Papir

Guide til elevkunst

Josiah Livingston

Navn Klasse Dato

Norman Macbeth, Josiah Livingston (1878), The Merchant's Hall. Public domain. Se dette lærred i bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
Norman Macbeth originaluniqueart.com/da/artists/norman-macbeth/
Kunstnerens årstal
1821 – 1888
Malet
1878
Oprindelig størrelse
128 x 103 cm
Afholdt hos
The Merchant's Hall originaluniqueart.com/da/museums/the-merchant-s-hall-edinburgh/

I kontekst

Josiah Livingston — Norman Macbeth

Hvor stor er den?

Originalen måler 128 × 103 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1820
  2. 1830
  3. 1840
  4. 1850
  5. 1860
  6. 1870
  7. 1880

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 67 ved død.

Malet da kunstneren var 57 år gammel. Kunstneren blev 67 år gammel. 10 af de 21 daterede værker af denne kunstner i vores katalog er skabt tidligere.

Skyggelagt: Norman Macbeth' livstid (1821–1888) ▲ dette værk, 1878 hvert dateret maleri, årti for årti

Første værker: frem til 1872 Primære arbejdsår: 1872–1880 Senere værker: fra 1880

Disse tre intervaller opdeler de værker i denne katalog, der er dateret, i et første kvartal, en midterste halvdel og et sidste kvartal. De udgør ikke kunstnerens samlede produktion: en tynd periode kan være et hul i dokumentationen snarere end en stille periode. De samme år, som kunstnerens liv er vævet ind i dem

Sammenlign med

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Se flere lignende værker her: originaluniqueart.com/da/art/similar/norman-macbeth-josiah-livingston-AQV5ZD-en/

Farver

Målt ud fra billedet

    Primær farve

    Rosy Brown #cfa771

    Katalogiseret palet

    • #CFA771
    • #281E18
    • #4E2F19
    • #8F6C40

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Farvepalette
    Earthy Den dominerende farvefamilie i billedet.
    Navn på hovedfarve
    Rosy Brown
    Intensitet
    Monochromatic Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Serene Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Strong Color Unity Hvor godt farverne spiller sammen, fra kontrasterende til fuldstændig harmoniske.
    Lysstyrke
    Deep_shadow Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Muted Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • mindst 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af Norman Macbeth i løbet af de sidste tolv måneder — 4 lande i alt. Kildehenvisning til disse tal

    De ti førende lande

    1. 1 Kina 43,8%
    2. 2 Storbritannien 25,0%
    3. 3 Singapore 25,0%
    4. 4 USA 6,2%

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 11 mest viste værker af Norman Macbeth

    1. 1 Mrs Adam Primrose, 1871 19,0%
    2. 2 William Forrest (1805–1889), HRSA 19,0%
    3. 3 A Portion of Old Greenock (James Weir's Property, 20–22 West Blackhall Street, 1845), 1845 14,3%
    4. 4 William Ferguson of Kinmundy (1823–1904), 1885 14,3%
    5. 5 William Forrest (1805–1889), ARA 9,5%
    6. 6 Reverend William Lindsay Alexander (1808–1884), Theologian, 1875 4,8%
    7. 7 John Walker (d.1866), Sugar Refiner, 1866 4,8%
    8. 8 Reverend Andrew Thomson (1842–1901), DD, 1878 4,8%
    9. 9 Patrick Fairbairn (1805–1874), DD, 1871 4,8%
    10. 10 Archibald Gardener 4,8%
    11. — Josiah Livingston, 1878 dette maleri 0,0%

    Sammen udgør disse værker 100,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 33 værker af denne kunstner, hvoraf 10 er blevet set mindst én gang. Dette maleri er endnu ikke blevet vist i denne periode — det afslutter listen uden en rangering. Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Kunstner og museum

    Kunstner

    Norman Macbeth

    The Legacy of Norman Macbeth: A Master of Victorian Realism

    In the vibrant tapestry of nineteenth-century British art, few threads are as finely woven as those belonging to Norman Macbeth. Born in 1821 in the coastal town of Greenock, Macbeth was a man whose very identity was steeped in an artistic lineage. As the grandson of the celebrated portrait painter Norman Macbeth and the son of James Macbeth, his life was not merely a pursuit of art, but a continuation of a profound familial devotion to the canvas. This heritage provided him with a foundational reverence for the craft, yet it was his own rigorous journey—stretching from the technical precision of an engraver’s apprenticeship in Glasgow to the hallowed halls of the Royal Academy Schools in London—that allowed him to forge a singular voice within the Glasgow School.

