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Across to the Mount

Navn Klasse Dato

Kurt Jackson, Across to the Mount (1999), Penlee House Gallery - Museum. Reproduceret til referenceformål; alle rettigheder er forbeholdt rettighedshaveren. Se dette lærred under bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
Kurt Jackson originaluniqueart.com/da/artists/kurt-jackson/
Kunstnerens levetid
1961 –
Malet
1999
Oprindelig størrelse
15 x 35 cm
Bevægelse
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.
Afholdt hos
Penlee House Gallery - Museum originaluniqueart.com/da/museums/penlee-house-gallery-museum-penzance/

I kontekst

Across to the Mount — Kurt Jackson

Dimensioner

Originalen måler 15 × 35 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1960
  2. 1970
  3. 1980
  4. 1990
  5. 2000
  6. 2010

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode, hvor 0 tælles fra fødslen.

Malet da kunstneren var 38 år gammel. 2 af de 6 daterede værker af denne kunstner i vores katalog er skabt tidligere.

▲ dette værk, 1999 hvert dateret maleri, årti for årti

Sammenlignelige værker

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Flere værker, der kan placeres ved siden af dette: originaluniqueart.com/da/art/similar/kurt-jackson-across-to-the-mount-AR2D9W-en/

Farver

Målt ud fra billedet

    Hovedfarve

    Gray #768571

    Gemt palet

    • #768571
    • #2B638A
    • #93B7C5
    • #4C5046

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Primær farve
    Gray
    Intensitet
    Balanced Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Gentle Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Softly Mixed Palette Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
    Lysstyrke
    Bright Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Subtle Color Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af Kurt Jackson i løbet af de sidste tolv måneder — 2 lande i alt. Hvor disse tal stammer fra

    De ti førende lande

    1. 1 Kina 80,0%
    2. 2 Storbritannien 20,0%

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 5 mest viste værker af Kurt Jackson

    1. 1 Infant Tamar Evening Warbler Song, 2008 33,3%
    2. 2 Several Winter Evenings Delabole 16,7%
    3. 3 Sun and Rain, Strong Winds, Drilling Carnsew Mine, 1999 16,7%
    4. 4 Catch the Light 16,7%
    5. 5 Across to the Mount, 1999 dette maleri 16,7%

    Sammen udgør disse værker 100,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 9 værker af denne kunstner, hvoraf 5 er blevet set mindst én gang. Dette maleri rangerer som nummer 5 af dem, med 16,7% af den opmærksomhed. Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Kunstner og museum

    Kunstner

    Kurt Jackson

    Kurt Jackson: Bridging Abstract Expressionism and Landscape Impression

    Kurt Jackson (b. 1961) stands as a distinctive voice within contemporary British art, blending the dynamism of Abstract Expressionism with the serene beauty of landscape painting. Born in Stoke-on-Trent, Staffordshire, his artistic journey began amidst the industrial heritage of the Potteries, fostering an early fascination with texture and materiality – influences that would permeate his subsequent work. Jackson’s distinctive style is characterized by bold color palettes juxtaposed against textured impasto surfaces, creating canvases brimming with emotion and capturing fleeting moments of natural grandeur.

    Early Influences: Jackson's formative years were shaped by the gritty landscapes of Stoke-upon-Trent and a deep appreciation for the expressive techniques pioneered by artists like Willem de Kooning and Franz Kline. These encounters instilled in him a conviction that abstraction could serve as a conduit for conveying profound feelings about the natural world.

    Technique & Material Exploration: Jackson’s artistic process is marked by meticulous experimentation with various mediums, including watercolor, acrylics, oil paints, and mixed media. He frequently incorporates found objects – stones, driftwood, and even soil – into his paintings, elevating them beyond mere representation to become tactile explorations of form and texture.

    Notable Works: Among Jackson’s celebrated pieces are “Across to the Mount,” a monumental watercolor depicting coastal cliffs bathed in sunlight; “Sun and Rain, Strong Winds, Drilling Carnsew Mine,” a dramatic depiction of a Cornish mine site capturing industrial energy against atmospheric conditions; and “Greece,” an impressionistic landscape portraying rural Greece with evocative color harmonies.

