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The Crucifixion with the Converted Centurion

5 parts 1 The artwork2 In context3 About this artwork4 Artist and museum5 Look closely

Navn Klasse Dato
Lucas Cranach den Ældre, The Crucifixion with the Converted Centurion (1536). Offentlig ejendom.

Fakta om værket

Kunstner
Lucas Cranach den Ældre originaluniqueart.com/da/artists/lucas-cranach-den-aeldre_da/
Kunstnerens levetid
1472 – 1553
Malet
1536
Medie
Acrylic On Canvas
Oprindelig størrelse
68 x 52 cm
Bevægelse
Baroque Dramatic, theatrical pictures using deep shadow and strong diagonals to pull you into the action.

In context

The Crucifixion with the Converted Centurion — Lucas Cranach den Ældre

How big is it?

The original measures 68 × 52 cm (height × width), drawn here beside an adult of average height.

Hvornår er dette malet?

  1. 1470
  2. 1480
  3. 1490
  4. 1500
  5. 1510
  6. 1520
  7. 1530
  8. 1540
  9. 1550

Skyggelagt: Lucas Cranach den Ældre' livstid (1472–1553) ▲ dette værk, 1536

Sammenlignelige værker

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Flere værker, der kan placeres ved siden af dette: originaluniqueart.com/da/art/similar/lucas-cranach-the-elder-the-crucifixion-with-the-converted-centurion-D38GV2-en/

Farver

Målt ud fra billedet

    Hovedfarve

    Phthalo Green #171613

    Gemt palet

    • #171613
    • #48433D
    • #B49983
    • #797166
    Farvepalette
    Earthy Den dominerende farvefamilie i billedet.
    Primær farve
    Phthalo Green
    Intensitet
    Monochromatic Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Statement Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Balanced Harmony Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
    Lysstyrke
    Deep_shadow Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Muted Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Om dette kunstværk

    The Crucifixion with the Converted Centurion — Lucas Cranach den Ældre

    Notes on this work

    Written for this guide from published sources. The catalogue record itself is on the first part of this guide.

    Artistic style
    Northern Renaissance
    Influences
    South German masters
    Notable elements
    Armor, horse, crosses
    Subject or theme
    Crucifixion, Reformation

    A Dramatic Tableau of Faith and Doubt: Lucas Cranach’s ‘The Crucifixion with the Converted Centurion’

    Lucas Cranach the Elder's “The Crucifixion with the Converted Centurion,” painted in 1536, is a profoundly unsettling masterpiece that transcends the conventional iconography of the crucifixion. Executed during a period of intense religious and social transformation – the heart of the German Reformation – this vertical composition confronts viewers with a raw depiction of suffering, doubt, and the agonizing process of conversion. Cranach’s skill lies not merely in his technical mastery but in his ability to imbue the scene with psychological complexity, capturing the emotional turmoil of both the divine figure and those witnessing his sacrifice.

    Subject Matter: The painting depicts a pivotal moment within the Passion narrative – the crucifixion of Christ alongside two other men. However, Cranach introduces a crucial element: a heavily armored centurion, transformed through faith, standing as a witness to the event.

    Composition & Technique: Cranach’s meticulous technique is immediately apparent in the rendering of textures – the rough-hewn wood of the crosses, the gleaming pewter armor, the flowing fabric, and the detailed depiction of skin tones. His use of oil paint allows for subtle gradations of color, particularly in the dramatic sky, which shifts from buttery yellow to deep indigo, mirroring the emotional intensity of the scene.

    Color Palette: The painting’s palette is deliberately somber, dominated by earthy browns, grays, and whites, punctuated by flashes of crimson – the hat of the rider, the fabric draped over his hip, and the thorns in Christ's crown. These vibrant hues serve to draw attention to key elements and heighten the emotional impact.

    Symbolism and Religious Context

    “The Converted Centurion” is rich with symbolic meaning, reflecting the anxieties and theological debates of the Reformation era. The centurion’s armor represents his former status as a soldier of Rome, a symbol of earthly power and violence. His conversion signifies a rejection of this worldliness and an acceptance of Christ's sacrifice. The inscription “WARLICH DISER MENSCH IST GOT” (This man is God) etched onto the horseman’s garment underscores this pivotal moment of faith. The inclusion of three crosses, rather than the traditional single cross, may allude to the broader theological debates surrounding salvation and the nature of Christ's suffering.