    Macbeth’s artistic evolution was marked by a sophisticated balance between the established traditions of his era and the burgeoning modernism that began to ripple through Europe. While his training anchored him firmly in the principles of academic realism, he possessed an intellectual curiosity that prevented his work from becoming stagnant. He moved through the great art capitals of the age, studying the masterworks within the National Gallery in London and finding inspiration amidst the transformative atmosphere of Paris, where he worked within the Louvre. This exposure to Continental influences allowed him to infuse his portraits with a subtle touch of Impressionism and the delicate aesthetic sensibilities of Japonisme, creating works that felt both timelessly classical and strikingly contemporary for the Victorian period.

    Technique, Texture, and the Art of the Portrait

    To observe a Macbeth portrait is to witness a masterclass in controlled observation. His technique was defined by an unwavering commitment to meticulous realism, where every fold of heavy silk, every glint of light on a brass button, and every nuanced expression of his subjects was rendered with painstaking care. He possessed a rare ability to capture the psychological depth of his sitters, moving beyond mere physical likeness to evoke the very essence of their character. Whether depicting the esteemed Sir John Steell RSA or the quiet dignity of an elderly gentleman like James Blackadder, Macbeth utilized subtle tonal gradations and a rich, earthy palette to create a sense of palpable atmosphere and three-dimensional depth.

    His mastery extended beyond the human face into the realm of landscape and still life, where his brushwork could shift from the precise to the more textured and expressive. In works such as A Somerset Farm, one can see how he embraced a more painterly approach, using light and shadow to breathe life into rural scenes. This versatility—the ability to pivot from the formal rigidity of a high-society portrait to the atmospheric softness of a pastoral landscape—is what truly distinguishes his oeuvre. His canvases serve as windows into a bygone era, preserved through a technique that honors the weight of history while celebrating the fleeting beauty of light.

    A Lasting Impression on Art History

    The historical significance of Norman Macbeth lies in his role as a bridge between generations. He stood at the crossroads of the old world and the new, maintaining the dignity of the Royal Scottish Academy’s traditions while welcoming the experimental spirit of the late nineteenth century. His influence was not limited to his own brush; he left behind a family of artists, including his sons Robert Walker Macbeth and Henry Macbeth-Raeburn, who would continue to shape the landscape of Scottish painting well into the twentieth century.

    Though he passed away in London in 1888, the impact of his work remains etched in the annals of British art history. His portraits remain vital documents of Victorian society, capturing the luminaries and the everyday figures of his time with an intimacy that transcends the decades. Through his dedication to the truth of the subject and his ability to harmonize classical precision with modern nuance, Norman Macbeth ensured that his name would forever be synonymous with the enduring elegance of Victorian Portraiture.

    Museum

    The Merchant's Hall

    Udstillet i Edinburgh, United Kingdom

    A Legacy Etched in Stone: The Soul of Edinburgh’s Mercantile Heart

    To step across the threshold of

    The Merchant's Hall

    is to leave the modern bustle of Edinburgh behind and enter a meticulously preserved time capsule, where the very air seems heavy with the whispers of centuries of trade, ambition, and artistic patronage. Located in the historic heart of the city, this magnificent structure serves as a tangible link to Scotland’s mercantile past, standing as a profound testament to the enduring power of

    The Royal Company of Merchants of The City of Edinburgh

    . It is not merely a venue for private gatherings; it is a silent witness to the rise of Scotland as a global trading nation, a place where the echoes of royal visits and the shadows of great merchants converge within walls that embody the city's very identity.

