Papir

Guide til elevkunst

Samuel Hey

Navn Klasse Dato

Joseph Sydney Willis Hodges, Samuel Hey (1873), Leeds General Infirmary. Public domain. Se dette lærred i bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
Joseph Sydney Willis Hodges originaluniqueart.com/da/artists/joseph-sydney-willis-hodges/
Kunstnerens årstal
1828 – 1900
Malet
1873
Oprindelig størrelse
130 x 100 cm
Bevægelse
Academic Realism Highly polished, carefully finished realism taught by the official art schools of the 1800s.
Afholdt hos
Leeds General Infirmary originaluniqueart.com/da/museums/leeds-general-infirmary-leeds/

I kontekst

Samuel Hey — Joseph Sydney Willis Hodges

Hvor stor er den?

Originalen måler 130 × 100 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1820
  2. 1830
  3. 1840
  4. 1850
  5. 1860
  6. 1870
  7. 1880
  8. 1890
  9. 1900

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 72 ved død.

Malet da kunstneren var 45 år gammel. Kunstneren blev 72 år gammel. 7 af de 36 daterede værker af denne kunstner i vores katalog er skabt tidligere.

Skyggelagt: Joseph Sydney Willis Hodges' livstid (1828–1900) ▲ dette værk, 1873 hvert dateret maleri, årti for årti

Første værker: frem til 1873 Primære arbejdsår: 1873–1888 Senere værker: fra 1888

Disse tre intervaller opdeler de værker i denne katalog, der er dateret, i et første kvartal, en midterste halvdel og et sidste kvartal. De udgør ikke kunstnerens samlede produktion: en tynd periode kan være et hul i dokumentationen snarere end en stille periode. De samme år, som kunstnerens liv er vævet ind i dem

Sammenlign med

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Se flere lignende værker her: originaluniqueart.com/da/art/similar/joseph-sydney-willis-hodges-samuel-hey-AQURRZ-en/

Farver

Målt ud fra billedet

    Primær farve

    Walnut #693932

    Katalogiseret palet

    • #693932
    • #28211D
    • #C49161
    • #111109

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Farvepalette
    Earthy Den dominerende farvefamilie i billedet.
    Navn på hovedfarve
    Walnut
    Intensitet
    Monochromatic Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Serene Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Discordant Palette Hvor godt farverne spiller sammen, fra kontrasterende til fuldstændig harmoniske.
    Lysstyrke
    Deep_shadow Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Muted Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • mindst 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af Joseph Sydney Willis Hodges i løbet af de sidste tolv måneder — 1 lande i alt. Kildehenvisning til disse tal

    De ti førende lande

    1. 1 Kina 100,0%

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 8 mest viste værker af Joseph Sydney Willis Hodges

    1. 1 James Tennant, 1863 25,0%
    2. 2 Sir John Russell Reynolds (1828–1896), Bt, 1882 12,5%
    3. 3 Right Honourable Matthew Talbot Baines, QC, MP, 1891 12,5%
    4. 4 W. M. Tweedy, 1859 12,5%
    5. 5 Charles Townsend Murdoch (1837–1898), MP, 1900 12,5%
    6. 6 Henry Cooper, Mayor of Canterbury, 1856 12,5%
    7. 7 Alderman Charles Blades, JP 12,5%
    8. — Samuel Hey, 1873 dette maleri 0,0%

    Sammen udgør disse værker 100,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 45 værker af denne kunstner, hvoraf 7 er blevet set mindst én gang. Dette maleri er endnu ikke blevet vist i denne periode — det afslutter listen uden en rangering. Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Kunstner og museum

    Kunstner

    Joseph Sydney Willis Hodges

    A Legacy Forged in Cornish Mist and Academic Rigor

    Born amidst the rugged, evocative landscapes of Truro, Cornwall, in 1828, Joseph Sydney Willis Hodges was a child of an era where landscape and legend were inextricably linked. The burgeoning Cornish art scene, revitalized by the dramatic rediscovery of Tintagel Castle and its deep associations with Arthurian myth, provided a backdrop of mythic grandeur that would forever color his artistic sensibilities. His early education at Marlborough College allowed him to master the delicate nuances of drawing and watercolor, yet it was his subsequent journey to the Slade School of Fine Art in London that truly forged his professional identity. Here, amidst the rigorous demands of academic realism, Hodges learned to translate the physical world into a language of profound precision, preparing him for a career that would eventually define the very essence of Victorian portraiture.

