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Port Meadow, 30 Years On

Navn Klasse Dato

Kurt Jackson, Port Meadow, 30 Years On (2010), st Peter's College. Reproduceret til referenceformål; alle rettigheder er forbeholdt rettighedshaveren. Se dette lærred i bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
Kurt Jackson originaluniqueart.com/da/artists/kurt-jackson/
Kunstnerens årstal
1961 –
Malet
2010
Oprindelig størrelse
140 x 140 cm
Bevægelse
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.
Afholdt hos
st Peter's College originaluniqueart.com/da/museums/st-peter-s-college-oxford_da/

I kontekst

Port Meadow, 30 Years On — Kurt Jackson

Hvor stor er den?

Originalen måler 140 × 140 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1960
  2. 1970
  3. 1980
  4. 1990
  5. 2000
  6. 2010

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode, hvor 0 tælles fra fødslen.

Malet da kunstneren var 49 år gammel. 5 af de 6 daterede værker af denne kunstner i vores katalog er skabt tidligere.

▲ dette værk, 2010 hvert dateret maleri, årti for årti

Sammenlign med

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Se flere lignende værker her: originaluniqueart.com/da/art/similar/kurt-jackson-port-meadow-30-years-on-AR2DA6-en/

Farver

Målt ud fra billedet

    Primær farve

    Putty #d3d7d5

    Katalogiseret palet

    • #D3D7D5
    • #5E6A67
    • #B1BBBB
    • #919D99

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Farvepalette
    Neutrals Den dominerende farvefamilie i billedet.
    Navn på hovedfarve
    Putty
    Intensitet
    Monochromatic Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Gentle Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Discordant Palette Hvor godt farverne spiller sammen, fra kontrasterende til fuldstændig harmoniske.
    Lysstyrke
    Brilliant Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Muted Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • mindst 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af Kurt Jackson i løbet af de sidste tolv måneder — 2 lande i alt. Kildehenvisning til disse tal

    De ti førende lande

    1. 1 Kina 80,0%400 besøg
    2. 2 Storbritannien 20,0%100 besøg

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 6 mest viste værker af Kurt Jackson

    1. 1 Infant Tamar Evening Warbler Song, 2008 33,3%200 besøg
    2. 2 Several Winter Evenings Delabole 16,7%100 besøg
    3. 3 Sun and Rain, Strong Winds, Drilling Carnsew Mine, 1999 16,7%100 besøg
    4. 4 Catch the Light 16,7%100 besøg
    5. 5 Across to the Mount, 1999 16,7%100 besøg
    6. — Port Meadow, 30 Years On, 2010 dette maleri 0,0%0 besøg

    Sammen udgør disse værker 100,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 9 værker af denne kunstner, hvoraf 5 er blevet set mindst én gang. Dette maleri er endnu ikke blevet vist i denne periode — det afslutter listen uden en rangering. Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Kunstner og museum

    Kunstner

    Kurt Jackson

    Kurt Jackson: Bridging Abstract Expressionism and Landscape Impression

    Kurt Jackson (b. 1961) stands as a distinctive voice within contemporary British art, blending the dynamism of Abstract Expressionism with the serene beauty of landscape painting. Born in Stoke-on-Trent, Staffordshire, his artistic journey began amidst the industrial heritage of the Potteries, fostering an early fascination with texture and materiality – influences that would permeate his subsequent work. Jackson’s distinctive style is characterized by bold color palettes juxtaposed against textured impasto surfaces, creating canvases brimming with emotion and capturing fleeting moments of natural grandeur.

    Early Influences: Jackson's formative years were shaped by the gritty landscapes of Stoke-upon-Trent and a deep appreciation for the expressive techniques pioneered by artists like Willem de Kooning and Franz Kline. These encounters instilled in him a conviction that abstraction could serve as a conduit for conveying profound feelings about the natural world.

    Technique & Material Exploration: Jackson’s artistic process is marked by meticulous experimentation with various mediums, including watercolor, acrylics, oil paints, and mixed media. He frequently incorporates found objects – stones, driftwood, and even soil – into his paintings, elevating them beyond mere representation to become tactile explorations of form and texture.

