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Sowing the Earth

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Melati Suryodarmo, Sowing the Earth (2008), ILHAM Gallery. Reproduceret til referenceformål; alle rettigheder er forbeholdt rettighedshaveren.

Fakta om værket

Kunstner
Melati Suryodarmo originaluniqueart.com/da/artists/melati-suryodarmo_da/
Kunstnerens levetid
1969 – ?
Malet
2008
Medie
Black and White Photography
Oprindelig størrelse
60 x 90 cm
Bevægelse
Performance Art
Periode
Contemporary
Afholdt hos
ILHAM Gallery originaluniqueart.com/da/museums/ilham-gallery-kuala-lumpur/
Artistic style
Performance art documentation
Notable elements or techniques
High contrast, black and white photography
Subject or theme
Human existence, spirituality, environment

I kontekst

Sowing the Earth — Melati Suryodarmo

Dimensioner

Originalen måler 60 × 90 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1960
  2. 1970
  3. 1980
  4. 1990
  5. 2000

Skyggelagt: Melati Suryodarmo' livstid (1969–?) ▲ dette værk, 2008

Farver

Målt ud fra billedet

    Hovedfarve

    Phthalo Green #282632

    Gemt palet

    • #282632
    • #EFEFF4
    • #ACBCE5
    • #819BD9
    Farvepalette
    Neutrals Den dominerende farvefamilie i billedet.
    Primær farve
    Phthalo Green
    Intensitet
    Vivid Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Balanced Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Unified Palette Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
    Lysstyrke
    Brilliant Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Balanced Soft Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Om dette kunstværk

    Sowing the Earth — Melati Suryodarmo

    b. 1969, Indonesia; based in Germany and IndonesiaThis photograph documents Melati Suryadomo

    Kunstner og museum

    Kunstner

    Melati Suryodarmo

    Født i Surakarta, Indonesia

    Melati Suryodarmo: Embodied Ritual and the Persistence of Presence

    Melati Suryodarmo, born in Surakarta, Indonesia, in 1969, stands as a singular figure within Indonesian performance art—a practitioner whose work delves into profound explorations of physicality, repetition, and the elusive nature of consciousness itself. Her artistic trajectory began with an immersion in diverse cultural traditions, notably Sumarah, a meditative practice rooted in Javanese heritage that cultivates sensitivity and acceptance through extended periods of stillness and focused awareness. This formative experience profoundly shaped her approach to artmaking, informing her belief that “the body becomes like a home which functions as container of memories, living organism.”

    Early Influences: Suryodarmo’s artistic sensibilities were nurtured by theatre and film from a young age, yet she initially resisted the conventional path of artistic expression. Instead, she pursued a degree in International Relations at Padjadjaran University, Bandung, laying the groundwork for her later engagement with global perspectives.

    The Encounter with Butoh: A pivotal moment arrived in 1994 when Suryodarmo encountered Anzu Furukawa, a renowned Japanese Butoh choreographer, sparking an interest in the transformative potential of movement as a conduit for exploring inner landscapes and confronting existential questions. This encounter led her to study at Braunschweig University of Art under Furukawa’s guidance alongside Marina Abramović, cementing her connection with the core tenets of Butoh—a discipline characterized by slow, deliberate movements and a focus on confronting vulnerability and challenging conventional notions of performance.

    Formal Training & Artistic Development: Graduating as Meisterschüler (MFA) in 2002 from Braunschweig University of Art, Suryodarmo honed her skills further through intensive study with Abramović, immersing herself in the radical experimentation that defines Abramović’s oeuvre. This period solidified her commitment to pushing boundaries and interrogating established artistic conventions.

    Undisclosed Territory & Artistic Directorship: Recognizing the importance of fostering dialogue and collaboration within the performance art community, Suryodarmo founded Undisclosed Territory, an annual festival dedicated to showcasing innovative performance practices in Indonesia. Notably, she served as the inaugural Artistic Director for the Jakarta Biennale, marking a significant milestone in her career and demonstrating her leadership qualities within the broader artistic landscape.

    Recognition & Awards: Suryodarmo’s contributions to contemporary art have garnered considerable acclaim—most notably culminating in the Bonnefanten Award for Contemporary Art (BACA) in 2022, bestowed upon her by the Bonnefantenmuseum for her unwavering dedication to exploring the complexities of human experience through performance.

    Her artistic practice consistently prioritizes confronting discomfort and embracing vulnerability as pathways to profound insight. Suryodarmo’s performances—often extending for hours or even days—employ repetitive motions designed to induce a state of heightened awareness, mirroring the meditative principles instilled in her from childhood. Works like “Sowing the Earth” exemplify this approach, utilizing concrete slabs and sand alongside EEG monitoring to visualize brain activity during sleep—a deliberate attempt to translate subconscious experience into tangible artistic expression. Collaborations with technologists and musicians further enrich her explorations, demonstrating a willingness to engage with diverse mediums and perspectives.

    Notable Performances & Exhibitions

    Suryodarmo’s performances have captivated audiences internationally, earning her recognition as one of Indonesia's most influential performance artists. Key exhibitions include “Loneliness in the Boundaries,” showcasing her solo work at Cemeti Art House (Yogyakarta), Malaysia’s Valentine Willie Fine Arts (“Solitaire”), and Lawangwangi Art foundation ("I am a ghost in my own house"). Her involvement with institutions like ShanghART Gallery and participation in biennials such as Venice Biennale, Jakarta Biennale, and Guangzhou Triennial underscore her commitment to engaging with critical dialogues within the global art world. Recent projects include “Passionate Pilgrim” at Braunschweig University of Art and MCD – Museum of Craft and Design in San Francisco.