    The Soul Behind the Surface: The Art of Portraiture

    As his career matured, Hodges transitioned from the sweeping vistas of his homeland to the intimate, often formal, chambers of Britain's most distinguished figures. He became a master of the psychological portrait, an artist who looked far beyond the velvet and lace to capture the quiet dignity and inner strength of his subjects. His technique was characterized by an unwavering commitment to detail; every subtle shadow and intricate brushstroke served to heighten the realism of his compositions. Whether depicting the scholarly presence of Theophilus Redwood or the commanding, sophisticated air of Charles Chadwick, Hodges utilized oil on canvas to create a depth of color and texture that felt almost tactile. His mastery was evident in several key elements:

    Meticulous attention to facial features, ensuring each subject possessed a unique, recognizable character and psychological depth.

    Subtle use of light and shadow, which lent a dramatic, often somber, weight to his formal compositions, reflecting the gravity of his subjects' roles in society.

    A profound sense of Victorian elegance, capturing the sartorial splendor and social importance of the 19th-century elite through rich textures and precise rendering.

    Through works such as his 1873 portrait of Samuel Hey, Hodges demonstrated an ability to imbue even a seated figure in an armchair with a sense of narrative importance and historical weight.

    An Enduring Echo of the Victorian Era

    The significance of Joseph Sydney Willis Hodges extends far beyond the mere documentation of faces; he was a chronicler of an age. Through his portraits of clergy, military leaders, and civic luminaries like Lord Winmarleigh, he preserved the social fabric of a Britain in transition. His ability to blend the mythic influences of his Cornish upbringing with the disciplined realism of the London art world allowed him to create works that were both historically grounded and emotionally resonant. As we look upon his canvases today, we see more than just historical figures; we witness the meticulous craftsmanship of an artist who captured the very heartbeat of Victorian society, leaving behind a visual testament to the nobility and leadership of his time.

    Museum

    Leeds General Infirmary

    Udstillet i Leeds, United Kingdom

    A Legacy Forged in Stone and Steel: Exploring Leeds General Infirmary

    The Leeds General Infirmary isn’t merely a hospital; it's a monumental testament to Victorian ambition, medical innovation, and the enduring spirit of healing. Nestled within the heart of Leeds, this imposing structure stands as a palimpsest – layers of history etched into its red brick façade, whispering tales of workhouse roots, pioneering surgical advancements, and a continuous evolution towards modern healthcare. A visit here transcends a simple observation of medical artifacts; it’s an immersive journey through two centuries of social transformation, architectural grandeur, and the relentless pursuit of alleviating human suffering. The LGI's story is inextricably linked to that of Leeds itself – a city forged in industry, driven by innovation, and deeply rooted in its commitment to progress.

    The Infirmary’s origins trace back to 1767, born from the urgent need to provide basic sustenance and care for the impoverished residents of Leeds. Initially functioning as a workhouse, it was a stark reflection of the social inequalities prevalent at the time. However, the true genesis of the building we see today began in 1863 with the ambitious vision of Sir George Gilbert Scott. His design, deeply influenced by the Gothic Revival style and informed by Florence Nightingale’s revolutionary ideas on ventilation and hygiene, represents a remarkable synthesis of tradition and progress. The ‘pavilion’ plan, maximizing natural light and airflow within the wards, was groundbreaking for its time – a deliberate attempt to create an environment conducive to recovery and well-being. Scott's meticulous attention to detail is evident in every arched window, every intricately carved stone dressing, and the overall sense of solemn dignity that permeates the building.

    Within the LGI’s walls resides a remarkable collection that chronicles the dramatic evolution of medical practice. Gleaming Victorian surgical instruments – some surprisingly delicate, others brutally utilitarian – offer a tangible connection to an era when medicine was both art and science. Historical photographs capture pioneering doctors and nurses in their roles, alongside poignant glimpses into the daily lives of patients navigating illness and recovery. The museum doesn’t shy away from confronting the difficult realities of medical history; it presents them with sensitivity and context, prompting reflection on how far we've come. Interactive displays illuminate key breakthroughs – from the development of trauma care techniques that now underpin the LGI’s role as a regional Major Trauma Centre to the groundbreaking hand transplantation program, showcasing the hospital’s continued commitment to pushing the boundaries of medical possibility. The collection is not simply static; it breathes with the stories of those who sought and received treatment within its walls.

    Architectural Marvel and Victorian Innovation

    The architecture itself is a captivating narrative. The red brick façade, adorned with Venetian Gothic windows and intricate stone dressings, exudes an air of both solemnity and grandeur. Scott’s design wasn't merely aesthetic; it was deeply informed by contemporary medical thinking. The ‘pavilion’ plan, prioritizing light and ventilation – a direct response to Nightingale’s principles – is a testament to the intersection of art and science in Victorian architecture. The central courtyard, now housing a tranquil garden, represents a deliberate attempt to create a restorative environment for patients. Note the Potts clock, a remarkable feat of engineering that once regulated ward activities, and the meticulously crafted mosaic floor within the reception hall—details that speak volumes about the era’s craftsmanship and values.