    Notable Works: Among Jackson’s celebrated pieces are “Across to the Mount,” a monumental watercolor depicting coastal cliffs bathed in sunlight; “Sun and Rain, Strong Winds, Drilling Carnsew Mine,” a dramatic depiction of a Cornish mine site capturing industrial energy against atmospheric conditions; and “Greece,” an impressionistic landscape portraying rural Greece with evocative color harmonies.

    Critical Recognition: Jackson’s work has garnered considerable acclaim from critics and collectors alike. He was awarded the Turner Prize in 2003, cementing his position as one of Britain's most prominent artists of his generation.

    The Legacy of Abstract Expressionism & Luminist Vision

    Jackson’s artistic vision draws heavily from the principles of Abstract Expressionism, particularly the emphasis on spontaneous gesture and emotional intensity—a reaction against the formalism prevalent in earlier art movements. However, unlike many of his contemporaries who focused solely on internal psychological landscapes, Jackson consistently returns to external observation, channeling Luminist influences into his depictions of natural environments. This dual inspiration informs his approach, resulting in paintings that resonate with both visceral energy and contemplative stillness.

    De Kooning & Kline Influence: The influence of Willem de Kooning’s gestural brushstrokes and Franz Kline's stark black-and-white compositions is palpable in Jackson’s canvases. He strives to capture the immediacy of experience, mirroring the expressive fervor characteristic of these seminal artists.

    Luminist Aesthetic: Drawing inspiration from Luminist painters like Frederic Church and Albert Bierstadt, Jackson seeks to convey a sense of grandeur and sublime beauty—emphasizing atmospheric perspective and capturing the emotional impact of landscapes on the human spirit.

    Exploring Texture & Emotion Through Mixed Media

    Jackson’s artistic signature lies in his masterful manipulation of texture and color, achieved through innovative mixed media techniques. He painstakingly builds up layers of paint—often incorporating sand, stone fragments, and other natural materials—creating surfaces that pulsate with physicality and inviting viewers to engage their senses. This tactile approach is complemented by a deliberate use of color palettes designed to evoke specific moods and sensations.

    Impasto Technique: Jackson’s signature impasto technique – applying paint thickly onto the canvas – generates palpable surface relief, mirroring the ruggedness of his subjects and amplifying their emotional resonance.

    Color Harmony & Symbolism: He employs color harmonies that are both harmonious and dissonant, reflecting the complexities of human experience and subtly hinting at underlying symbolic meanings within his landscapes.

    A Continuing Artistic Voice

    Despite achieving considerable success and recognition, Kurt Jackson remains committed to pushing artistic boundaries and exploring new avenues for expression. His ongoing engagement with contemporary themes—such as climate change and the relationship between humanity and nature—underscores his unwavering belief in art’s capacity to provoke reflection and inspire action. He continues to produce evocative paintings that celebrate the beauty of the natural world while simultaneously confronting urgent societal challenges, ensuring that Jackson's artistic legacy persists as a testament to both visual artistry and intellectual engagement.

    Museum

    st Peter's College

    Udstillet i Oxford, United Kingdom

    A Tapestry of Tradition and Modernist Spirit

    Nestled within the labyrinthine streets of Oxford’s historic Old Town, St Peter’s College emerges not merely as an academic institution but as a profound sanctuary where centuries of scholarly tradition converge with a daring artistic legacy. The college sits upon a foundation of medieval echoes, occupying the hallowed sites of New Inn Hall and Rose Hall, which date back to the 14th century. This deep-rooted connection to Oxford’s storied past provides a contemplative backdrop for a much more contemporary revolution. Founded in 1929 by the visionary Bishop Francis James Chavasse, the college was born from a desire to bridge the gap between intellectual curiosity and accessible excellence, creating a space where the weight of history meets the lightness of new ideas.

    To walk through these grounds is to witness the seamless integration of academic rigor and aesthetic passion, a place where the pursuit of knowledge is inseparable from the appreciation of beauty.

    Architectural Harmony and Sacred Spaces

    To wander through St Peter’s is to experience an architectural dialogue between eras. The college presents a captivating blend of styles, from the stately elegance of the Georgian rectory, known as Linton House, to the evocative Victorian hall architecture that defines much of its character. At the heart of this structural narrative lies the College Chapel, constructed in 1874. This sacred space, which incorporates elements from even older ecclesiastical structures, serves as a poignant symbol of continuity and spiritual devotion.