    Recurring Themes & Artistic Philosophy

    At its core, Suryodarmo’s artistic philosophy centers on the belief that "the body becomes like a home which functions as container of memories, living organism." She seeks to capture fleeting moments of consciousness—particularly those experienced during sleep—translating brain activity into musical scores and visual representations. Her performances are characterized by an uncompromising dedication to confronting discomfort and embracing vulnerability as catalysts for artistic transformation. Suryodarmo’s work consistently probes the boundaries between self and environment, inviting viewers to contemplate the significance of presence and resistance in navigating a complex world.

    Legacy & Significance

    Melati Suryodarmo's influence extends beyond her individual achievements; she represents a vital voice within Indonesian contemporary art—a champion of durational performance as a means of fostering introspection and challenging conventional artistic conventions. Her unwavering commitment to exploring the depths of human experience through movement and sensory engagement ensures that her legacy will continue to inspire artists and audiences alike for years to come.

    Museum

    ILHAM Gallery

    Udstillet på Kuala Lumpur, Malaysia

    A Sanctuary of Contemporary Vision: The Ilham Gallery Experience

    In the beating heart of Kuala Lumpur, where the urban pulse of Malaysia meets a profound stillness of creative thought, stands the Ilham Gallery. It is not merely a repository for art, but a luminous sanctuary designed to provoke dialogue and ignite the imagination. As one approaches this architectural jewel, the transition from the bustling streets of the city to the refined elegance of the gallery space feels like stepping into a curated dream. The gallery serves as a vital cultural beacon, offering a sophisticated stage where contemporary narratives are woven through light, shadow, and texture, making it an essential destination for the discerning collector and the wandering aesthete alike.

    The architecture of the Ilham Gallery is a masterclass in modern minimalism, acting as a silent protagonist in the exhibition experience. The structure itself embodies a seamless marriage of form and function, characterized by clean lines and expansive, light-filled volumes that allow the artwork to breathe. For interior designers and lovers of spatial harmony, the gallery provides a profound lesson in how environment influences perception. The deliberate use of open spaces and thoughtful circulation ensures that each exhibition feels like an intimate encounter, while the grand scale of the atrium offers moments of breathtaking awe. It is a space where the boundary between the built environment and the artistic expression becomes beautifully blurred.

    At the core of the Ilham Gallery’s identity is its commitment to showcasing the vanguard of contemporary art, both within Malaysia and across the global landscape. The collection highlights are characterized by their diversity, ranging from large-scale installations that command the room to delicate, evocative works on paper that demand a quiet, focused gaze. The gallery frequently hosts notable exhibitions that challenge conventional boundaries, bringing together multidisciplinary artists who explore themes of identity, ecology, and the human condition. This curation strategy ensures that the gallery remains at the forefront of the international art dialogue, offering a rotating tapestry of visual experiences that are as intellectually stimulating as they are aesthetically pleasing.

    What truly distinguishes Ilham Gallery is its role as a living, breathing ecosystem for creativity. It transcends the traditional museum model by fostering a sense of community through curated programs, talks, and workshops that invite the public to engage deeply with the works on display. For those seeking inspiration for high-end residential or commercial interiors, the gallery serves as a premier source of contemporary trends and aesthetic movements. It is a place where history is not just remembered but actively being written through the lens of modern mastery, making every visit an opportunity to witness the evolution of our shared visual language.

    Her kan du læse mere

    Findes online

    QR-kode med link til downloadside for Sowing the Earth

    originaluniqueart.com/da/art/download/melati-suryodarmo-sowing-the-earth-DD2G88-en/

    Kildehenvisning til dette kunstværk

    MLA
    Suryodarmo, Melati. Sowing the Earth. 2008, ILHAM Gallery. https://originaluniqueart.com/da/art/melati-suryodarmo-sowing-the-earth-DD2G88-en/
    APA
    Suryodarmo, Melati (2008). Sowing the Earth [Painting]. ILHAM Gallery. https://originaluniqueart.com/da/art/melati-suryodarmo-sowing-the-earth-DD2G88-en/
    Chicago
    Melati Suryodarmo. Sowing the Earth. 2008. ILHAM Gallery. https://originaluniqueart.com/da/art/melati-suryodarmo-sowing-the-earth-DD2G88-en/
    Harvard
    Suryodarmo, Melati (2008) Sowing the Earth. ILHAM Gallery. Available at: https://originaluniqueart.com/da/art/melati-suryodarmo-sowing-the-earth-DD2G88-en/

    Se nærmere efter

    Sowing the Earth — Melati Suryodarmo

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Vores katalog klassificerer dette værk under: performance art, black and white, human existence. Er du enig? Hvad ville du tilføje eller fjerne?
    4. Melati Suryodarmo var omkring 39 år gammel, da dette blev skabt. Hvad i værket bærer præg af at være skabt af en kunstner på det stadie?
    5. Gennemgående temaer i Melati Suryodarmo' værker: sumarah meditative practice, javanese cultural heritage, human existence and spirituality. Hvilke af dem ser du her?

    Dit svar

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