    The Rider: The armored rider, with his raised hand and open mouth, embodies both awe and despair. His posture suggests a profound emotional response to witnessing the crucifixion – a mixture of reverence and anguish.

    Jesus’s Figure: Cranach's depiction of Christ is deliberately unflinching. The slumped figure, the tilted head, and the intense gaze convey the physical agony of his ordeal while simultaneously projecting an aura of serene acceptance.

    Historical Significance & Artistic Legacy

    Painted in 1536, “The Crucifixion with the Converted Centurion” stands as a testament to Lucas Cranach the Elder’s artistic prowess and his engagement with the turbulent religious landscape of his time. Cranach was one of the most important artists of the German Renaissance, known for his portraits of prominent figures like Martin Luther and Philip Melanchthon. This painting exemplifies his ability to blend religious subject matter with psychological realism, creating a work that continues to resonate with viewers centuries later. The piece’s dramatic composition, masterful technique, and profound symbolism ensure its place as a cornerstone of Northern Renaissance art.

    This meticulously crafted reproduction captures the essence of Cranach's original vision, offering an exceptional opportunity to own a stunning artwork that embodies both historical significance and enduring artistic beauty. Its dimensions (68 x 52 cm) make it suitable for a variety of interior spaces, while its evocative imagery will undoubtedly serve as a powerful focal point within any setting.

    Kunstner og museum

    The Crucifixion with the Converted Centurion — Lucas Cranach den Ældre

    Kunstner

    Lucas Cranach den Ældre

    Born in Kronach, Tyskland

    A Renaissance Master of Saxony: The Life and Art of Lucas Cranach the Elder

    Lucas Cranach den Ældre, født i Kronach omkring 1472, står som en central figur i det tyske renæssance. Hans liv udspillede sig under en periode med enorm religiøs og politisk uro, og hans kunst blev uadskilt forbundet med både den spirende protestantiske reformation og de overdådige kredse, han tjente. I sin tidlige udvikling var der tale om en vis mystik, men man kan se indflydelser fra sydtyske mestere i hans stiludvikling. Han skilte sig hurtigt ud ikke blot som en dygtig håndværker, men som en kunstner i stand til at fange psykologisk dybde sammen med teknisk præcision – kvaliteter, der snart tiltrak sig opmærksomheden fra magtfulde mæglere. I 1504 trådte han ind i Friedrichs III’s tjeneste, elektoren af Sachsen, et forhold, der definerede meget af hans karriere og gav ham både stabilitet og adgang til indflydelsesrige kredse. Denne udnævnelse som hoffmaler i Wittenberg var ikke blot en sag om at producere dekorative værker; den placerede Cranach i hjertet af en af Europas mest transformative bevægelser.

    Patronage, Reformation og Kunstnerisk Innovation

    Cranachs position inden for Sachsen’s hof var ikke kun afgørende for hans levebrød, men også for hans kunstneriske udvikling.

    Her kan du læse mere

    Findes online

    QR-kode med link til downloadside for The Crucifixion with the Converted Centurion

    originaluniqueart.com/da/art/download/lucas-cranach-the-elder-the-crucifixion-with-the-converted-centurion-D38GV2-en/

    Kildehenvisning til dette kunstværk

    MLA
    Ældre, Lucas Cranach den. The Crucifixion with the Converted Centurion. 1536, https://originaluniqueart.com/da/art/lucas-cranach-the-elder-the-crucifixion-with-the-converted-centurion-D38GV2-en/
    APA
    Ældre, Lucas Cranach den (1536). The Crucifixion with the Converted Centurion [Painting]. https://originaluniqueart.com/da/art/lucas-cranach-the-elder-the-crucifixion-with-the-converted-centurion-D38GV2-en/
    Chicago
    Lucas Cranach den Ældre. The Crucifixion with the Converted Centurion. 1536. https://originaluniqueart.com/da/art/lucas-cranach-the-elder-the-crucifixion-with-the-converted-centurion-D38GV2-en/
    Harvard
    Ældre, Lucas Cranach den (1536) The Crucifixion with the Converted Centurion. Available at: https://originaluniqueart.com/da/art/lucas-cranach-the-elder-the-crucifixion-with-the-converted-centurion-D38GV2-en/

    Look closely

    The Crucifixion with the Converted Centurion — Lucas Cranach den Ældre

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: crucifixion, centurion, horseman. Do you agree? What would you add, or take away?
    4. Look back at Adam og Eva (1531), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Baroque: Dramatic, theatrical pictures using deep shadow and strong diagonals to pull you into the action. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.