    For the interior designer or lover of classical aesthetics, the interplay of these historic textures—the weathered stone, the refined Georgian lines, and the Victorian grandeur—offers an unparalleled study in how built environments can reflect the enduring soul of an institution. The architecture does not merely house the collection; it provides a rhythmic, structural cadence that prepares the viewer for the visual complexities found within the galleries.

    The Bloomsbury Legacy: The Duncan Grant Collection

    While its walls whisper of medieval origins, the true heartbeat of St Peter’s College is found within the

    Duncan Grant Art Collection

    . This extraordinary assemblage of over 300 works represents a pivotal moment in British art history, bringing the vibrant, experimental energy of the

    Bloomsbury Group

    into the heart of an academic setting. Through the eyes of Duncan Grant, a master of modernist expression, visitors encounter a world of aesthetic innovation and intellectual fervor.

    The collection is a breathtaking mosaic of canvases, delicate drawings, and exquisite decorative arts that challenge the boundaries of tradition. For collectors and art enthusiasts, these works offer more than just visual pleasure; they embody the very essence of a movement that sought to redefine beauty through experimentation and social connection. The presence of such significant modernist pieces within this historic Oxford setting creates a tension between the old and the new, making every viewing an encounter with the avant-garde.

    A Living Dialogue of Art and Intellect

    St Peter’s College remains far from a static repository of the past; it is a living, breathing participant in the contemporary art world. The college frequently hosts exhibitions that explore pressing themes such as identity, social justice, and the evolving nature of representation, ensuring that its historic collection remains in constant conversation with the present day. This commitment to fostering dialogue through art makes the college a unique destination for those seeking to understand how heritage can inform modern thought.

    It is a place where the legacy of the Chavasse family, the brilliance of the Bloomsbury artists, and the rigorous pursuit of knowledge all intertwine, creating an atmosphere that is as intellectually stimulating as it is visually enchanting. For the discerning visitor, St Peter's offers a rare opportunity to witness the enduring power of artistic patronage in the modern age.

    Læs mere her

    Findes online

    QR-kode med link til downloadside for Port Meadow, 30 Years On

    originaluniqueart.com/da/art/download/kurt-jackson-port-meadow-30-years-on-AR2DA6-en/

    Kildehenvisning til dette kunstværk

    MLA
    Jackson, Kurt. Port Meadow, 30 Years On. 2010, st Peter's College. https://originaluniqueart.com/da/art/kurt-jackson-port-meadow-30-years-on-AR2DA6-en/
    APA
    Jackson, Kurt (2010). Port Meadow, 30 Years On [Painting]. st Peter's College. https://originaluniqueart.com/da/art/kurt-jackson-port-meadow-30-years-on-AR2DA6-en/
    Chicago
    Kurt Jackson. Port Meadow, 30 Years On. 2010. st Peter's College. https://originaluniqueart.com/da/art/kurt-jackson-port-meadow-30-years-on-AR2DA6-en/
    Harvard
    Jackson, Kurt (2010) Port Meadow, 30 Years On. st Peter's College. Available at: https://originaluniqueart.com/da/art/kurt-jackson-port-meadow-30-years-on-AR2DA6-en/

    Se nærmere efter

    Port Meadow, 30 Years On — Kurt Jackson

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Vores katalog klassificerer dette værk under: winter landscape, snowy terrain, atmospheric scene. Er du enig? Hvad ville du tilføje eller fjerne?
    4. Se tilbage på Several Winter Evenings Delabole tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    5. Impressionism: Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio. Hvor kan du se det i dette værk?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål og svar

    Hvad er lysstyrken i "Port Meadow, 30 Years On" af Kurt Jackson?

    Luminansen registreret for "Port Meadow, 30 Years On" af Kurt Jackson er Luminous.

    Hvem sælger håndmalede kopier af "Port Meadow, 30 Years On" af Kurt Jackson?

    Du kan bestille en håndmalet reproduktion af "Port Meadow, 30 Years On" af Kurt Jackson direkte på dens Håndmalet reproduktion-side: en håndmalet oliereproduktion på lærred af hør, lavet efter bestilling.

    I hvilket år og inden for hvilken stilart blev "Port Meadow, 30 Years On" skabt?

    "Port Meadow, 30 Years On" blev skabt i 2010 som en del af Impressionism-bevægelsen.