    The architectural splendor of the Hall is a deliberate masterclass in

    Beaux Arts

    design, reflecting the lofty aspirations for prestige and sophistication that characterized Scotland’s golden age of commerce. Its commanding façade, adorned with sculpted Corinthian columns and intricate stonework, demands respect from every passerby on Hanover Street. Upon entering, one is greeted by an interior elegance that feels both grand and intimate. The spacious rooms are bathed in a soft, natural light that filters through expansive windows, illuminating walls draped in richly carved wood paneling—a breathtaking display of Scottish woodworking artistry. This interplay of light and shadow creates an atmosphere of refined luxury, where every polished surface and heavy timber speaks to the wealth and refinement of Edinburgh’s historical elite.

    A Sanctuary of Artistry and History

    One cannot traverse the Hall without being captivated by the sheer drama of

    The Minstrels' Gallery

    , perched high above the main hall like a suspended stage for history itself. Originally conceived as a sanctuary for musical performances, this gallery evokes images of Victorian evenings filled with the delicate strains of instrumental music and soulful vocal recitals, reminding us that even in a house of commerce, the pursuit of beauty was paramount. This dedication to the arts is further reflected in the Hall's storied exhibition history, most notably its celebrated retrospective of

    John Graham Gilbert

    . As a master portrait painter who captured the very essence of Edinburgh’s prominent figures, Gilbert’s work found a perfect home within these walls, bridging the gap between the mercantile strength of the building and the delicate artistry of the Scottish portraiture tradition.

    Beyond its architectural triumphs, The Merchant's Hall serves as a repository of cultural narrative, housing artifacts that illuminate the fascinating trajectory of a nation. The collection offers a window into the adventurous spirit of the Scottish merchant class through:

    Ancient documents

    detailing complex trade agreements and the evolution of commerce.

    Historical maps

    charting daring expeditions into uncharted territories.

    Treasured artifacts

    that reflect the industriousness of the Guild and the legacy of royal patronage.

    For the art lover and the historian alike, the Hall is a unique destination where the grandeur of the past meets the elegance of the present, offering an unparalleled setting that inspires anyone seeking to connect with the profound, textured history of Scotland.

    Læs mere her

    Findes online

    QR-kode med link til downloadside for Josiah Livingston

    originaluniqueart.com/da/art/download/norman-macbeth-josiah-livingston-AQV5ZD-en/

    Kildehenvisning til dette kunstværk

    MLA
    Macbeth, Norman. Josiah Livingston. 1878, The Merchant's Hall. https://originaluniqueart.com/da/art/norman-macbeth-josiah-livingston-AQV5ZD-en/
    APA
    Macbeth, Norman (1878). Josiah Livingston [Painting]. The Merchant's Hall. https://originaluniqueart.com/da/art/norman-macbeth-josiah-livingston-AQV5ZD-en/
    Chicago
    Norman Macbeth. Josiah Livingston. 1878. The Merchant's Hall. https://originaluniqueart.com/da/art/norman-macbeth-josiah-livingston-AQV5ZD-en/
    Harvard
    Macbeth, Norman (1878) Josiah Livingston. The Merchant's Hall. Available at: https://originaluniqueart.com/da/art/norman-macbeth-josiah-livingston-AQV5ZD-en/

    Se nærmere efter

    Josiah Livingston — Norman Macbeth

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Se tilbage på William Forrest (1805–1889), HRSA tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    4. Norman Macbeth var omkring 57 år gammel, da dette blev skabt. Hvad i værket bærer præg af at være skabt af en kunstner på det stadie?
    5. Hvad har kunstneren måske ønsket, at du skulle føle?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål og svar

    Hvor meget lys ser farverne i "Josiah Livingston" ud til at reflektere?

    Farverne i "Josiah Livingston" har en Dark luminans.

    Er farverne i "Josiah Livingston" af Norman Macbeth livlige eller dæmpede?

    Farven på "Josiah Livingston" har en mætning på Muted og en intensitet på Monochromatic.

    Hvorfor er ophavsretsstatus for "Josiah Livingston" som den er?

    "Josiah Livingston" af Norman Macbeth er i det offentlige domæne – ophavsretten er udløbet. Ophavsretten beregnes ud fra kunstnerens dødsår, og Norman Macbeth døde i 1888.