    A Living Landmark: Preservation and Evolution

    What truly distinguishes Leeds General Infirmary is its unique ability to seamlessly blend past and present. The original Victorian architecture has been carefully preserved and integrated into a modern hospital complex, creating a compelling dialogue between heritage and innovation. The ongoing development of the site – including plans for new maternity units – demonstrates a commitment to both honoring the institution’s rich history and meeting the evolving needs of the community it serves. This isn't a static museum frozen in time; it is a living landmark, constantly adapting while remaining deeply rooted in its past. The LGI stands as a powerful symbol of human resilience—our relentless pursuit of knowledge, our unwavering dedication to healing, and our profound capacity for compassion.

    Notable Exhibitions and Historical Highlights

    While the entire building is a museum in itself, several exhibitions within the LGI offer deeper insights into specific areas of medical history. The ‘Victorian Surgery’ display showcases an array of surgical instruments, alongside detailed explanations of the procedures they were used to perform. The ‘Pioneering Nurses’ exhibit celebrates the vital role played by nurses throughout the hospital's history, highlighting their dedication and innovation. Furthermore, temporary exhibitions regularly explore specific medical advancements or historical events, ensuring that the LGI remains a dynamic center for learning and reflection. The museum also hosts regular open days and guided tours, providing visitors with opportunities to delve deeper into its fascinating story.

    Connecting to Leeds’s Past

    The LGI's history is inextricably linked to the broader narrative of Leeds itself. As one of the city’s oldest institutions, it reflects the growth and development of Leeds as a major industrial and commercial center. The surrounding area – including the historic city centre and the River Aire – provides a rich context for understanding the Infirmary’s significance. The LGI's presence has shaped the landscape of Leeds, serving as a focal point for healthcare and community engagement. Exploring the hospital offers a unique opportunity to connect with the city’s past, present, and future—a testament to the enduring legacy of healing and innovation.

    Læs mere her

    Findes online

    QR-kode med link til downloadside for Samuel Hey

    originaluniqueart.com/da/art/download/joseph-sydney-willis-hodges-samuel-hey-AQURRZ-en/

    Kildehenvisning til dette kunstværk

    MLA
    Hodges, Joseph Sydney Willis. Samuel Hey. 1873, Leeds General Infirmary. https://originaluniqueart.com/da/art/joseph-sydney-willis-hodges-samuel-hey-AQURRZ-en/
    APA
    Hodges, Joseph Sydney Willis (1873). Samuel Hey [Painting]. Leeds General Infirmary. https://originaluniqueart.com/da/art/joseph-sydney-willis-hodges-samuel-hey-AQURRZ-en/
    Chicago
    Joseph Sydney Willis Hodges. Samuel Hey. 1873. Leeds General Infirmary. https://originaluniqueart.com/da/art/joseph-sydney-willis-hodges-samuel-hey-AQURRZ-en/
    Harvard
    Hodges, Joseph Sydney Willis (1873) Samuel Hey. Leeds General Infirmary. Available at: https://originaluniqueart.com/da/art/joseph-sydney-willis-hodges-samuel-hey-AQURRZ-en/

    Se nærmere efter

    Samuel Hey — Joseph Sydney Willis Hodges

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Hvor mange ansigter kan du finde? ____ (vores katalog tæller 1 — er du enig?)
    4. Vores katalog klassificerer dette værk under: portrait, victorian era, dignified figure. Er du enig? Hvad ville du tilføje eller fjerne?
    5. Se tilbage på Charles Chadwick (1873) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål og svar

    Hvilken lysstyrke har "Samuel Hey" af Joseph Sydney Willis Hodges?

    "Samuel Hey" af Joseph Sydney Willis Hodges har en luminans på Dark. Luminans beskriver, hvor meget lys farverne ser ud til at reflektere.

    Hvor kan jeg se en forhåndsvisning af "Samuel Hey"?

    Se en forhåndsvisning af "Samuel Hey" af Joseph Sydney Willis Hodges på værkets Forhåndsvisning-side.

    Kan jeg bruge augmented reality til at se "Samuel Hey" af Joseph Sydney Willis Hodges i mit eget rum?

    Se "Samuel Hey" af Joseph Sydney Willis Hodges på din egen væg via kunstværkets Se i AR-side ved hjælp af augmented reality på en kompatibel enhed.