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Kim Hong-Do, Pine tree and tiger painting, Seokdang Museum of Dong-A University. Public domain. Se dette lærred i bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
Kim Hong-Do originaluniqueart.com/da/artists/kim-hong-do_da/
Kunstnerens årstal
1745 – 1806
Medie
Ink
Oprindelig størrelse
72 x 130 cm
Bevægelse
Other
Periode
Early Modern
Afholdt hos
Seokdang Museum of Dong-A University originaluniqueart.com/da/museums/seokdang-museum-of-dong-a-university-busan/
Artistic style
Traditional Korean ink wash painting
Influences
Kim Hong-do's earlier tiger paintings
Notable elements or techniques
Fine brushwork, detailed fur texture
Subject or theme
Tiger and pine tree, power and nature

I kontekst

Pine tree and tiger painting — Kim Hong-Do

Hvor stor er den?

Originalen måler 72 × 130 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette maleri sandsynligvis blevet malet?

  1. 1740
  2. 1750
  3. 1760
  4. 1770
  5. 1780
  6. 1790
  7. 1800

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 61 ved død.

Skyggelagt: Kim Hong-Do' livstid (1745–1806) hvert dateret maleri, årti for årti

Der findes ikke et præcist årstal for denne indspilning i arkivet — baseret på kunstnerens levetid og værkets stil, hvilket årti ville du så gætte på?

Sammenlign med

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Se flere lignende værker her: originaluniqueart.com/da/art/similar/kim-hong-do-pine-tree-and-tiger-painting-D79CW4-en/

Farver

Målt ud fra billedet

    Primær farve

    Rosy Brown #c8ab85

    Katalogiseret palet

    • #C8AB85
    • #514637
    • #876F53
    • #B3936D

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Farvepalette
    Neutrals Den dominerende farvefamilie i billedet.
    Navn på hovedfarve
    Rosy Brown
    Intensitet
    Vivid Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Gentle Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Unified Palette Hvor godt farverne spiller sammen, fra kontrasterende til fuldstændig harmoniske.
    Lysstyrke
    Brilliant Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Balanced Soft Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • mindst 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af Kim Hong-Do i løbet af de sidste tolv måneder — 7 lande i alt. Kildehenvisning til disse tal

    De ti førende lande

    1. 1 Kina 34,6%900 besøg
    2. 2 Sydkorea 26,9%700 besøg
    3. 3 Tyskland 15,4%400 besøg
    4. 4 Taiwan 7,7%200 besøg
    5. 5 USA 7,7%200 besøg
    6. 6 Storbritannien 3,8%100 besøg
    7. 7 Guatemala 3,8%100 besøg

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 20 mest viste værker af Kim Hong-Do

    1. 1 Album of Obscene Paintings 17,5%700 besøg
    2. 2 Album of Landscapes Around Mt. Geumgangsan 15,0%600 besøg
    3. 3 Pine tree and tiger painting dette maleri 7,5%300 besøg
    4. 4 The Sound of Autumn 7,5%300 besøg
    5. 5 A dancing boy (Album of Genre Paintings) 5,0%200 besøg
    6. 6 Illustrations for Royal Protocols 5,0%200 besøg
    7. 7 Album of Obscene Paintings 5,0%200 besøg
    8. 8 Album of the Byeongjin Year (1796) 2,5%100 besøg
    9. 9 Album of Genre Paintings 2,5%100 besøg
    10. 10 Taoist Immortals 2,5%100 besøg
    11. 11 Hawk Hunting 2,5%100 besøg
    12. 12 Album of Landscapes Around Mt. Geumgangsan 2,5%100 besøg
    13. 13 Album of Landscapes Around Mt. Geumgangsan 2,5%100 besøg
    14. 14 Album of Landscapes Around Mt. Geumgangsan 2,5%100 besøg
    15. 15 Album of Landscapes Around Mt. Geumgangsan 2,5%100 besøg
    16. 16 Album of Genre Paintings 2,5%100 besøg
    17. 17 Album of Landscapes Around Mt. Geumgangsan 2,5%100 besøg
    18. 18 Album of Obscene Paintings 2,5%100 besøg
    19. 19 Eight Scenic Spots in Eastern Korea 2,5%100 besøg
    20. 20 A Mother Dog and Her Puppy 2,5%100 besøg