    Critical Recognition: Jackson’s work has garnered considerable acclaim from critics and collectors alike. He was awarded the Turner Prize in 2003, cementing his position as one of Britain's most prominent artists of his generation.

    The Legacy of Abstract Expressionism & Luminist Vision

    Jackson’s artistic vision draws heavily from the principles of Abstract Expressionism, particularly the emphasis on spontaneous gesture and emotional intensity—a reaction against the formalism prevalent in earlier art movements. However, unlike many of his contemporaries who focused solely on internal psychological landscapes, Jackson consistently returns to external observation, channeling Luminist influences into his depictions of natural environments. This dual inspiration informs his approach, resulting in paintings that resonate with both visceral energy and contemplative stillness.

    De Kooning & Kline Influence: The influence of Willem de Kooning’s gestural brushstrokes and Franz Kline's stark black-and-white compositions is palpable in Jackson’s canvases. He strives to capture the immediacy of experience, mirroring the expressive fervor characteristic of these seminal artists.

    Luminist Aesthetic: Drawing inspiration from Luminist painters like Frederic Church and Albert Bierstadt, Jackson seeks to convey a sense of grandeur and sublime beauty—emphasizing atmospheric perspective and capturing the emotional impact of landscapes on the human spirit.

    Exploring Texture & Emotion Through Mixed Media

    Jackson’s artistic signature lies in his masterful manipulation of texture and color, achieved through innovative mixed media techniques. He painstakingly builds up layers of paint—often incorporating sand, stone fragments, and other natural materials—creating surfaces that pulsate with physicality and inviting viewers to engage their senses. This tactile approach is complemented by a deliberate use of color palettes designed to evoke specific moods and sensations.

    Impasto Technique: Jackson’s signature impasto technique – applying paint thickly onto the canvas – generates palpable surface relief, mirroring the ruggedness of his subjects and amplifying their emotional resonance.

    Color Harmony & Symbolism: He employs color harmonies that are both harmonious and dissonant, reflecting the complexities of human experience and subtly hinting at underlying symbolic meanings within his landscapes.

    A Continuing Artistic Voice

    Despite achieving considerable success and recognition, Kurt Jackson remains committed to pushing artistic boundaries and exploring new avenues for expression. His ongoing engagement with contemporary themes—such as climate change and the relationship between humanity and nature—underscores his unwavering belief in art’s capacity to provoke reflection and inspire action. He continues to produce evocative paintings that celebrate the beauty of the natural world while simultaneously confronting urgent societal challenges, ensuring that Jackson's artistic legacy persists as a testament to both visual artistry and intellectual engagement.

    Museum

    Penlee House Gallery - Museum

    Udstillet på Penzance, United Kingdom

    A Sanctuary of Cornish Light and Victorian Artistry

    Nestled within the tranquil, verdant embrace of Penlee Park in Penzance,

    Penlee House Gallery & Museum

    stands as a luminous beacon of West Cornwall’s cultural soul. Originally conceived in 1865 as a lavish Victorian residence for the wealthy Branwell family, the estate’s stately façade reflects an era defined by profound artistic ambition and refined taste. To walk through its doors is to step into a narrative interwoven with remembrance; the building itself serves as a poignant memorial to those lost during World and II, lending an atmosphere of quiet contemplation to its halls. The architecture, a harmonious blend of Victorian grandeur and understated elegance, provides a sophisticated backdrop that invites both the casual visitor and the discerning collector to lose themselves in the beauty of the past.

