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Nero Ombrato

Navn Klasse Dato

Luigi Carboni, Nero Ombrato (2006), Fondazione Hospice Seràgnoli Onlus. Reproduceret til referenceformål; alle rettigheder er forbeholdt rettighedshaveren. Se dette lærred i bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
Luigi Carboni originaluniqueart.com/da/artists/luigi-carboni/
Kunstnerens årstal
1957 –
Malet
2006
Oprindelig størrelse
100 x 70 cm
Afholdt hos
Fondazione Hospice Seràgnoli Onlus originaluniqueart.com/da/museums/fondazione-hospice-seragnoli-onlus-bologna/

I kontekst

Nero Ombrato — Luigi Carboni

Hvor stor er den?

Originalen måler 100 × 70 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1950
  2. 1960
  3. 1970
  4. 1980
  5. 1990
  6. 2000

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode, hvor 0 tælles fra fødslen.

Malet da kunstneren var 49 år gammel. 0 af de 1 daterede værker af denne kunstner i vores katalog er skabt tidligere.

▲ dette værk, 2006 hvert dateret maleri, årti for årti

Farver

Målt ud fra billedet

    Primær farve

    Espresso #524d3b

    Katalogiseret palet

    • #524D3B
    • #C3B89B
    • #EBE8DB
    • #191B1A

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Navn på hovedfarve
    Espresso
    Intensitet
    Monochromatic Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Statement Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Balanced Harmony Hvor godt farverne spiller sammen, fra kontrasterende til fuldstændig harmoniske.
    Lysstyrke
    Deep_shadow Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Muted Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Om dette kunstværk

    Nero Ombrato — Luigi Carboni

    In his work donated to the Hospice, Carboni offers the viewer one of his wonderful shadowed black works: perfect circular shapes – characteristic of the artist’s compositions – intersect with floral elements and other less distinct forms. As always, the main aspect is colour: penetrating, vibrant black that embraces every element in the composition creating perfect harmony, and drawing the viewer’s gaze like flames in a fire. The circle acts as a guide to follow the balance of the composition, almost like a heavenly constellation within our reach... within our view. Well worth seeing was the unusual experimental work set up for MACROwall: Eighties are Back! at the Macro Gallery in Rome (2010), where a Nero ombrato (Shadowed Black, 2004-2008) was placed alongside Carboni’s Prima Prova (First trial), a sculpture he created in 1989, providing a hitherto un-exhibited possibility to compare two works from the artist’s creative history.

    Kunstner og museum

    Kunstner

    Luigi Carboni

    Født i Pesaro, Italy

    Luigi Carboni: A Renaissance Echo in the Storm

    Born in Pesaro, Italy, in 1957, Luigi Carboni’s artistic journey is a compelling narrative of rediscovering and reimagining the grandeur of late-Renaissance painting. His work isn't merely imitation; it’s an intimate dialogue with masters like Paul Bril, filtered through a distinctly modern sensibility and a profound understanding of atmospheric perspective and dramatic composition. From his early years, Carboni demonstrated a remarkable aptitude for capturing the sublime power of nature – specifically, its volatile beauty. He began his artistic training under the tutelage of Paul Bril, a Flemish painter renowned for his evocative landscapes, an influence that profoundly shaped Carboni’s approach to depicting elements like floods, lightning storms, and windswept vistas.

    Carboni's distinctive style is immediately recognizable: vast canvases dominated by turbulent skies, rendered with meticulous detail and a masterful command of oil paint. He eschews the idealized serenity often associated with Renaissance landscapes, instead presenting scenes of raw power and impending drama. The figures he includes – noblemen, shepherds, or solitary travelers – are not simply decorative elements but rather witnesses to these elemental forces, imbued with a sense of vulnerability and awe. This juxtaposition of human scale against the immensity of nature is a recurring motif in his work, creating a powerful visual tension.

    The Flemish Influence & The Italian Soul

    Carboni’s artistic foundation undeniably rests upon the principles established by Paul Bril. Like his mentor, he meticulously studied and replicated the techniques of Flemish landscape painting – the layering of glazes to achieve luminous effects, the use of atmospheric perspective to create a sense of depth, and the incorporation of detailed observation of natural phenomena. However, Carboni doesn’t simply replicate; he transforms these influences into something uniquely his own. He retains Bril's technical proficiency while injecting an Italian sensibility – a heightened emotionalism and a focus on dramatic storytelling.

    The choice to work primarily in oil on canvas is crucial to understanding Carboni’s style. Oil paint allows for the slow, deliberate building of layers, enabling him to achieve the rich textures, subtle gradations of color, and luminous effects that characterize his landscapes. Furthermore, the medium lends itself perfectly to capturing the fleeting moments of atmospheric drama – the sudden flash of lightning, the swirling patterns of a storm cloud, or the shimmering reflection of light on water.

    Notable Works & Exhibitions

    Carboni’s artistic career has been marked by consistent recognition and exhibition success throughout Italy. Several of his most celebrated works, such as “Nero Ombrato” and “Annunciation,” exemplify his signature style – monumental canvases depicting dramatic landscapes populated by evocative figures. "Nero Ombrato," in particular, showcases his ability to capture the raw energy of a storm, with swirling clouds and torrential rain dominating the composition. The “Annunciation”, on the other hand, demonstrates his skill in portraying human emotion within a grand, natural setting.

