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Woman Power

Navn Klasse Dato

Maria Lassnig, Woman Power (1979), Albertina Klosterneuburg. Reproduceret til referenceformål; alle rettigheder er forbeholdt rettighedshaveren.

Fakta om værket

Kunstner
Maria Lassnig originaluniqueart.com/da/artists/maria-lassnig/
Kunstnerens levetid
1919 – 2014
Malet
1979
Medie
Painting
Oprindelig størrelse
126 x 182 cm
Bevægelse
Contemporary Art
Periode
Modern
Afholdt hos
Albertina Klosterneuburg originaluniqueart.com/da/museums/albertina-klosterneuburg-klosterneuburg/
Subject or theme
Naked woman in a cityscape

I kontekst

Woman Power — Maria Lassnig

Hvor stor er den?

Originalen måler 126 × 182 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960
  7. 1970
  8. 1980
  9. 1990
  10. 2000
  11. 2010

Skyggelagt: Maria Lassnig' livstid (1919–2014) ▲ dette værk, 1979

Sammenlignelige værker

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Flere værker, der kan placeres ved siden af dette: originaluniqueart.com/da/art/similar/maria-lassnig-woman-power-D67HXG-en/

Farver

Målt ud fra billedet

    Hovedfarve

    Putty #d1d099

    Gemt palet

    • #D1D099
    • #5B7B84
    • #BC947B
    • #8BBCCA
    Farvepalette
    Neutrals Den dominerende farvefamilie i billedet.
    Primær farve
    Putty
    Intensitet
    Vivid Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Serene Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Discordant Palette Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
    Lysstyrke
    Brilliant Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Balanced Soft Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Om dette kunstværk

    Woman Power — Maria Lassnig

    The Visceral Presence of Maria Lassnig

    In the vast landscape of twentieth-century expressionism, few voices resonate with as much raw, psychological intensity as that of Maria Lassnig. Her 1979 masterpiece, Woman Power, serves as a profound testament to her pioneering theory of "body awareness," a concept where the canvas becomes an extension of the artist's internal physical sensations. In this large-scale work, measuring an imposing 126 x 182 cm, we encounter a figure that transcends mere representation. The naked woman, positioned centrally within a sprawling cityscape, is not merely a subject to be observed but a force of nature to be felt. As she gazes upward toward an unseen celestial or atmospheric phenomenon, her posture suggests a deep, contemplative connection between the human form and the surrounding urban expanse.

    The composition is masterfully dynamic, utilizing a bold interplay of color and scale to command the viewer's attention. Lassnig’s technique avoids the sterile precision of traditional realism, opting instead for a more fluid, emotive application of paint that captures the pulse of life itself. The urban environment—a dense collection of buildings with flickering windows—acts as a rhythmic backdrop to the singular, monumental presence of the female form. This juxtaposition between the organic vulnerability of the body and the rigid, geometric structures of the city creates a tension that is both unsettling and deeply empowering, inviting the viewer to contemplate the individual's place within the overwhelming machinery of modern existence.

    Symbolism and the Urban Soul

    Beyond its striking visual impact, Woman Power is steeped in symbolic depth. The upward gaze of the protagonist can be interpreted as an act of transcendence, a search for meaning or spiritual liberation amidst the concrete confines of the metropolis. Lassnig, shaped by her complex upbringing in Austria and her experiences during the transformative post-war era, often used the body to map out emotional landscapes. Here, the nudity is not an invitation to the voyeuristic gaze but a symbol of radical honesty and strength. By stripping away the layers of social artifice, the figure stands as a pillar of truth against the backdrop of a bustling, indifferent civilization.

    For the discerning collector or interior designer, this painting offers more than just aesthetic beauty; it provides a focal point of profound intellectual and emotional gravity. The work’s ability to anchor a room with its scale and assertive color palette makes it an ideal centerpiece for sophisticated spaces that value art with a narrative soul. Whether placed in a contemporary gallery setting or a curated residential collection, Woman Power continues to provoke dialogue about identity, resilience, and the enduring power of the human spirit to rise above its surroundings.

    Kunstner og museum

    Kunstner

    Maria Lassnig

    Født i Kappel am Kraffeld, Austria

    early life and education

    maria lassnig, an austrian artist known for her painted self-portraits and her theory of 'body awareness', was born on september 8, 1919, in kappel am krappfeld, austria. her early life was marked by her mother's troubled relationship with a much older man, leading to lassnig being raised primarily by her grandmother. this complex family dynamic would later influence her artistic themes. lassnig attended the academy of fine arts in vienna during world war ii, where she began to develop her unique style and approach to art.

    artistic career and contributions

    maria lassnig's artistic career is distinguished by several key contributions:

    introduction of informalism and tachisme: lassnig played a pivotal role in introducing these styles into post-war austrian art.

    participation in the hundsgruppe ('dog pack') group: alongside notable artists like arnulf rainer, ernst fuchs, and wolfgang hollegha, lassnig was part of this influential group that shaped the austrian art scene in the 1950s.

    development of 'body awareness' theory: this concept, coined by lassnig in 1948, emphasizes depicting only body parts felt during the creative process, leading to innovative self-portraits with missing body parts or unnatural colors.