    The heart of the museum beats most vibrantly through its incomparable collection of the

    Newlyn School

    . This collective of artists, drawn to the dramatic coastline and the unparalleled, mercurial quality of Cornish light, revolutionized British landscape painting during the late Victorian period. Their work is not merely a representation of scenery but an emotional immersion into the essence of the region. One cannot help but be moved by the atmospheric perspective found in

    The Rain It Raineth Every Day

    by Norman Garstin, which captures the very breath of a Cornish storm, or the sun-drenched vitality found in Elizabeth Forbes’

    School is Out

    . These masterpieces, characterized by their sensitivity to rural life and immediacy of technique, offer interior designers and art lovers alike a window into a world where light and tradition are eternally entwined.

    A Tapestry of Maritime Heritage and Local Craft

    Beyond the evocative canvases of the Newlyn and Lamorna colonies, Penlee House offers a rich tapestry of maritime and local history that deepens the visitor's connection to the landscape. The museum’s scope extends into the tactile realms of sculpture and the intricate beauty of Cornish ceramics, showcasing the exceptional skill of regional craftspeople. For those fascinated by the sea, the exhibits dedicated to the Royal Marines of Lyonesse provide a gripping glimpse into Cornwall’s seafaring prowess and naval heritage. This intersection of fine art and historical artifact creates a unique museum experience where the maritime identity of the coast meets the delicate artistry of the studio.

    The collection is further enriched by works that capture the very spirit of the Penwith peninsula, including:

    Victorian Masterpieces:

    Evocative paintings by members of the Newlyn School, such as

    Among the Missing

    by Walter Langley and

    On Paul Hill

    by Stanhope Forbes.

    Regional Craftsmanship:

    An extensive array of Cornish ceramics that showcase centuries of local tradition.

    Historical Narratives:

    Social exhibits revealing the lives and traditions of local communities, alongside archaeological treasures from the Land's End area.

    It is a destination where history is not just studied, but felt through every weathered artifact and every brushstroke of light, making it an essential pilgrimage for anyone seeking to understand the profound artistic and historical legacy of West Cornwall.

    Her kan du læse mere

    Findes online

    QR-kode med link til downloadside for Across to the Mount

    originaluniqueart.com/da/art/download/kurt-jackson-across-to-the-mount-AR2D9W-en/

    Kildehenvisning til dette kunstværk

    MLA
    Jackson, Kurt. Across to the Mount. 1999, Penlee House Gallery - Museum. https://originaluniqueart.com/da/art/kurt-jackson-across-to-the-mount-AR2D9W-en/
    APA
    Jackson, Kurt (1999). Across to the Mount [Painting]. Penlee House Gallery - Museum. https://originaluniqueart.com/da/art/kurt-jackson-across-to-the-mount-AR2D9W-en/
    Chicago
    Kurt Jackson. Across to the Mount. 1999. Penlee House Gallery - Museum. https://originaluniqueart.com/da/art/kurt-jackson-across-to-the-mount-AR2D9W-en/
    Harvard
    Jackson, Kurt (1999) Across to the Mount. Penlee House Gallery - Museum. Available at: https://originaluniqueart.com/da/art/kurt-jackson-across-to-the-mount-AR2D9W-en/

    Se nærmere efter

    Across to the Mount — Kurt Jackson

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Vores katalog klassificerer dette værk under: coastal landscape, rocky shoreline, ocean views. Er du enig? Hvad ville du tilføje eller fjerne?
    4. Se tilbage på Several Winter Evenings Delabole tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    5. Impressionism: Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio. Hvor kan du se det i dette værk?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål & svar

    Hvordan kan jeg se "Across to the Mount" af Kurt Jackson som et diasshow?

    "Across to the Mount" af Kurt Jackson kan ses som et diasshow på værkets Diaporama-side.

    Hvor gammel var Kurt Jackson, da "Across to the Mount" blev skabt?

    Kurt Jackson var 38 år gammel, da vedkommende skabte "Across to the Mount" i 1999. Alderen er beregnet ud fra kunstnerens fødselsår, 1961.

    Kan jeg se "Across to the Mount" af Kurt Jackson på min egen væg, før jeg køber det?

    "Across to the Mount" har en augmented reality-forhåndsvisning: kunstværkets AR-forhåndsvisning-side viser det i dit eget rum på en kompatibel enhed.