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Going under Bye

Navn Klasse Dato

Norman Stansfield Cornish, Going under Bye. Reproduceret til referenceformål; alle rettigheder er forbeholdt rettighedshaveren.

Fakta om værket

Kunstner
Norman Stansfield Cornish originaluniqueart.com/da/artists/norman-stansfield-cornish/
Kunstnerens levetid
1919 – 2014
Oprindelig størrelse
53 x 74 cm

I kontekst

Going under Bye — Norman Stansfield Cornish

Dimensioner

Originalen måler 53 × 74 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette maleri sandsynligvis blevet til?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960
  7. 1970
  8. 1980
  9. 1990
  10. 2000
  11. 2010

Skyggelagt: Norman Stansfield Cornish' livstid (1919–2014)

Der findes ikke et præcist årstal for denne indspilning i arkivet — baseret på kunstnerens levetid og værkets stil, hvilket årti ville du så gætte på?

Sammenlignelige værker

  • Pit Gantry Steps originaluniqueart.com/da/art/norman-stansfield-cornish-pit-gantry-steps-AQSKZV-en/
  • Pit Road originaluniqueart.com/da/art/norman-stansfield-cornish-pit-road-AQSL2D-en/
  • Pit Road at Night (recto) originaluniqueart.com/da/art/norman-stansfield-cornish-pit-road-at-night-recto-AQSKZR-en/

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Flere værker, der kan placeres ved siden af dette: originaluniqueart.com/da/art/similar/norman-stansfield-cornish-going-under-bye-AQSKZX-en/

Farver

Målt ud fra billedet

    Hovedfarve

    Rosy Brown #9ba289

    Gemt palet

    • #9BA289
    • #242414
    • #7C7751
    • #52502E
    Primær farve
    Rosy Brown
    Intensitet
    Balanced Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Balanced Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Strong Color Unity Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
    Lysstyrke
    Shadow Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Subtle Color Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Kunstner og museum

    Kunstner

    Norman Stansfield Cornish

    Norman Cornish: A Chronicle of the Pit and the Palette

    Norman Stansfield Cornish (1919-2014) wasn’t merely an artist; he was a living embodiment of Northern England's industrial heartland, meticulously rendered onto canvas and paper. His life story is inextricably linked to the mines that shaped his identity and fueled his artistic vision – a poignant narrative of a miner who traded his pickaxe for brushes, capturing the dignity, hardship, and enduring spirit of his community with an unparalleled sensitivity. Born in Spennymoor, County Durham, a town synonymous with coal mining, Cornish’s early life was defined by the rhythms of the pit, a reality that would profoundly influence every aspect of his work.

    Cornish's journey into art began unexpectedly. Initially destined for a career within the mines, he found solace and inspiration in the Spennymoor Settlement, a unique recreational and artistic hub established to provide social and cultural opportunities for the local community. It was here, amidst workshops and gatherings, that Cornish discovered his talent for drawing and painting – a revelation sparked by the encouragement of Bill Farrell, the Settlement’s warden, who recognized the potential within the miner's eye. This formative experience marked a pivotal shift in Cornish’s life, transforming him from a dedicated worker into an artist deeply invested in documenting the lives of his fellow miners.

    The ‘Pitman Painter’ and His Subjects

    Cornish quickly established himself as the foremost “Pitman Painter,” a title earned through his unwavering dedication to portraying the everyday realities of mining life. Unlike many artists who sought grand, romanticized depictions of industry, Cornish focused on the intimate details – the weary faces of men returning from their shifts, the damp and claustrophobic tunnels, the communal spaces where miners found respite and camaraderie. His paintings aren’t dramatic landscapes; they are studies in human endurance, resilience, and community spirit.

    His subjects weren't merely miners; they were families, friends, and neighbors – rendered with a remarkable warmth and empathy. Cornish captured not just the physical labor but also the emotional landscape of these communities, portraying their joys, sorrows, and unwavering bonds. He frequently depicted scenes from Gala Days, village fetes, and moments of shared celebration, offering glimpses into the social fabric of mining towns. His work is deeply rooted in realism, yet infused with an expressive quality that transcends mere representation. Thick impasto, dramatic lighting, and a muted color palette contribute to a sense of isolation and beauty, reflecting both the harshness and the inherent dignity of the pit.

