Papirformat

Guide til elevkunst

Lizard

Navn Klasse Dato

Maria Sybilla Merian, Lizard. Offentlig ejendom. Se dette lærred under bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
Maria Sybilla Merian originaluniqueart.com/da/artists/maria-sybilla-merian_da/
Kunstnerens levetid
1647 – 1717

I kontekst

Lizard — Maria Sybilla Merian

Hvornår er dette maleri sandsynligvis blevet til?

  1. 1640
  2. 1650
  3. 1660
  4. 1670
  5. 1680
  6. 1690
  7. 1700
  8. 1710

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 70 ved død.

Skyggelagt: Maria Sybilla Merian' livstid (1647–1717) hvert dateret maleri, årti for årti

Der findes ikke et præcist årstal for denne indspilning i arkivet — baseret på kunstnerens levetid og værkets stil, hvilket årti ville du så gætte på?

Sammenlignelige værker

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Flere værker, der kan placeres ved siden af dette: originaluniqueart.com/da/art/similar/maria-sybilla-merian-lizard-AQRBDR-en/

Farver

Målt ud fra billedet

    Hovedfarve

    Putty #e9e1cb

    Gemt palet

    • #E9E1CB
    • #70684D
    • #A09A78
    • #312F27

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Farvepalette
    Neutrals Den dominerende farvefamilie i billedet.
    Primær farve
    Putty
    Intensitet
    Balanced Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Statement Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Strong Color Unity Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
    Lysstyrke
    Brilliant Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Subtle Color Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af Maria Sybilla Merian i løbet af de sidste tolv måneder — 1 lande i alt. Hvor disse tal stammer fra

    De ti førende lande

    1. 1 Kina 100,0%

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 8 mest viste værker af Maria Sybilla Merian

    1. 1 Untitled (D7T2A8), 1992 20,0%
    2. 2 Erucarum Ortus, Alimentum Et Paradoxa Metamorphosis. Amsterdam 20,0%
    3. 3 Pomegranate and Menelaus Blue Morpho Butterfly, 1703 10,0%
    4. 4 Study of a bird-eating spider with humming bird, 1705 10,0%
    5. 5 Plate 18 from Dissertation in Insect Generations and Metamorphosis in Surinam 10,0%
    6. 6 Plate 47 from Dissertation in Insect Generations and Metamorphosis in Surinam 10,0%
    7. 7 Lizard dette maleri 10,0%
    8. 8 Histoire Des Insectes De L'europe. Translated From Dutch Into French By Jean Marret. Amsterdam Jean Frederic Bernard 10,0%

    Sammen udgør disse værker 100,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 28 værker af denne kunstner, hvoraf 8 er blevet set mindst én gang. Dette maleri rangerer som nummer 7 af dem, med 10,0% af den opmærksomhed. Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Kunstner og museum

    Kunstner

    Maria Sybilla Merian

    Født i Frankfurt, Tyskland

    A Life Unfurled: The Botanical Brilliance of Maria Sibylla Merian

    Maria Sibylla Merian, born in Frankfurt am Main in 1647, wasn’t merely an artist; she was a revolutionary observer, a pioneering naturalist, and a visionary whose dedication to meticulous detail fundamentally altered our understanding of the insect world. Her story is one of unwavering curiosity, courageous exploration against societal constraints, and a profound connection to nature that defied the conventions of her time. Growing up amidst the vibrant trade and intellectual ferment of Frankfurt, Merian’s artistic journey began not with grand ambitions but with a simple fascination—a deep-seated love for insects, nurtured by her father, Matthäus Merian the Elder, a renowned engraver and publisher whose family had long been associated with producing lavishly illustrated books. Her stepfather, Jacob Marrel, a skilled still life painter, recognized and fostered this nascent passion, providing her with early training in drawing and painting—a rare opportunity for a young woman of that era. This formative influence wasn’t limited to technique; it instilled within her a meticulousness, an appreciation for detail, and a desire to truly understand the creatures she studied – a pursuit considered unusual, even eccentric, for a female artist. Even as a child, Merian didn't simply depict butterflies and caterpillars; she sought to unravel their complete life cycles, challenging the prevailing belief in spontaneous generation—the notion that insects arose magically from mud or decaying matter. This early questioning of established dogma would become a defining characteristic of her work.

    From European Gardens to Surinamese Rainforests

    Merian’s artistic career blossomed alongside her scientific investigations. Initially, she focused on creating beautiful floral illustrations for her father's publications, showcasing her talent for capturing the delicate beauty of European blooms with exquisite precision. However, a deeper yearning propelled her beyond the confines of familiar gardens. Inspired by her stepfather’s work and fueled by an insatiable curiosity, Merian began to meticulously collect and study insects—not just their appearance but also their behavior, their diet, and their interactions with their environment. This pursuit led her to challenge the prevailing scientific understanding that insects were simply random occurrences. She painstakingly documented the complete life cycles of various species, illustrating each stage with remarkable accuracy and detail – a revolutionary approach for the time. Recognizing the limitations of studying insects within European gardens, Merian embarked on an extraordinary undertaking—a self-funded expedition to Dutch Guiana (modern-day Suriname) in 1699, accompanied by her younger daughter, Dorothea Maria. This bold move was unprecedented for a woman traveling alone, let alone with a child, and demonstrated her unwavering commitment to her research. For two years, she immersed herself in the heart of the rainforest, braving challenging conditions and personal risks to document the exotic insects, plants, and animals of Suriname—a region largely unknown to Europeans at the time.