    His work has been featured in numerous galleries and museums across Italy, including San Luigi dei Francesi in Rome – a testament to its enduring appeal and artistic merit. These exhibitions have provided audiences with the opportunity to experience Carboni’s unique vision firsthand, solidifying his position as one of Italy's leading contemporary landscape painters.

    Legacy & Artistic Significance

    Luigi Carboni’s art transcends mere representation; it is a meditation on humanity’s relationship with nature. His landscapes are not simply beautiful scenes but rather powerful expressions of the sublime – that sense of awe and wonder evoked by confronting forces beyond our control. By drawing inspiration from the late-Renaissance period, he has created a body of work that feels both timeless and strikingly contemporary.

    Carboni’s influence extends beyond his own artistic output. He represents a vital link between the traditions of Flemish landscape painting and the sensibilities of modern Italian art. His meticulous technique, dramatic compositions, and evocative use of color continue to inspire artists today, ensuring that his legacy will endure for generations to come.

    Museum

    Fondazione Hospice Seràgnoli Onlus

    Udstillet i Bologna, Italy

    A Sanctuary Where Art Meets Compassion

    In the heart of Bologna, Italy, there exists a space that transcends the traditional boundaries of medical care to become a profound testament to the healing power of beauty. The Fondazione Hospice Seràgnoli Onlus is far more than a pediatric hospice; it is a sanctuary where the clinical and the creative converge to support children facing serious illnesses. At its very soul lies the remarkable

    “do ut do”

    initiative, a tradition of profound generosity where donors contribute significant artworks to bolster the foundation's vital medical programs. This symbiotic relationship creates a unique ecosystem of care, where every donated piece serves as both a cultural treasure and a direct contribution to the well-being of patients, ensuring that the act of collecting becomes an act of deep humanitarian devotion.

    Architectural Harmony and the Breath of Nature

    The physical environment of the hospice is a masterclass in therapeutic design, brought to life by the visionary hand of

    Renzo Piano

    . The architecture embodies an ethos of openness, tranquility, and an unbreakable connection with the natural world. Designed to dissolve the boundaries between the interior sanctuary and the landscape, the building features expansive windows that overlook a sprawling 16,000-square-meter garden. For the admirer of modern architecture and the interior designer alike, the space offers a breathtaking study in how natural light and organic integration can foster emotional stability. The deliberate use of transparency allows the shifting light of the Italian sky to animate the halls, creating an immersive experience that provides comfort and a sense of continuity for children and their families during their most challenging journeys.

    The Soul of the Collection

    To wander through the hospice is to engage in a silent dialogue with hope. The collection is meticulously curated, selecting contemporary works specifically for their ability to stimulate emotional resonance and provide a sense of peace. The centerpiece of this spiritual landscape is

    Yoko Ono’s iconic “Wish Tree,”

    a monumental installation that invites visitors to express their aspirations for healing, turning the collective hopes of the community into a tangible part of the hospice's atmosphere. This spirit of innovation has been further enriched by collaborations with legendary figures such as

    Alessandro Mendini

    , whose work has explored the intersection of design and technology within the foundation’s history. In this extraordinary setting, art is never merely decorative; it is an integral component of a compassionate care model that seeks to nourish both the body and the soul through the enduring strength of human creativity.

    Læs mere her

    Findes online

    QR-kode med link til downloadside for Nero Ombrato

    originaluniqueart.com/da/art/download/luigi-carboni-nero-ombrato-D8EFKB-en/

    Kildehenvisning til dette kunstværk

    MLA
    Carboni, Luigi. Nero Ombrato. 2006, Fondazione Hospice Seràgnoli Onlus. https://originaluniqueart.com/da/art/luigi-carboni-nero-ombrato-D8EFKB-en/
    APA
    Carboni, Luigi (2006). Nero Ombrato [Painting]. Fondazione Hospice Seràgnoli Onlus. https://originaluniqueart.com/da/art/luigi-carboni-nero-ombrato-D8EFKB-en/
    Chicago
    Luigi Carboni. Nero Ombrato. 2006. Fondazione Hospice Seràgnoli Onlus. https://originaluniqueart.com/da/art/luigi-carboni-nero-ombrato-D8EFKB-en/
    Harvard
    Carboni, Luigi (2006) Nero Ombrato. Fondazione Hospice Seràgnoli Onlus. Available at: https://originaluniqueart.com/da/art/luigi-carboni-nero-ombrato-D8EFKB-en/

    Se nærmere efter

    Nero Ombrato — Luigi Carboni

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Luigi Carboni var omkring 49 år gammel, da dette blev skabt. Hvad i værket bærer præg af at være skabt af en kunstner på det stadie?
    4. Hvad har kunstneren måske ønsket, at du skulle føle?
    5. Hvis du kunne stille kunstneren ét spørgsmål om dette værk, hvad ville det så være?

    Dit svar

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    Spørgsmål og svar

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    Hvilken orientering har "Nero Ombrato" af Luigi Carboni?

    "Nero Ombrato" af Luigi Carboni har et Portrait format. Formatet beskriver kompositionens proportioner.

    Hvad er de faktiske mål på "Nero Ombrato" af Luigi Carboni?

    Det originale værk "Nero Ombrato" af Luigi Carboni måler 100 x 70 cm.