    Sammen udgør disse værker 95,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 52 værker af denne kunstner, hvoraf 22 er blevet set mindst én gang. Dette maleri rangerer som nummer 3, med 7,5% af den opmærksomhed (300 besøg). Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Om dette kunstværk

    Pine tree and tiger painting — Kim Hong-Do

    The Spirit of the Joseon Wilderness

    In the quiet depths of the Korean wilderness, where the ancient pine trees stand as silent sentinels, a powerful presence emerges from the shadows. The Pine Tree and Tiger Painting is a breathtaking masterwork that captures a moment of raw, natural tension. This monochrome ink painting presents a scene of profound vitality, depicting tigers navigating a rugged landscape with an elegance that transcends mere representation. One tiger is captured in a dynamic, leaping posture, its head raised as if sensing a change in the wind, while another rests with a calm, grounded dignity beneath the sheltering branches. The composition, oriented vertically, draws the eye upward through the stylized foliage, creating a sense of soaring height and deep, atmospheric space that invites the viewer into a world of mythic significance.

    The artistry of this piece lies in its masterful use of Shuibanjing, or traditional ink wash technique. Through the delicate application of black ink on rice paper, the artist achieves a remarkable range of textures and tones. The brushwork is both loose and intentional; while some strokes capture the spontaneous essence of the natural world, others are meticulously applied to simulate the coarse, bristling texture of tiger fur and the rugged bark of the pine trees. This interplay between spontaneity and precision creates a tactile quality that makes the subjects feel almost tangible. The lighting is soft and diffused, eschewing harsh shadows for a somber, contemplative mood that emphasizes the spiritual weight of the subject matter rather than mere physical realism.

    A Legacy of Symbolism and Mastery

    Beyond its visual splendor, this painting serves as a profound vessel for cultural symbolism. In Korean tradition, the tiger is far more than a predator; it is a symbol of power, protection, and good fortune. The way the tigers interact with the pine trees—symbols of longevity and steadfastness—creates a harmonious dialogue between strength and endurance. As the eye wanders across the composition, one might notice subtle, stylized patterns along the tiger's spine, reminiscent of leopard spots, which hint at the transition from the realistic traditions of masters like Kim Hong-do toward the more decorative, folk-art styles of later eras. This piece stands at a fascinating historical crossroads, blending the disciplined realism of the Joseon Dynasty with the burgeoning expressive freedom of Minhwa.

    For the discerning collector or interior designer, this artwork offers an unparalleled opportunity to bring a sense of historical depth and tranquil strength into a modern space. A high-quality reproduction of this painting does more than decorate a wall; it introduces a narrative of resilience and natural grace. Whether placed in a minimalist contemporary setting to provide a focal point of organic texture or within a classic study to evoke the scholarly traditions of old Korea, the Pine Tree and Tiger Painting commands attention through its quiet intensity. It is an invitation to pause, to breathe, and to reconnect with the timeless, untamed spirit of the natural world.

    Kunstner og museum

    Kunstner

    Kim Hong-Do

    Født i Ansan, Sydkorea

    Sydkoreas mester inden for genremaleri

    Kim Hong-do, en fremtrædende koreansk maler fra Joseon-dynastiet, efterlod et uudsletteligt aftryk på kunstverdenen med sine fængslende genremalerier. Kim blev født i 1745, og hans værk er kendetegnet ved en bemærkelsesværdig sans for detaljen og en unik evne til at indfange essensen af dagliglivet, hvilket drager fascinerende paralleller til den hollandske guldalder.

    Kunstnerisk stil og indflydelse

    Kim Hong-dos kunstneriske stil er bemærkelsesværdig for sin realisme og sine nuancerede skildringer af almindelige mennesker. Hans kunstnernavn, Danwon (단원), afspejler hans dedikation til at indfange de menneskelige erfaringers kompleksitet. Denne tilgang humaniserede ikke blot hans motiver, men fungerede også som et unikt vindue ind til det koreanske samfund i det 18. århundrede.