    Technique and Influences

    Cornish’s artistic style evolved over time, influenced by a diverse range of sources. Initially, his work bore a strong resemblance to L.S. Lowry, with whom he maintained a close friendship and mutual admiration. However, Cornish quickly developed his own distinctive voice, characterized by bold brushstrokes, expressive use of color, and an intimate understanding of human psychology. He employed a technique known as “expressionism,” prioritizing emotional impact over strict realism. His paintings are not photographic representations but rather subjective interpretations of the world around him.

    The influence of his mining background is undeniable. Cornish’s meticulous observation of detail, combined with his deep understanding of light and shadow, created a powerful sense of atmosphere. He skillfully used texture to convey the roughness of the coal dust, the dampness of the tunnels, and the weight of the men's burdens. His use of color – predominantly browns, grays, and blues – evoked the somber mood of the mines while also capturing the warmth and resilience of the human spirit.

    Legacy and Recognition

    Norman Cornish’s work gained increasing recognition throughout his career, culminating in numerous exhibitions across Britain. He was celebrated for his ability to capture the essence of Northern England's mining communities with honesty, compassion, and artistic skill. His paintings are now held in major collections, including the National Museum of Wales and the Laing Art Gallery in Newcastle upon Tyne. Cornish’s legacy extends beyond his artistic achievements; he remains a symbol of resilience, community spirit, and the enduring power of art to document and celebrate the lives of ordinary people.

    In 2019, a ‘Norman Cornish Trail’ was created in Spennymoor, allowing visitors to trace the locations depicted in his paintings – a testament to his profound connection with his hometown. His life story serves as an inspiration, demonstrating how personal experience can be transformed into powerful and enduring art.

    Her kan du læse mere

    Findes online

    QR-kode med link til downloadside for Going under Bye

    originaluniqueart.com/da/art/download/norman-stansfield-cornish-going-under-bye-AQSKZX-en/

    Kildehenvisning til dette kunstværk

    MLA
    Cornish, Norman Stansfield. Going under Bye. n.d., https://originaluniqueart.com/da/art/norman-stansfield-cornish-going-under-bye-AQSKZX-en/
    APA
    Cornish, Norman Stansfield (n.d.). Going under Bye [Painting]. https://originaluniqueart.com/da/art/norman-stansfield-cornish-going-under-bye-AQSKZX-en/
    Chicago
    Norman Stansfield Cornish. Going under Bye. n.d. https://originaluniqueart.com/da/art/norman-stansfield-cornish-going-under-bye-AQSKZX-en/
    Harvard
    Cornish, Norman Stansfield (n.d.) Going under Bye. Available at: https://originaluniqueart.com/da/art/norman-stansfield-cornish-going-under-bye-AQSKZX-en/

    Se nærmere efter

    Going under Bye — Norman Stansfield Cornish

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Se tilbage på Pit Gantry Steps tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    4. Hvad har kunstneren måske ønsket, at du skulle føle?
    5. Hvis du kunne stille kunstneren ét spørgsmål om dette værk, hvad ville det så være?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål & svar

    Kan jeg bruge augmented reality til at se "Going under Bye" af Norman Stansfield Cornish i mit eget rum?

    "Going under Bye" af Norman Stansfield Cornish kan ses på din egen væg via kunstværkets AR-forhåndsvisning-side ved hjælp af augmented reality på en kompatibel enhed.

    Kan jeg bestille en oliereproduktion af "Going under Bye"?

    Håndmalede kopier af "Going under Bye" af Norman Stansfield Cornish sælges på denne hjemmeside: en håndmalet oliereproduktion på lærred af hør, bestilles via denne side.

    Er en højtopløselig download af "Going under Bye" tilgængelig?

    "Going under Bye" er tilgængelig som et højtopløseligt digitalt billeddownload, som kan købes direkte på denne side.

    Hvilken kunstner tilskrives "Going under Bye"?

    Kunstneren bag "Going under Bye" er Norman Stansfield Cornish. Værket er katalogiseret under Norman Stansfield Cornishs navn.

    Hvilken form og hvilke dimensioner har "Going under Bye" af Norman Stansfield Cornish?

    Formatet på "Going under Bye" er Landscape, og originalen måler 53 x 74 cm. Begge dele er nyttige, når man planlægger en reproduktion.

    Findes der et diasshow til "Going under Bye" af Norman Stansfield Cornish?

    "Going under Bye" af Norman Stansfield Cornish kan ses som et diasshow på værkets Diaporama-side.

    Hvor kan jeg købe et print af "Going under Bye" af Norman Stansfield Cornish?

    "Going under Bye" er tilgængelig som et fine art-print på bomuldscanvas eller arkivbestandigt lærredspapir. Bestilling sker på denne side i den størrelse, du ønsker.