    awards and legacy

    - first female artist to win the grand austrian state prize (1988) - awarded the austrian decoration for science and art in 2005 - received the golden lion award for lifetime achievement at the 55th venice biennale in 2013

    notable works and exhibitions

    - selfportrait with telephone (lentos kunstmuseum linz, austria), showcasing her unique approach to self-portraits - featured in various exhibitions, including those at the kunsthistorisches museum and museum of applied arts in vienna

    teaching and later life

    from 1980 until her death, lassnig lived and taught in vienna, becoming a professor at the vienna university of applied arts in 1980. her later work continued to explore themes of body awareness and self-portraits.

    view maria lassnig's artworks on AllPaintingsStore

    explore selfportrait with telephone by maria lassnig

    discover more about the museum of applied arts and its significance in austrian art history on AllPaintingsStore's blog.

    conclusion

    maria lassnig's pioneering work in 'body awareness' has left an indelible mark on austrian art, inspiring generations with her innovative approach to self-portraits and her contributions to the development of informalism and tachisme. her legacy continues to be celebrated through her artworks and the impact she had on the art world.

    Museum

    Albertina Klosterneuburg

    Udstillet i Klosterneuburg, Austria

    A Renaissance on the Danube

    Nestled in the tranquil charm of Klosterneuburg, just a breath away from the imperial pulse of Vienna, lies a cultural sanctuary that redefines the boundaries of contemporary art. The Albertina Klosterneuburg, which opened its doors in April 2024, is far more than a mere satellite of its famous Viennese counterpart; it is a profound act of cultural stewardship and a bold reimagining of artistic space. Born from the generous legacy of Karlheinz and Agnes Essl, whose private collection was transitioned to the Albertina to ensure its public immortality, this museum breathes new life into the repurposed halls of the former Essl Museum. It stands as a bridge between eras, where the architectural echoes of the past meet the vibrant, often provocative, energy of post-1945 expression.

    Architectural Harmony and Spatial Dialogue

    The experience of the museum begins long before one encounters a single canvas or bronze. Designed by the visionary architect Heinz Tesar, the building itself is a masterclass in contemporary design integrated with historical reverence. The structure facilitates a seamless dialogue between its repurposed bones and the modern aesthetic required for high-concept art. Within these spacious halls, light and shadow play across innovative layouts, creating an environment that feels both monumental and intimate. For the interior designer or the lover of fine spaces, the museum offers a lesson in how architecture can amplify the emotional weight of the objects it houses, providing a backdrop that is as much a part of the exhibition as the art itself.

    The Tactile Power of Sculpture

    While the original Albertina in Vienna is world-renowned for its exquisite print rooms and graphic treasures, Klosterneuburg distinguishes itself through a profound, almost visceral emphasis on sculpture. Here, the art invites interaction rather than mere observation. The collection celebrates the boundary-pushing works of Austrian masters such as Franz West and Erwin Wurm, whose modular constructions and participatory pieces challenge the very definition of the art object. This sculptural focus extends into an international dialogue, featuring the provocative voices of artists like Jonathan Meese and Marc Quinn. To wander through these galleries is to engage in a conversation with form, mass, and materiality.

    A Destination for the Discerning Eye

    For collectors and art enthusiasts, the Albertina Klosterneuburg offers a curated journey through the complexities of modern identity and societal reflection. The museum’s vision is one of continuous renewal, where established names coexist with emerging talents in a way that fosters deep contemplation. Whether one is drawn by the historical weight of the Essl legacy or the cutting-edge allure of contemporary installation, the museum serves as a vital catalyst for cultural revitalization in Lower Austria. It is a destination that promises not just a viewing, but an immersion into the evolving soul of European art.

    Her kan du læse mere

    Findes online

    QR-kode med link til downloadside for Woman Power

    originaluniqueart.com/da/art/download/maria-lassnig-woman-power-D67HXG-en/

    Kildehenvisning til dette kunstværk

    MLA
    Lassnig, Maria. Woman Power. 1979, Albertina Klosterneuburg. https://originaluniqueart.com/da/art/maria-lassnig-woman-power-D67HXG-en/
    APA
    Lassnig, Maria (1979). Woman Power [Painting]. Albertina Klosterneuburg. https://originaluniqueart.com/da/art/maria-lassnig-woman-power-D67HXG-en/
    Chicago
    Maria Lassnig. Woman Power. 1979. Albertina Klosterneuburg. https://originaluniqueart.com/da/art/maria-lassnig-woman-power-D67HXG-en/
    Harvard
    Lassnig, Maria (1979) Woman Power. Albertina Klosterneuburg. Available at: https://originaluniqueart.com/da/art/maria-lassnig-woman-power-D67HXG-en/

    Kig nærmere efter

    Woman Power — Maria Lassnig

    Kig nærmere

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Vores katalog klassificerer dette værk under: woman, cityscape, buildings. Er du enig? Hvad ville du tilføje eller fjerne?
    4. Se tilbage på Atlas (1985) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    5. Maria Lassnig var omkring 60 år gammel, da dette blev skabt. Hvad i værket ligner arbejdet fra en kunstner på det stadie?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.