    Bemærkelsesværdige værker og samlinger

    Album of Genre Paintings (National Museum of Korea, Seoul, Sydkorea) står som et vidnesbyrd om Kims dygtighed inden for genremaleri og fremviser hans evne til at fortælle historier gennem kunsten. Ligeledes demonstrerer Kim Hong-do: Album of Genre Paintings (National Museum of Korea, Seoul, Sydkorea, papir) kunstnerens alsidighed og dybde.

    Eftermæle og betydning

    Indflydelse på koreansk kunst: Kim Hong-dos arbejde har haft en betydelig indflydelse på udviklingen af koreansk kunst, især inden for genremaleriets sfære.

    International anerkendelse: Hans malerier er i dag en del af den globale kunstdiskurs, og mange værker er repræsenteret på platforme som AllPaintingsStore.com, der tilbyder en omfattende samling af hans værker til både kunstentusiaster og forskere.

    Kulturel betydning: Kims kunst fungerer som et historisk øjebliksbillede, der giver dybe indsigter i de almindelige menneskers liv under Joseon-dynastiet.

    Udforsk mere med AllPaintingsStore

    For dem, der ønsker at dykke dybere ned i Kim Hong-dos verden og det bredere spektrum af koreansk kunst, er Kim Hong-do: Album of Genre Paintings (National Museum of Korea, Seoul, Sydkorea, papir) et fantastisk sted at begynde. Dette værk eksemplificerer ikke blot Kims tekniske kunnen, men åbner også et vindue til livet for koreanerne i det 18. århundrede. Besøg AllPaintingsStores side om Kim Hong-do for at finde flere kunstværker og detaljeret information om denne produktive kunstner.

    Museum

    Seokdang Museum of Dong-A University

    Udstillet i Busan, South Korea

    A Sanctuary of Korean Heritage: The Seokdang Museum of Dong-A University

    Nestled within the vibrant tapestry of Busan, South Korea, the Seokdang Museum of Dong-A University isn’t merely a repository of artifacts; it's a living testament to centuries of artistic evolution and cultural resilience. Housed within some of the university’s oldest, most evocative buildings – including a planned relocation to the stately Old Law Courts building – this museum offers an immersive journey through Korean history, art, and intellectual life. More than just a display space, it's a carefully curated dialogue between past and present, inviting visitors to contemplate Korea’s rich narrative.

    The museum’s origins are deeply intertwined with the founding of Dong-A University itself. Established in 1947 by Dr. Jae-hwan Jeong, pen-named Sokdang – a figure revered for his dedication to education and cultural preservation – the Seokdang Museum was conceived as a safeguard against the loss of Korea’s artistic legacy during the tumultuous years following World War II. This foundational commitment continues to shape the museum's mission today: not simply to showcase objects, but to actively engage with their stories and ensure their enduring relevance.

    A Treasure Trove of Korean Artistic Legacy

    The museum’s collection is remarkably diverse, spanning an astonishing breadth of time and artistic styles. Boasting over 30,000 artifacts – including two national treasures and ten designated treasures – the Seokdang Museum offers a panoramic view of Korea's artistic journey. Among its most prized possessions are the “Donggwoldo” (The Eastern Palaces), a breathtakingly detailed drawing commissioned by the Provisional Government in 1932, capturing a meticulously rendered panorama of Gyeongbokgung Palace and Changgyeonggung Palace. This monumental work is not just a historical document; it’s a testament to the artistic skill and political awareness of its creator.

    Beyond the grand scale of “Donggwoldo,” the museum houses an impressive array of smaller, equally significant works: exquisite Buddhist sculptures from the Goryeo dynasty, poignant calligraphy by Ahn Jung-geun (the assassin of Prince Itō Hirobumi), and a captivating collection of Annals of the Goryeo Dynasty – invaluable historical records offering insights into Korean society during that era. The museum’s archaeological reports, numbering over 75, further underscore its commitment to scholarly research and discovery, transforming it into a vital hub for understanding Korea's past.