    Metamorphosis Surinamensis: A Legacy of Observation

    The culmination of Merian’s South American journey was Metamorphosis Insectorum Surinamensium (1705), a monumental work that cemented her legacy as a pioneering naturalist and illustrator. This two-volume publication presented detailed depictions of the insects of Suriname, their life cycles, and their relationships with the surrounding flora—a holistic approach to natural history that was remarkably innovative for its time. Unlike previous illustrations which often focused on isolated specimens, Merian’s plates depicted insects interacting with their host plants, showcasing a profound understanding of ecological connections. Her illustrations weren't merely scientific records; they were vibrant works of art, imbued with a sense of wonder and appreciation for the beauty of the natural world. The work was revolutionary not only for its artistic quality but also for its scientific accuracy. Merian challenged existing beliefs about insect behavior and development, providing compelling evidence against spontaneous generation—a cornerstone of scientific thought at the time. She meticulously documented previously unknown species, contributing significantly to the field of entomology and establishing a new standard for detailed natural history illustration. Metamorphosis Insectorum Surinamensium became an instant sensation across Europe, captivating audiences with its beauty, accuracy, and groundbreaking insights.

    Influences and Artistic Style

    Merian’s artistic style was deeply influenced by her family's legacy in engraving and printmaking, as well as the still life paintings of her stepfather, Jacob Marrel. She skillfully combined meticulous observation with a painterly approach, creating illustrations that were both scientifically accurate and aesthetically pleasing. Her use of color was particularly striking—she employed vibrant hues to capture the beauty of insects and plants, while also utilizing shading and detail to convey their three-dimensional form. Beyond her artistic skills, Merian’s work was shaped by a deep respect for nature and a desire to understand its intricate workings. She wasn't simply recording what she saw; she was actively investigating how things worked—a testament to her intellectual curiosity and scientific rigor. Her dedication to documenting the complete life cycles of insects, from egg to larva to pupa to adult, demonstrated a remarkable understanding of natural processes – a rare quality for an artist of her time.

    A Lasting Impact on Art and Science

    Maria Sibylla Merian’s influence extends far beyond the realm of natural history illustration. Her work bridged the gap between art and science, demonstrating that meticulous observation and artistic skill could be powerful tools for scientific discovery. She challenged societal norms by pursuing her passion for natural history with unwavering determination, paving the way for future female scientists and artists. David Attenborough has rightly recognized Merian as a pivotal figure in entomology, acknowledging her groundbreaking contributions to our understanding of insect life cycles. Her legacy continues to inspire artists, scientists, and nature enthusiasts alike—a testament to the enduring power of curiosity, observation, and a deep reverence for the natural world. Her original illustrations remain highly prized possessions of museums and private collectors worldwide, offering a glimpse into the mind of a truly remarkable woman who dared to challenge convention and transform our understanding of the insect world.

    Her kan du læse mere

    Findes online

    QR-kode med link til downloadside for Lizard

    originaluniqueart.com/da/art/download/maria-sybilla-merian-lizard-AQRBDR-en/

    Kildehenvisning til dette kunstværk

    MLA
    Merian, Maria Sybilla. Lizard. n.d., https://originaluniqueart.com/da/art/maria-sybilla-merian-lizard-AQRBDR-en/
    APA
    Merian, Maria Sybilla (n.d.). Lizard [Painting]. https://originaluniqueart.com/da/art/maria-sybilla-merian-lizard-AQRBDR-en/
    Chicago
    Maria Sybilla Merian. Lizard. n.d. https://originaluniqueart.com/da/art/maria-sybilla-merian-lizard-AQRBDR-en/
    Harvard
    Merian, Maria Sybilla (n.d.) Lizard. Available at: https://originaluniqueart.com/da/art/maria-sybilla-merian-lizard-AQRBDR-en/

    Se nærmere efter

    Lizard — Maria Sybilla Merian

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Se tilbage på Branch of West Indian Cherry with Achilles Morpho Butterfly (1703) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    4. Hvad har kunstneren måske ønsket, at du skulle føle?
    5. Hvis du kunne stille kunstneren ét spørgsmål om dette værk, hvad ville det så være?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål & svar

    Kan jeg bruge augmented reality til at se "Lizard" af Maria Sybilla Merian i mit eget rum?

    Siden AR-forhåndsvisning for "Lizard" af Maria Sybilla Merian bruger augmented reality til at vise kunstværket i dit eget rum på en kompatibel enhed.

    Hvem sælger håndmalede kopier af "Lizard" af Maria Sybilla Merian?

    "Lizard" er tilgængelig som en håndmalet oliereproduktion på lærred af hør. Ordren kan lægges på dens Håndmalet reproduktion-side, med valgmuligheder for forskellige størrelser.

    Hvad forklarer ophavsretsstatus for "Lizard" af Maria Sybilla Merian?

    Ophavsretsstatus for "Lizard" - i det offentlige domæne – ophavsretten er udløbet - følger af kunstnerens død i 1717.