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Guide til elevkunst

Landscape No.268

Navn Klasse Dato

John Virtue, Landscape No.268 (1995), Towner. Reproduceret til referenceformål; alle rettigheder er forbeholdt rettighedshaveren. Se dette lærred under bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
John Virtue originaluniqueart.com/da/artists/john-virtue/
Kunstnerens levetid
1947 –
Malet
1995
Oprindelig størrelse
183 x 184 cm
Afholdt hos
Towner originaluniqueart.com/da/museums/towner-eastbourne/

I kontekst

Landscape No.268 — John Virtue

Dimensioner

Originalen måler 183 × 184 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde. Det er for stort til at kunne gengives i målestoksforhold på denne side.

Hvornår er dette malet?

  1. 1940
  2. 1950
  3. 1960
  4. 1970
  5. 1980
  6. 1990
  7. 2000

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode, hvor 0 tælles fra fødslen.

Malet da kunstneren var 48 år gammel. 0 af de 7 daterede værker af denne kunstner i vores katalog er skabt tidligere.

▲ dette værk, 1995 hvert dateret maleri, årti for årti

Sammenlignelige værker

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Flere værker, der kan placeres ved siden af dette: originaluniqueart.com/da/art/similar/john-virtue-landscape-no-268-AQSNQF-en/

Farver

Målt ud fra billedet

    Hovedfarve

    Espresso #5a5a50

    Gemt palet

    • #5A5A50
    • #EAEBE2
    • #9B9C92
    • #27271E

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Primær farve
    Espresso
    Intensitet
    Monochromatic Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Statement Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Strong Color Unity Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
    Lysstyrke
    Shadow Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Muted Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af John Virtue i løbet af de sidste tolv måneder — 2 lande i alt. Hvor disse tal stammer fra

    De ti førende lande

    1. 1 Storbritannien 60,0%
    2. 2 Kina 40,0%

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 5 mest viste værker af John Virtue

    1. 1 Landscape No.664, 2003 55,6%
    2. 2 Landscape No.739, 2004 22,2%
    3. 3 Landscape No.662, 2003 11,1%
    4. 4 Landscape 715, 2004 11,1%
    5. Landscape No.268, 1995 dette maleri 0,0%

    Sammen udgør disse værker 100,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 10 værker af denne kunstner, hvoraf 4 er blevet set mindst én gang. Dette maleri er endnu ikke blevet vist i denne periode — det afslutter listen uden en rangering. Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Kunstner og museum

    Kunstner

    John Virtue

    Født i Accrington, United Kingdom

    The Monochrome Vision of John Virtue

    In the vast landscape of contemporary British art, few voices resonate with as much atmospheric intensity as John Virtue. Born in Accrington, United Kingdom, in 1947, Virtue has carved out a singular niche through his mastery of monochrome landscapes. His work does not merely depict scenery; it evokes a profound sense of solitude and urban beauty, stripping away the distractions of color to reveal the raw, structural essence of the world around him. By viewing color as an unnecessary distraction, he focuses the viewer's gaze on the interplay of light, shadow, and form, creating a visual language that is both hauntingly beautiful and deeply meditative.

    Virtue’s artistic journey is one of remarkable evolution and dedication. After training at the Slade School of Fine Art in London between 1965 and 1969, his early years were marked by a transition from traditional painting to a more intricate, linear approach. Following a period in Green Haworth, near Oswaldtwistle, he experimented with pen and ink drawings characterized by dense networks of lines, a style reminiscent of the intricate work of Samuel Palmer. This period of intense study and observation laid the groundwork for his later, more monumental achievements, where the fine line meets the expansive canvas.

    Technique and the Essence of Monochrome

    The technical brilliance of Virtue’s work lies in his ability to create immense depth using a restricted palette. Utilizing shellac black ink and white paint, he constructs landscapes that feel as though they are emerging from a mist or a memory. His process often involves textured impasto and expressive brushwork, particularly evident in his oil on canvas pieces, which lend a tactile quality to the monochromatic surfaces. This method allows him to capture the vitality of a scene—whether it be the ruggedness of an estuary or the sprawling complexity of a metropolis—through purely tonal contrasts.

    His most celebrated period as an Associate Artist at London's National Gallery from 2003 to 2005 brought his "London Paintings" to international prominence. In these works, Virtue provided a new vision of the capital, transforming recognizable landmarks such as St. Paul's Cathedral, the Gherkin, and the NatWest Tower into abstract, atmospheric patterns. By working directly at significant sites, including the rooftops of Somerset House and the National Gallery itself, he captured the topographical relationships and the very soul of the city, presenting a London that is simultaneously familiar and otherworldly.

    Legacy and Artistic Significance

    Beyond his technical prowess, John Virtue’s significance lies in his ability to connect the traditions of the Old Masters with contemporary abstraction. His work has been recognized through numerous prestigious accolades, including the Arts Council Major Award and being named the Best Visual Artist in the South Bank Awards. His dedication to his craft is further evidenced by his role as an honorary Professor of Fine Art at the University of Plymouth.