    Architectural Echoes and Historical Context

    The Seokdang Museum’s physical setting is as compelling as its collection. Situated on the Gudeok Campus of Dong-A University, the museum occupies buildings that themselves carry significant historical weight. Originally serving as the Provisional Government Building and Busan District Public Prosecutors’ Office during the Korean War, these structures have witnessed firsthand the nation's struggles for independence. The planned move to the Old Law Courts building promises to further enhance the museum’s architectural appeal, creating a harmonious blend of history and modernity.

    The campus itself is a serene oasis, bordered by the lush greenery of Daeshin Citizen’s Park – offering visitors a tranquil escape from the bustling city. This strategic location underscores the museum's commitment to fostering a connection between art, education, and the natural world.

    A Living Museum: Exhibitions and Community Engagement

    The Seokdang Museum is not a static institution; it’s an active participant in Korea’s cultural landscape. It regularly hosts joint exhibitions with other universities through the Korean Association of University Museums, ensuring that its collections remain fresh and engaging for a wide audience. These collaborations demonstrate the museum's dedication to sharing its treasures and fostering dialogue across institutions.

    Furthermore, the museum actively engages with the local community through educational programs, lectures, and public events. Its affiliation with Dong-A University provides access to academic resources and expertise, creating a dynamic environment for both research and learning. The Seokdang Museum of Dong-A University is more than just a museum; it’s a vital center for preserving Korean heritage and inspiring future generations.

    Additional Resources

    Website:

    https://en.wikipedia.org/wiki/Dong-A_University

    Museum Database:

    https://artsandculture.google.com/partner/seokdang-museum-of-dong-a-university

    TripAdvisor Review:

    https://www.tripadvisor.com/Attraction_Review-g297884-d4095604-Reviews-Donga_University_Museum-Busan.html

    Læs mere her

    Findes online

    QR-kode med link til downloadside for Pine tree and tiger painting

    originaluniqueart.com/da/art/download/kim-hong-do-pine-tree-and-tiger-painting-D79CW4-en/

    Kildehenvisning til dette kunstværk

    MLA
    Hong-Do, Kim. Pine tree and tiger painting. n.d., Seokdang Museum of Dong-A University. https://originaluniqueart.com/da/art/kim-hong-do-pine-tree-and-tiger-painting-D79CW4-en/
    APA
    Hong-Do, Kim (n.d.). Pine tree and tiger painting [Painting]. Seokdang Museum of Dong-A University. https://originaluniqueart.com/da/art/kim-hong-do-pine-tree-and-tiger-painting-D79CW4-en/
    Chicago
    Kim Hong-Do. Pine tree and tiger painting. n.d. Seokdang Museum of Dong-A University. https://originaluniqueart.com/da/art/kim-hong-do-pine-tree-and-tiger-painting-D79CW4-en/
    Harvard
    Hong-Do, Kim (n.d.) Pine tree and tiger painting. Seokdang Museum of Dong-A University. Available at: https://originaluniqueart.com/da/art/kim-hong-do-pine-tree-and-tiger-painting-D79CW4-en/

    Se nærmere efter

    Pine tree and tiger painting — Kim Hong-Do

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Vores katalog klassificerer dette værk under: korean art, tiger symbolism, pine tree. Er du enig? Hvad ville du tilføje eller fjerne?
    4. Se tilbage på Tiger under a pine tree(Collection of Leeum, Samsung Museum of Art) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    5. Gennemgående temaer i Kim Hong-Do' værker: dutch golden age influence, korean folklore & symbolism, royal patronage & court art. Hvilke af dem ser du her?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål og svar

    Hvilken farvepalette og hvilken følelse forener "Pine tree and tiger painting"?

    I "Pine tree and tiger painting" ledsages en Powerful følelse af Neutrals farver.

    Hvor kendt er "Pine tree and tiger painting" af Kim Hong-Do?

    Popularitetsniveauet for "Pine tree and tiger painting" af Kim Hong-Do er Iconic.

    Hvilket motiv og hvilken stemning forener "Pine tree and tiger painting" af Kim Hong-Do?

    "Pine tree and tiger painting" af Kim Hong-Do forener korean art, tiger symbolism, pine tree, ink wash painting, wildlife art, traditional korea, asian animals, nature scene med en Mystical atmosfære.