; they were families, friends, and neighbors – rendered with a remarkable warmth and empathy. Cornish captured not just the physical labor but also the emotional landscape of these communities, portraying their joys, sorrows, and unwavering bonds. He frequently depicted scenes from Gala Days, village fetes, and moments of shared celebration, offering glimpses into the social fabric of mining towns. His work is deeply rooted in realism, yet infused with an expressive quality that transcends mere representation. Thick impasto, dramatic lighting, and a muted color palette contribute to a sense of isolation and beauty, reflecting both the harshness and the inherent dignity of the pit.

    Technique and Influences

    Cornish’s artistic style evolved over time, influenced by a diverse range of sources. Initially, his work bore a strong resemblance to L.S. Lowry, with whom he maintained a close friendship and mutual admiration. However, Cornish quickly developed his own distinctive voice, characterized by bold brushstrokes, expressive use of color, and an intimate understanding of human psychology. He employed a technique known as “expressionism,” prioritizing emotional impact over strict realism. His paintings are not photographic representations but rather subjective interpretations of the world around him.

    The influence of his mining background is undeniable. Cornish’s meticulous observation of detail, combined with his deep understanding of light and shadow, created a powerful sense of atmosphere. He skillfully used texture to convey the roughness of the coal dust, the dampness of the tunnels, and the weight of the men's burdens. His use of color – predominantly browns, grays, and blues – evoked the somber mood of the mines while also capturing the warmth and resilience of the human spirit.

    Legacy and Recognition

    Norman Cornish’s work gained increasing recognition throughout his career, culminating in numerous exhibitions across Britain. He was celebrated for his ability to capture the essence of Northern England's mining communities with honesty, compassion, and artistic skill. His paintings are now held in major collections, including the National Museum of Wales and the Laing Art Gallery in Newcastle upon Tyne. Cornish’s legacy extends beyond his artistic achievements; he remains a symbol of resilience, community spirit, and the enduring power of art to document and celebrate the lives of ordinary people.

    In 2019, a ‘Norman Cornish Trail’ was created in Spennymoor, allowing visitors to trace the locations depicted in his paintings – a testament to his profound connection with his hometown. His life story serves as an inspiration, demonstrating how personal experience can be transformed into powerful and enduring art.

    Her kan du læse mere

    Findes online

    QR-kode med link til downloadside for Self Portrait

    originaluniqueart.com/da/art/download/norman-stansfield-cornish-self-portrait-AQSKZM-en/

    Kildehenvisning til dette kunstværk

    MLA
    Cornish, Norman Stansfield. Self Portrait. 1950, https://originaluniqueart.com/da/art/norman-stansfield-cornish-self-portrait-AQSKZM-en/
    APA
    Cornish, Norman Stansfield (1950). Self Portrait [Painting]. https://originaluniqueart.com/da/art/norman-stansfield-cornish-self-portrait-AQSKZM-en/
    Chicago
    Norman Stansfield Cornish. Self Portrait. 1950. https://originaluniqueart.com/da/art/norman-stansfield-cornish-self-portrait-AQSKZM-en/
    Harvard
    Cornish, Norman Stansfield (1950) Self Portrait. Available at: https://originaluniqueart.com/da/art/norman-stansfield-cornish-self-portrait-AQSKZM-en/

    Se nærmere efter

    Self Portrait — Norman Stansfield Cornish

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Se tilbage på Pit Gantry Steps tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    4. Norman Stansfield Cornish var omkring 31 år gammel, da dette blev skabt. Hvad i værket bærer præg af at være skabt af en kunstner på det stadie?
    5. Hvad har kunstneren måske ønsket, at du skulle føle?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål & svar

    Hvor lys eller mørk fremstår "Self Portrait" af Norman Stansfield Cornish?

    I forhold til den oplevede lysstyrke er "Self Portrait" af Norman Stansfield Cornish balanced.

    Hvordan kan jeg få et tryk af "Self Portrait" af Norman Stansfield Cornish?

    "Self Portrait" er tilgængelig som et fine art-print på bomuldscanvas eller arkivbestandigt lærredspapir. Bestilling sker på denne side i den størrelse, du ønsker.

    Hvad er den farvemæssige identitet i "Self Portrait" af Norman Stansfield Cornish?

    Farveidentiteten i "Self Portrait" af Norman Stansfield Cornish: en Dark palet, domineret af Phthalo Green (#36170a).

    Er farverne i "Self Portrait" af Norman Stansfield Cornish mættede eller dæmpede?

    "Self Portrait" af Norman Stansfield Cornish er gengivet med en Clear Color Presence mætning.

    Hvilken farve træder mest frem i "Self Portrait"?

    Den dominerende farve i "Self Portrait" af Norman Stansfield Cornish er Phthalo Green (#36170a).

    Er en højtopløselig download af "Self Portrait" tilgængelig?

    For at få en digital fil af "Self Portrait" af Norman Stansfield Cornish, skal du bestille et højtopløseligt digitalt billeddownload på denne side.

    Kan billedet af "Self Portrait" af Norman Stansfield Cornish frit reproduceres?

    Hvad angår ophavsret, er "Self Portrait" stadig beskyttet af ophavsret.

    Hvordan balancerer "Self Portrait" lys og mørke?

    "Self Portrait" har en overordnet lysstyrke på balanced, og dens luminans er Soft Shadow.