    Today, the enduring impact of his vision can be found in the esteemed collections of some of the world's most renowned institutions, ensuring that his monochrome explorations continue to inspire future generations. His contributions to the art world include:

    The National Gallery, London: Showcasing his monumental works as an Associate Artist.

    TATE, London: Housing his significant contributions to British landscape art.

    British Museum and Victoria and Albert Museum: Preserving his intricate drawings and historical perspectives.

    Yale Center for British Art: Featuring his profound explorations of urban topography.

    Museum

    Towner

    Udstillet på Eastbourne, United Kingdom

    A Coastal Sanctuary of Light and Line

    Perched elegantly along the sun-drenched Sussex coastline,

    Towner Eastbourne

    serves much more than a mere repository for canvas and clay; it is a vibrant cultural heartbeat where the rhythmic pulse of the English Channel meets the profound stillness of artistic contemplation. The architecture itself is a striking testament to contemporary design, specifically engineered to invite the outside world in. Through expansive windows that frame breathtaking vistas of the South Downs, the gallery creates a seamless dialogue between the curated masterpieces within and the raw, natural beauty of the landscape without, ensuring that every visitor feels an immediate, visceral connection to the environment.

    The soul of the institution resides in its unparalleled dedication to the legacy of British modernism, most notably through its magnificent holdings of

    Eric Ravilious

    . To wander through these galleries is to embark on a lyrical journey through the Sussex countryside, where meticulous detail and rhythmic, stylized observations transform the pastoral into something poetic and otherworldly. This regional devotion extends far beyond a single artist; the collection acts as a champion for the South East, nurturing local talent while simultaneously hosting cutting-edge contemporary works from global icons.

    A Legacy of Visionary Bequests

    The history of this institution is rooted in a profound act of generosity, born from the visionary bequest of

    Alderman John Chisholm Towner

    . What began as a modest collection housed in a charming local manor has evolved into a modernist architectural marvel that stands as the region's most significant art destination. This evolution reflects a constant state of metamorphosis, where the museum’s exhibition program acts as a rotating tapestry of fresh perspectives, frequently challenging the boundaries of how we perceive art's role in society.

    For the discerning collector or interior designer, the institution offers a masterclass in how art can define a space. The collection presents works that range from the delicate precision of printmaking to the bold, immersive textures of modern installations, all unified by a shared sense of light and atmosphere. Notable elements of its cultural landscape include:

    The Ravilious Legacy:

    A deep exploration of the Sussex landscape through the lens of British modernist masters.

    Architectural Integration:

    A purpose-built facility that utilizes the surrounding South Downs to enhance the viewing experience.

    Contemporary Dialogue:

    A commitment to hosting international showcases and large-scale commissions, such as evocative sculptures integrated into the gallery grounds.

    Whether discovering the intricate beauty of a print or standing before a large-scale contemporary installation, visitors find themselves in a place where history and modernity coexist. It remains an enduring destination for anyone seeking inspiration, discovery, and a deeper connection to the aesthetic wonders of our world.

    Her kan du læse mere

    • Kunstneren John Virtue originaluniqueart.com/da/artists/john-virtue/
    • Museet Towner originaluniqueart.com/da/museums/towner-eastbourne/
    • Lignende værker Flere værker til sammenligning originaluniqueart.com/da/art/similar/john-virtue-landscape-no-268-AQSNQF-en/

    Findes online

    QR-kode med link til downloadside for Landscape No.268

    originaluniqueart.com/da/art/download/john-virtue-landscape-no-268-AQSNQF-en/

    Kildehenvisning til dette kunstværk

    MLA
    Virtue, John. Landscape No.268. 1995, Towner. https://originaluniqueart.com/da/art/john-virtue-landscape-no-268-AQSNQF-en/
    APA
    Virtue, John (1995). Landscape No.268 [Painting]. Towner. https://originaluniqueart.com/da/art/john-virtue-landscape-no-268-AQSNQF-en/
    Chicago
    John Virtue. Landscape No.268. 1995. Towner. https://originaluniqueart.com/da/art/john-virtue-landscape-no-268-AQSNQF-en/
    Harvard
    Virtue, John (1995) Landscape No.268. Towner. Available at: https://originaluniqueart.com/da/art/john-virtue-landscape-no-268-AQSNQF-en/

    Se nærmere efter

    Landscape No.268 — John Virtue

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Se tilbage på Landscape No.664 (2003) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    4. John Virtue var omkring 48 år gammel, da dette blev skabt. Hvad i værket bærer præg af at være skabt af en kunstner på det stadie?
    5. Hvad har kunstneren måske ønsket, at du skulle føle?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål & svar

    Er "Landscape No.268" af John Virtue et lyst eller et mørkt kunstværk?

    Overordnet set er "Landscape No.268" registreret som shadow. Den oplevede lysstyrke beskriver, hvor lyst eller mørkt værket fremstår.

    Hvilken kunstner tilskrives "Landscape No.268"?

    "Landscape No.268" tilskrives John Virtue.

    Kan jeg undersøge "Landscape No.268" mere detaljeret?

    Røntgenundersøgelse-siden til "Landscape No.268" af John Virtue er en interaktiv viewer, der lader dig glide gennem elleve optiske lag af værkets billede, herunder en visning i røntgenstil.